ADAM - WOW HOLY COW!!!!!!!! YOU HAVE GOT TO BE KIDDING ME...JUST STARTING? WOW...I am really impressed. The human form is one of the hardest things to do and I think you have captured the muscle structure of this headless guy really well. Wow for your first attempts this is amazing. Really good. Here are the things that I think need improvement. The bicep on the right side of the picture is too small...it starts it's connection to the elbow too early. The brown hues were used very well in my opinion...but I think the white highlights were a little too hard edge. I would have liked to see you use the "just add water" tool or the airbrush to get those highlights a little more smooth. The highlights on the throat and neck area don't look quite right. The abdomen looks pretty good man. Wow I am really impressed...great job man.
cmortier - yeah don't sweat it...you can post whenever you want...I started my apples last night but you can just post whenever you are able. Don't you wish we didn't have to work and we could just paint all day!
Well I hate having to post after Adam's...heheh...but here are my paintings from last night. The first is of an apple:
This second one was a really quick self portrait that I did...I wanted to just do it really quickly and with a wide chalk tool so I couldn't really go for much detail. It doesn't look anything like me and I really don't like the final look at all. But it was fun so hey...why not right? hehe.
Oh I painted this bottle like a week and a half ago. It took me about 15 min...thought it would be interesting to post as well.
Last edited by emily g; June 18th, 2007 at 04:43 AM.
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wow! thanks mcm - i've been drawing for a long time but you know copying comic books and comic-book style art will only get you so far - i have that experience to work from but going beyond it feels like a real pilgrimage - it's really exciting! I've never tried really painting before, so this is a really fun thing to start playing with
PS - the shading on your apple is totally stellar - the shadow could use some work, but the apple itself is very natural, you should be VERY happy with it!!
Adam: I can't wait to see more of your stuff. Thanks for the comments about the apple too...I liked the way the shading went as well...I used the "just add water" tool primarily.
This first portrait I cheated on hehe. I wanted to get an idea of shading and how light reacts to my particular facial features (I am doing self portraits lately) so I took a digital photograph of myself and turned the contrast way up so I could see the distinct differences in the way the light was hitting my face. I put that on a seperate layer and lowered the opacity and then I blocked in all the dark/light areas. This is what I came up with. This looks more like me than the other self portraits I have done...obviously right...hehe. But seriously this exercise really helped me a whole bunch. There were some problems that really got solved "in my head" through doing that. I would recommend doing it. It really helped me. Here it is:
I tried to take that knowledge and apply it to this second self portrait....the eyes started to look bad so I just got really close to the mirror and started messing around with it. It ended up really weird...my wife actually said she was scared of it heheh. Man I really stink at drawing ears...and everything else haha...oh well. I will get better!!!!! Here it is:
Last edited by emily g; June 18th, 2007 at 04:44 AM.
Ok, here is my second apple study. Again, without reference, so probably wrong shape...
I will post the third study tomorrow.
Mindcandyman - Your apple is great, did you use the tutorials ?
Adam - Your torso is simply amazing, great work !
cmortier - I see a huge improvement in your rendering of the apples. Wow great job. Try this when you do them next time. Try making your contrast of colors even stronger...Make the darks even darker...the lights even lighter and keep the midtones the same and use the "just add water" tool to blend it all. Try that...you will like the results...gives it a more 3d look.
I was up till 2:30 last night...my wife comes in at 2:30 and says, "It's 2:30"...I had absolutely no concept of time. I was having a blast. Note to self: Don't do this every night...hehe
Here's the stuff I did last night.
This is a robot I did cause I got inspired by the quick painting thread (with the robot theme)...I saved 3 steps in the process...here they are:
Self Portrait from last night:
Proportion study from last night...I tried to utilize some techniques that Loomis talks about in his book "Drawing the head and the hands"...so here they are:
Last edited by emily g; June 18th, 2007 at 04:46 AM.
Wow Mindcandyman, I see also a big improvement in your drawings, this robot is absolutly awasome
I will try this weekend to do also a robot, just to see my level. Patience is the key I think, It will take less and less time to do the same thing...
Thanks cmortier...yeah I was having so much fun painting that robot that I just couldn't go to bed hehe. Here are some close ups if you are curious...I see a lot of the other guys do this so it might be interesting. I can't wait to see your robot! I can see a MASSIVE improvement in the first tree painting you did to this last apple one. Keep going you are doing great. We will both move forward together! :cool: Thanks for the encouragement! Here are the close ups
Last edited by emily g; June 18th, 2007 at 04:47 AM.
hey guys...Rest assured I am still doing stuff...but my image hosting website is going to be down for a couple days so I can't post anything right now. But as soon as it is up I will post more. Thanks,
Here is the robot I've done this morning for the robot speed paint. It has take 30 minutes , It's not finished, but 30 min was my limit before I stop , but I'm very happy with the result, only 30 minutes and I've got that already, I don't beleive it :confused: Speed painting make you do the stuff faster, and you learn so much more than if you take your time I believe. Anyway, I've learn that during this session : Always make the background first, then the sketch, then draw the front subject. (And not the sketch then the front subject, then background...)
Last edited by cmortier2002; October 13th, 2002 at 05:27 AM.
cmortier - Wow that's pretty good man...keep it up...good job! Check out the post that oblio started...jon foster replied to it in there and added a lot of extra instruction to what Jason Manley had originally posted. I am going to be trying out those techniques tonight for sure. Back to creating spheres heheh...the basics are everything though.
At any rate here is the weekend stuff.
This is a wizard's altar that I might try to paint if I have the ability...there is more to the room but I couldn't fit it on the scanner:
This is more of my head study...still not getting it right but I will keep trying.
This is a robot that turned out REALLY BAD...OUCH...THIS ONE STINKS
Here are some other things from this weekend:
These next three were really quick pastel studies...like 2 - 3 minutes each...the last one is not of me but I just was having fun drawing a nameless man.
Last edited by emily g; June 18th, 2007 at 04:52 AM.
Wait... hold on a sec.
Mind i am amazed by your efforts. These are very nice.
Yet.. you HAVE to work on your proportions and to clean up a bit.
Try this: SIMPLIFY FORM. Try a lowpoly approach.
Use a marker and fo outline - think twice before putting a line on the paper.
Drawing is LOGIC - you have done one eye - then draw two lines to se where that other eye goes. Use the reflection of yourself only as a reference. Try to understand the form - split it in cubes, cilinders, etc - primitives.
If you realy have to hatch - quit those vertical lines - the lines should work around the shape. Draw a sphere and do vertical lines hatch - then do hatch with lines going around.
Both ways are fine but the seccond reveals form better!
I hope you get this as a kind advice since this is all it is. Yours,
Good call Oblio
I appreciate the encouragement. You are dead on about my proportions. I am having such a hard time with them. I think you are right about just taking a mathematical approach to it. Maybe I should just do a bunch with just a sharpee pen or something. I think it will help me when I actually study the anatomy of the face as well. I will try that tonight as well. Question: What do you draw first...do you draw your eyes first...head...etc? Do you think that makes a difference? :confused:
I am having problems with my proportions in my self portraits...can anyone offer an effective way to measure(map out) the face for when I do my self portraits. I am having such a hard time.
This first one is a study of light and the different shades it creates...trying to learn from a post that foster did in the SCHOOLYARD section...tell me what you guys think...just spheres in different lighting.
This is my latest self portrait...as you can see I am having problems with proportions...so I wrote on the "chalkboard"...not to have bad proportions hehe.
Last edited by emily g; June 18th, 2007 at 04:54 AM.
Hey all. I was out of town for a few days, which is why I haven't been posting.
Jonathan, you may not see it, but you really are getting better by the day.
Stick with those anatomy books. Keep working on the proportions, and don't get discouraged that you don't get everything correct right away. No one does. I guarantee even the pros on this board who have been drawing for 20 years still work on their anatomy/proportions from time to time. It really is a lifelong process, and not something you learn all at once and then never have to worry about again. (And believe me, I remind myself of this all the time whenever I'm struggling with drawing anatomy.)
I really liked the portrait you said you "cheated" on with the digital photograph. The final piece looks very Van Gogh-esque. That's a big compliment coming from me. And that wizard's altar was sweet.
You asked what order we drew facial features in. I can't speak for everyone else, but I think you'll be pleased with the results if you try this: Rather than drawing an eye completely and then moving on to the nose and so on, try sketching out the basic forms of the whole portrait very lightly right at the start. It's much easier to correct obvious errors in proportion at this preliminary stage.
Once you think things are laid out basically correctly, then go back in with heavier, more permanent lines and do your rendering. I guess some people do one sketching pass and one final rendering pass. I usually do a sketch, a correcting sketching pass if need be, and then at least two rendering passes. This approach helps me to apply detail only where it's really helpful to the whole piece, rather than obsessing over every square inch.
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