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May 4th, 2006 #66
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I dont know what to say Flint, nowadays art can be anything..i do admire some of the work you guys do, Collins is extraordinary no doubt but i think he can push himeself much much more.... if we.. just would learn from the past, really appreciated and not throw it away..like it never existed... you see all the professions in the world have advanced and we as painters have gone down..it think is mainly because our individuallity gets in the way..in the past there was one language and a few variations but it was so high up...artist helping and competing so fiercely, so much work and passion (not like we are not trying today..but it was three times as harder just like the science of music with his own language..which all artist had to learn..there were high standards and competitions..so much respect from the 3 old masters (raphael,michaelangelo,leonardo), sadly it is the truth..and well ..if you have seen their work..well i bet you have...you would agree with me...Studying . and accepting the great does not make you a lesser artist..it pushes you more..My question is what would you invent another language of art if it already has been written..wouldn't it be better to learn it well and then ..improve on it..but that means at least equalling the past to then surpassing if is possible...but anyways...I do look back,so i can see today and then tomorrow..take care and well good luck..
Last edited by the_allejo05; May 4th, 2006 at 08:44 PM.
May 4th, 2006 #68
You are a total legend.....
What do you do when life gives you lemons? You clone those lemons.... and make Super-Lemons...
May 4th, 2006 #69Registered User
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- Feb 2003
- Thanked 39 Times in 30 Posts
beautiful work, and props on obviously studying your ass off... 28! yikes!!
i do have an observation though... youre still lifes are gorgeous, near flawless, but theres something strange about your portraits... its almost as if theyre being treated the same as the still lifes... theres something plastic about them, as if they were dolls instead of people... perhaps it is because you make the color transitions in the skin so perfectly smooth? i cant figure it out, so i guess i cant make an informed crit, but something about them feels..... unreal.....unalive?
not to debase your work in the slightest, youre obviously very much in the know and have even more heights to reach as the years unfold....
could you tell us more about your process?
May 4th, 2006 #70
wow I think I just shit myself... that's absolutely incredible.. so real but with an extra quality to them that just makes them so much more..
I don't know what to say..
damn amazing stuff
May 4th, 2006 #71Registered User
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- Aug 2005
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Those really are amazing. It's obvious you've dedicated a huge amount of time and effort to your craft, and it shows as you're paintings are on the same level as, if not higher, than the 50+ year olds on that gallery's site.
I'll also agree with the allejo on the quality of modern paintings and will readily admit that I have recently made a conscious move towards learning traditional techniques before I decide how my own style should look (of course I can only dream of painting with that mastery). Kudos for painting how you want to paint to the best of your ability (with amazing results).
Again, just a bang up brilliant job.
May 5th, 2006 #72
Originally Posted by Vhan juju
May 5th, 2006 #73
I think my brain just...pld:
May 5th, 2006 #74
Every witty comment I could make would just cover up that I'm entirely speechless being confronted with your work.
May 20th, 2006 #75Originally Posted by the_allejo05
funny, i was actually thinking the same thing.
do me a favor dude, go pick up the book "goad" and look at what phil hale has done. fucking amazing. way more interesting than your work.
no offence intended mind you, you've got a lot of great stuff here. but with this level of realistic detail i ask, "why not just take a photo?"
seems like a lot of wasted effort to me. theres just nothing unique about these paintings.
again, it is amazing work....but its boring.
here's a challenge for your next painting: paint your fencing jacket and equipment again, but do it in motion. have 2 guys fencing, but no people inside the outfits.
or if you want to do a still life, do it of something interesting(although i do give props to the fact that you ddin't do a still life of a skull with a glass of wine).
whats gonna make your painting unique?
for example: i can look at 5000 photos of various photographers and i can pick out a photo by Joel Peter Witkin every time.
think about it.
Last edited by TheDirtSyndicate; May 20th, 2006 at 07:11 AM.
May 20th, 2006 #76Registered User
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- Apr 2006
- Thanked 6 Times in 6 Posts
you must be the best photorealist drawer ever 0_O dont understand how people do that.. 0___O *amazed*
May 20th, 2006 #77
amazing!!! really, really amazing!!
but i do agree with Layil about your portraits
May 20th, 2006 #78