Ignazio Del Mar - Composition 1.1
 
View testimonialsView Artwork
Results 1 to 23 of 23

Thread: Ignazio Del Mar - Composition 1.1

  1. #1
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0

    Ignazio Del Mar - Composition 1.1

    Hi there!

    I'm happy to begin with my first assignement. At first I felt a bit uncomfortable seeing all the great works in here, I think they are all way above my level. However, I'll give it a try.

    My first study relates to the work of the german painter Carl Blechen: Grotto in the parque of Villa d'Este.

    Name:  blechen Grotte.jpg
Views: 353
Size:  282.2 KB

    I chose it as i thought it would not be to complex for a start. But working on it I got more and more impressed of it. There was much to dirscover. How tricky he balanced the weight of the two monks with the dark shadows on the left side of the Grotto. I enjoyed how he guided the viewers eye with the crisp shadows of the stony structures, as well as i was impressed by the many varyiations in the caves outer edge contrasting to the mostly undefined background.

    Now I'm looking forward to your critiques!

    Reply With Quote Reply With Quote


  2. Hide this ad by registering as a member
  3. #2
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Here goes #2: Birth of Venus

    The amazingly detailed Masterpiece by Alexandre Cabanel has a strong rythm and plays with repetition and variation. Look how the flock of angels make up an almost symetrical counterweight to the lying Venus.

    Name:  alexandre cabanel - birth of venus.jpg
Views: 143
Size:  217.1 KB

    The study took me about 70 minutes.

    Reply With Quote Reply With Quote

  4. #3
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Next one: Japanese Woman by Bertalan Szekely

    Name:  japanese-woman-1903.jpg
Views: 130
Size:  269.3 KB

    I love the way he has arranged this piece. The playing with strong lines visible throughout the picture. Finally I discovered that he balanced her body with the lighter drapery at her legs.

    Reply With Quote Reply With Quote

  5. #4
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    I like this practise.

    I just finished number 4: The study of Monica in Oil by Fabian Perez.

    Name:  fabian perez 3.jpg
Views: 138
Size:  251.4 KB

    I am deeply impressed by his focussing on the emotive side of the portrait by light. The work appears almost photorealistic although he uses realtively rough strokes. Note how he reduces the amount of detail in the areas out of foucs to the absolute minimum.

    Reply With Quote Reply With Quote

  6. #5
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Here goes my No. 5:
    Salvador Dali: dream caused by the flight of a bee around a pomegranate a second before awakening

    Name:  Salvador-Dali_Traum.jpg
Views: 120
Size:  312.5 KB

    Dali was the artist which really caught me when I was a boy of about 12 or 13 years. And he should accompany me for many years. I read a lot of stuff he wrote, and I am still deeply impressed.

    The study turned out to get really painfull for me, as I underestimated the amount of concentration it would take me to stick to it. Now I am simply happy that its finished. Usually I work on the whole picture at once, but this time I felt more comfortable with creating the pictorial elements as they appear in the cosmos of the image. It really felt like one was born from the element behind it until the last dark shade, the bayonet, touches Gala, Dali's Venus. Somehow I sense 2 triangular shapes of almost equal size in the work: the dark horizontal - with the pomegranate at its tip an the cliff as the root - versus the light triangular with the elephants obelisk at its tip and the plane beneath Gala as its root. and both shapes have an opposite colored circular form at the almost same position: The white circular form right of the elephants leg versus the dark little pomegrante with the bee at the lower part of the imagine. Impressive.

    By the way: It took about 2.5 hours.

    Note the pretty simple, almost geometric background while there is a vast of detail to observe in the well composed elements.

    Reply With Quote Reply With Quote

  7. #6
    Join Date
    Jul 2014
    Location
    Seattle
    Posts
    17
    Thanks
    0
    Thanked 2 Times in 2 Posts
    Follows
    0
    Following
    0
    Good work! I really like your last Dali, as well as your study of the Birth of Venus. My only critique would be, don't be afraid to use darker values for your darkest darks. All of your paintings tend to be lower contrast than the originals.

    Keep it up!

    Reply With Quote Reply With Quote

  8. The Following User Says Thank You to caitlynpatten For This Useful Post:


  9. #7
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    @caitlyn: Thanks a lot. You are absolutely right, i'll try to work on my contrasts.

    Today I studied de la Roche: Lady Jane Grey

    Name:  DelarocheLadyJaneGrey.jpg
Views: 105
Size:  362.7 KB

    What an impressive work of him. I did not observe its emotional impact before I did study it. And it leaves so many questions to the viewer. I love how it emphasis in different levels.

    It tried to work on my contrasts as well as i tried to speed up working, thus this one might appear more rough. I hope its still detailed enough!

    Reply With Quote Reply With Quote

  10. #8
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    This time I have chosen Gerhard Richter: The Reader

    Name:  7 richter.jpg
Views: 99
Size:  169.4 KB

    Everytime I see his portraits, I am astonished by the life - likeness he achieves with a very economic use of details. His rendering of the values is outstanding.

    I still trie to push my contrast working a bit further.

    75 minutes.

    Reply With Quote Reply With Quote

  11. #9
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Just a quick study this time: Caspar David Friedrich: Sea of Ice

    Name:  8 Caspar_David_Friedrich_006eismeer.jpg
Views: 98
Size:  302.4 KB

    I love its strong rythm and how he brakes the hard edges with softer snow structures. It is full of variations of the different stone and ice types, which makes it look even more impressive. The shipwreck on the right pops out even more as its outline is the only unique part of the piece.The distant mountain in the upper left is an almost exact duplication of the structure in the focus, by this repetition the eye is guided into the depth of the picture. The original work is amazingly detailed.

    30 minutes.

    Reply With Quote Reply With Quote

  12. #10
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    O.k., next one done:

    Vuelo de Brujas (Witches Flight) by Francisco Goya

    Name:  9 Witches_Flight_Goya.jpg
Views: 106
Size:  472.1 KB

    I like the atmosphere of the piece. Its darkness and the way the scared guy in the centre is emphasized to explain the scene above: 3 witches which caught a guy, maybe sucking his blood, or whatever. Without the guys on the floor it would be hard to read the work. The donkey finally appears to be a symbol for something I don't actually understand. The people of Goya's time might have understood. I should consult wikipedia on it.

    Reply With Quote Reply With Quote

  13. #11
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Half way thorugh now.

    This time I rethought my techinque. It finally brought me to a point where structuring and planning of the painting gets more easy.

    Name:  Hendrick_ter_Brugghen_-_The_Merry_Drinker-s.jpg
Views: 87
Size:  294.4 KB

    This time its Hendrick ter Brugghen: The Merry Drinker.

    I love its rythm and flow. Its amazingly detailed in the areas hit by the light, in the rest of the piece ter Brugghen used detail very economically.

    Reply With Quote Reply With Quote

  14. #12
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Next one: eugen de Blaas: The Flirtation

    Name:  11-Eugen_de_Blaas_The_Flirtation.jpg
Views: 88
Size:  348.4 KB

    I really like the lighting of the piece.It looks so natural. The repetition lies int the rythm: The heads, the shoulders, the hands, the feet... they all form almost identical curves pinting to the upper right of the image.

    45 min.

    Reply With Quote Reply With Quote

  15. #13
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    On we go:

    Herbert James Draper: Lament for Icarus

    Name:  12 lament_for_icarus-large.jpg
Views: 96
Size:  372.5 KB

    I like the way the dead Icarus is emphasised by the strong contrast of the light nymphs and feathers surrounding him. The almost rectandular angle of the dark wings supports that, while the landscape in the background balances the main scene.

    About 90 minutes.

    Reply With Quote Reply With Quote

  16. #14
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    My next study is again a piece of Fabian Perez: Man with Guitar

    Name:  13 fabian perez.jpg
Views: 87
Size:  180.2 KB

    It's great to see how he concentrates on the ares touched by the light, leaving the rest of the canvas black.

    I used a pretty rough brush to catch a bit of the appearance of the original.

    Reply With Quote Reply With Quote

  17. #15
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    My next study shows Jan Vermeer: Christ in the House of Martha and Mary


    Name:  14  Vermeer Christ_in_the_House_of_Martha_and_Mary_.jpg
Views: 70
Size:  293.9 KB

    It was a bunch of work to paint it... especially as drapery is something I really struggle with.

    When I first saw the piece, I immediately assumed that the guy was Jesus. I wondered why I associated it with him, although the scene is not a typical one at the first sight. Maybe it was the pose? By studying it I observed a discrete corona of light behind his head, which I never have paid attention to before.

    Reply With Quote Reply With Quote

  18. #16
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Gaetano Gandolfi: Retrato de mujer joven

    Name:  15 Gaetano.jpg
Views: 76
Size:  257.2 KB

    I like the soft blending of the piece (which I obviously failed to reproduce in the study). The lighting and the economic use of detail in the shadows gives it a very nice appearance.

    Reply With Quote Reply With Quote

  19. #17
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    The next one is Bouguereau: The Abduction of Psyche.

    Name:  16 Bouguereau.jpg
Views: 75
Size:  456.1 KB

    What an inspiring piece of Art! I am stonished by the way he variates the materials (feathers, cloths, skin, hair etx.)

    It took 2 hours to get to this point.

    Reply With Quote Reply With Quote

  20. #18
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,290 Times in 2,825 Posts
    Follows
    2
    Following
    1
    Ok great to see where you are at. When you are first getting started it is very important to really focus in on the mapping out of your shapes as accurately as you can possibly get them. If you put a shape in the wrong place and commit you end up having the other shapes off and require fixing, which increases painting time. By taking just a few extra minutes early on to measure out your shapes, to compare your shapes, and be sure they are placed and drawn accurately will make the rest of the painting process, working out your values and edges, much much easier.

    You should flip the images horizontally and vertically so that you see the shapes with fresh eyes. This should be part of the process and if you are already doing that, keep doing it more. The professional artists will often flip images or use a mirror to see with fresh eyes as many as three or four times a minute as they are working when things really get flowing. You can also back away...actually get up and back away...and doing this works for shapes as well as checking values and edges.

    Keep up the good work.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  21. #19
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Thanks for your advice, Jason.

    In the following study I tried to focus on the shapes. The flipping of the image really helped me a lot.

    This time I have chosen Hippolyte Delaroche: Heroidas

    Name:  17 delaroche.jpg
Views: 60
Size:  404.6 KB

    I like how he varies cloths and the drapery in this piece.

    Reply With Quote Reply With Quote

  22. #20
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Gaetano Gandolfi: Head of a Bishop

    Name:  18 Gandolfi.jpg
Views: 52
Size:  246.9 KB

    I like how he emphasized the bishop's face by reducing the amount of detail outside the focus to the minimum.

    2 hours spent.

    Reply With Quote Reply With Quote

  23. #21
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,290 Times in 2,825 Posts
    Follows
    2
    Following
    1
    These are stellar and you are absolutely on the right track. My only comment would be to use textured brushes to pick up some of the surface quality of the thicker areas of the paint when surface is so obvious. That will bring these to the next level and help with atmosphere and capturing the essence of the work. A bit more analysis of the compositions would be great to see too.

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  24. #22
    Join Date
    Aug 2014
    Location
    Germany
    Posts
    28
    Thanks
    1
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    0
    Thanks for your highly motivational comment, Jason. I'll try to work on that - I have to admit that my photoshop skills are not the best, especially regarding the use of brushes.

    My next study relates to Anders Zorn and his painting "an Algerian man and boy looking across the bay of Algiers".

    Name:  19 Anders Zorn.jpg
Views: 39
Size:  1,019.7 KB

    At the first sight I thought this one would not be to difficult to study. It looked pretty easy and I thought it would be a welcome contrast to the old masters I studied before. Finally it took more effort than I expected to render the image. I found it quite difficult to render the light forms. However I enjoyed it a lot to paint it.

    Coming to analysing the picture the focal point is quite obvious. The face and hands are the darkest areas of the painting. Interesting how the two shapes balance each other. Then I observed that Zorn uses triangular forms again and again. I tried to show some of them in the sketch on the lower left (A) - they are highly variable relating to their content however some of them are balancing each others, too. Second I observed that the more detailed area, which means the persons and their drapery on the left, is balanced by an almost undefined area of nearly the same size, rotated by 180 degrees, on the right.

    (B) Finally I noticed that the lighter areas of the painting are almost equal the darker areas in size. Rhythmical bows guide the watchers eye, while the diagonals and the orthogonal lines of the wall emphasize the perspective depth of the work.

    Name:  19 analysis.jpg
Views: 30
Size:  265.6 KB

    Reply With Quote Reply With Quote

  25. #23
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,290 Times in 2,825 Posts
    Follows
    2
    Following
    1
    great job on your analysis and with the shapes. double check your dark darks as they seem stronger. Be sure your values are spot on!!

    You are totally getting this so just keep pushing. I look forward to more updates.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

Members who have read this thread: 37

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
  • 424,149 Artists
  • 3,599,276 Artist Posts
  • 32,941 Sketchbooks
  • 54 New Art Jobs
Art Workshop Discount Inside
Register

Developed Actively by vBSocial.com
The Art Department
SpringOfSea's Sketchbook