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  1. #4291
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  3. #4292
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  4. #4293
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    What you're doing with this sketchbook is fantastic! Thanks for sharing

  5. #4294
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  6. #4295
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  7. #4296
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  8. #4297
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  9. #4298
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    The Last of Us Book review

    I love the game, specially Joel & Ellie. I wanted to have the concepts that
    you unlock on the disc in print form so I was really looking forward to this artbook.

    It sucks that there is no credits for the game artists.
    The publisher Dark horse books could not even print a tiny list somewhere,
    what balls to include other people but not the naughty dog folks, specially the concept artists.
    Blows my mind at the lack of respect & common sense.

    Best pages in the book are 8-9, whoever did that concept I'm grateful for it
    and gave me so much feels seeing it after finishing the game, good job.

    Pages 18- 21: Are pure gold, a couple of those Ellie concepts could've been placed one by one on a full page.

    Pages 32-33: I like it when they place an establishing shot with some storytelling besides the barrage of iterations, We all do those I know.

    Pages 46-49: Nice art and iterations

    Pages 74-75: Some awesome designs, too bad they are so small on the page, y'all can see them bigger on screen if you unlock this concepts.

    All the infected section is full of nice concepts, imho I think these designs look great up close but
    80% of the time I see the zombies from far away or even through "Joel's hearing mode" which makes them look like silhouettes.
    There's a lot of potential to unlock with the whole funghi infected concept on the next game, specially on the silhouettes,
    but hey that's just my 2 cents.

    If any of you Naughty Dog Artists read this, "high five" I wish I knew who you are.
    If any of you Dark Horse Books people read this, "kick" I wish I knew who you are.

    >>>
    And now the daily sketch.

    robogabo - Daily Robo sketches & Mo

  10. #4299
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  11. #4300
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    Oh man that sucks to hear about the lack of credits for Naughty Dog people.

  12. #4301
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  15. #4304
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  17. #4306
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    I think I am in love with the fluidity of your lines

  18. #4307
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    Nice work buddy...!

  19. #4308
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  24. #4313
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  25. #4314
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    love the daily sketches, and the sketches you posted with the book review are awesome too, but do you limit yourself with the time you have to complete each of these? and i hope this doesnt come off bad, but it would be cool to see some more sketches that are a bit more defined.
    MY SKETCHBOOK!
    Some Sketchbooks you should check out! --->
    (expect this list to change alot)
    Mattinian
    RazorB
    Albino-Z
    MatejaPetkovic
    Cold
    Jama

  26. #4315
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  27. #4316
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    That is a lot of fantastic sketchwork you've got going on here! I always love seeing this sort of cohesion between looseness and accuracy!
    Art is not about competing against others and being better than everyone else, but it is about competing against yourself and discovering your greatest potential!


  28. #4317
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    Hey man, just checked out some of your blog posts, love the monster hunter work, also a big fan of the series.

    One question, when you paint do you use the opacity pressure or manually control it, as the colour and sharpness of your work is sublime!

  29. #4318
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    I start without opacity, set up all the color tone areas, like skin, armor, etc.
    Then I can use opacity with pen pressure sensitivity to lay in the mass light & shadow.

    Thanks

    >>>

    robogabo - Daily Robo sketches & Mo

  30. #4319
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    I think my last post was deleted, i'll try to reply again.

    I use full opacity to lay in the colors/tones, the use pen pressure opacity to do the mass light and shadow.
    >>>

    robogabo - Daily Robo sketches & Mo

  31. #4320
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