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Thread: Composition 1.1: Amean
May 6th, 2014 #1
Composition 1.1: Amean
let's get started!
question#1: is portrait allowed in this study?
question#2 : Is this good enough? i tried not to concentrate too much on the details and keep it rough!
I chose this artwork because of the way he has shown the flow of body on the bed, and the way he has captured the calmness in the T shape in middle of the piece!
I also love the way of value distribution throughout the canvas!
Last edited by ameanman; May 13th, 2014 at 07:27 AM.
Hide this ad by registering as a memberMay 6th, 2014 #2
I'm very interested in this kind of composition, an standing figure, and i'm gonna do more of these!
what interests me the most in this composition is the darkness in the middle of the guy's body that goes to the right of the piece, and there's light on the left!
May 7th, 2014 #3
portraits are fine to study. yes.
very nice start to these. I think you can be more accurate in shape, value and edges. Really focus on getting your shapes mapped out perfectly and as accurately as you can. Do the same with your values and the same with your edges. You are doing good work. I think you can get closer though...so don't worry if you have to slow down a little to get there. The speed will pick back up.
keep up the great work.
May 7th, 2014 #4
I will make sure to work on that and get closer on the next ones!
Thanks again for the critique!
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May 8th, 2014 #5
I chose this simply for the way nikolay is showing the stance of the figure, and the way he's holding the cigar in his hand, and how he has put a figure with dark clothes in a not so bright room, and he has used the brightness of the skin to move the eye through the piece!
May 13th, 2014 #6
It's frazetta time! I chose this one for the fact that I personally love painting scenes in the night time, and handling them has always been a challenge for me,
there's a certain calmness in the scene, which I can tell is achieved by the placement of the branches framing the piece like a curtain in a theater,
and the pose of the body and the way the moonlight is running through the figure, although it's not physically possible!
May 13th, 2014 #7
Environment has always been a challenge for me and I have almost no Idea how to finish a piece like this! the simplicity and the balance that the placement of objects brings to the piece are interesting to me.
the way he has used the reflection to draw the eyes to the boats, and keep the eye on the left area of the piece is elegant, and the continuity
Last edited by ameanman; May 13th, 2014 at 02:32 PM.
May 14th, 2014 #8
I wanted to study this piece because I always have trouble with portraits and the placement of head in the piece!
distribution of light and dark throughout the piece is adding to the calmness of the scene
May 19th, 2014 #9
I Chose Mucha's work, specially this one for several factors,
one is the economy, the empty large background that is creating an environment for the feeling of the face to be seen.
the other one is the use of interesting patterns on her scarf, and of course, the emphasis element for the face
Last edited by ameanman; May 22nd, 2014 at 11:18 AM.
May 20th, 2014 #10
I chose this work because of the element of repetition(folds), and balance throughout the whole piece!
the darkest darks are gathered in the top left and bottom right of this artwork and the white line going to the left corner of the piece brings the balance and takes a bit of the weight from center
May 20th, 2014 #11
1- element of repetition, all that textile around the piece folding
2- element of balance, the work is almost a symmetry,
3- emphasis, it's so interesting that in this work, face is not the brightest, but it's center of the attention, the skin tone is defined darker than the textile, so the eye goes straight to the face of the model
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May 21st, 2014 #12
I chose this one for the element of emphasis, which has been used on the face of our character, and also on the shiny parts of the suit
May 22nd, 2014 #13
I chose this work mainly for the element of continuity! the light moves from the face of the character to the head.
the other one is the economy, all the dark area around the subject, and then we have light to put emphasis on the figure and the statue
May 24th, 2014 #14
wow you are getting a lot done. this made me happy to see. Your surface textures are coming along well too. mainly, the area for you to focus on immediately is accurate portrayal of the values you see. You can get closer than you are...for example, take a look at the light hitting the sleeves in the latest study. The Rembrandt. for the next round of images please take time to do a second pass and quality control check on your values. Once those are consistently accurate you will have made the next step. Keep up the great work.
May 24th, 2014 #15
Thanks for pointing that out!
May 24th, 2014 #16
This was a hard one! the face was really tricky, but the reason I chose this was the way he's putting all the emphasis on the face, the very dark lines around the eyes, and the distibution of dark and light that is much more varied in the face! all the bottom part of the piece is white, and the top part is dark and that was an interesting way of putting things together
May 24th, 2014 #17
this one was on my mind from the start, but i thought that there's no composition element to this, but now after 12 studies I clearly see how there's repetition in the thing around the neck and how all of the main contrast is in the face and there's not much detail around the piece.
May 25th, 2014 #18
I chose an environment again because I really don't have any Idea How to start and finish one!
The thing that I found interesting in this piece is the bright line in the middle of the rocks, that attracts the eyes, and flows from the sky to the ground! it has put an emphasis to the center of the piece , and the artist has used dark trees to bring balance and keep everything heavy and on the ground!
May 25th, 2014 #19
It's a small part of a sargent's work! The little girl's clothes are much brighter than any other element in the background, and I think he has purposely made the socks black to keep the balance and really bring out the whites in the figure!
May 25th, 2014 #20Registered User
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great jobs here. I can't really find any advice to give you, because every study you did is it great.
In this last one maybe the shadow of the little girl behind here is a bit higher compared to the original and the face is a bit bigger. So is more about the shape, but are subtle differences.
Very nice job.
Keep it up
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May 26th, 2014 #21
these last two are right where you need to be. I was looking through the last four and going to push you on your values and then i scroll down and you have it resolved. Great job. Keep focused on being consistent now. great shapes. great value owrk. great edges. keep all three as checkpoints to double check and triple check.
you are on the right path. keep them rolling now!!
May 26th, 2014 #22
May 28th, 2014 #23
This one was quite a challenge, and I really wanted to test my skills on painting such composition, cause I want it to influence my future work!
There are so many elements in this piece! most Importantly the elemnt of emphasis in the center of the piece, the dark head of the character with the bright fire that attracts the eyes in the first sight!
I still need to work on my environment painting skills!
May 28th, 2014 #24
It was interesting to me how there's a triangle like movement is going on in this piece!
you move from the head to the hand and the skull, and the foldings are created with the slightest change in value so it does not break the movement! and then we see the economy, how the artist has boldly chosen to leave the entire canvas dark except for three areas!
Last edited by ameanman; May 28th, 2014 at 11:17 AM.
May 30th, 2014 #25
this one was really tough...
there's a certain emphasis on the figue, but the artist has tried to show the things that is going on in the piece with partial lighting. for example, why would the book be lit like this? because the contrast draws the eyes!
there's an interesting rhythmic quality to the figure, and i didn't notice the little sheep in the corner till the very end!
May 30th, 2014 #26
Excellent. really good work.
Keep a close eye on your values. You can get a little bit closer there (the male portrait...the face for example). Really great work regardless...just gotta tighten up on matching values a little tiny bit and you will be very close.
Keep up the great work.
June 2nd, 2014 #27
This piece has an interesting and rather odd use of variety and pattern in it...
you cannot deny the facial expression of the creature, but the snakes, with their specularity and their curves, they're everywhere, yet none of them look like the other
June 3rd, 2014 #28
And for the last one! I Tried to add an edge study to my other studie, and this piece seemed appropriate.
there's a value exchange from the bottom of the piece to the top!
and there's also a contrast to show off the amount of tension that there is in scene.
June 4th, 2014 #29
Ho my god, your progress is really...
Good work man.
Maybe on this last one, i will put some darker value on the face.
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June 4th, 2014 #30