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Thread: cake and grief counselling
April 9th, 2014 #14
Thank you, thejamesbanks -- and sorry if it seems like I was stalking you. I just have a tendency to be on right after you've updated, lol.
Thanks so much, kayness! I haven't checked your sketchbook yet but I love your icon.
Did some gesture drawing yesterday and really liked this pic, so I did a value study. Seeing the thumbnail just now, realised I didn't get her left arm quite dark enough... aaaaand that's why you zoom out for values, self.
P.S. Anyone feel free to critique anything despite the whole 2014-hates-me rant up there.
Hide this ad by registering as a memberApril 9th, 2014 #15
You need to post lots more...I need more!
April 9th, 2014 #16
I second that motion!
There's a lot of great stuff here, and in your comp 1.1 thread. Can't wait to see more!
For your most recent piece, I'd revisit the thumb on the left hand (our right) and the relatively flatly rendered right shoulder. The clavicles are a little uneven, also.
That said, I'd say the strongest part is the right forearm and hand. Wonderfully done!
April 9th, 2014 #17
I had a giggle at the thread title first before actually looking at your work, glad I did, it's got some good stuff in here.
Never apologise for fanart, I've always figured that it is just as useful an application as studies are
Regarding critique, do you have any process shots of the way you did the female study in post #14?
April 24th, 2014 #18
So I managed to get moved but I've been without internet. Still plugging away, though.
Paladis - Deadpool! Your icon made me happy. And thanks so much! Have you seen the new Cap movie?
Skoops - Thanks so much! I went back and tweaked her hand, but I couldn't remember what else you'd critiqued -- except the clavicle. I think it might be beyond me, but I'll give it another go.
fionkell - Thanks! I think I improved a lot after getting into fanart, just because I was drawing more often. As for the female study, I only have a screencap I took halfway through.
I didn't discover 'til just after that it was easier to use a softer brush starting than try to blend the hard-edged one I was using. I'm still trying to work out a routine for more painterly things.
And here's some random other things:
The last one is for a friend, of two of her original characters (I keep forgetting to tweak the standing chick's shoulder so it isn't so rounded, oops). I've been doing a lot of gesture studies as well, but they're mostly in my sketchbook so I'll spare you the crappy phone photos for the moment. And I'll probably end up editing this at some point so it's a nice neat grid shape.
I have a lot of time on my hands lately, and I've been trying to channel it all into drawing, but I'm ending up overwhelmed because I want to do ALL THE STUDIES, and draw ALL THE THINGS, and mostly I'm just running around in circles making lists of things I could be doing. Tips?
Last edited by verilyvexed; April 24th, 2014 at 01:27 AM.
April 24th, 2014 #19
Your comic book art is amazing. Do you have a Cintiq or something? How do you do such good line work?
April 24th, 2014 #20
Thanks so much! I wish I had a Cintiq -- it's a refurbished cheapest-I-could-find Bamboo Connect, and I really need to replace the nib. I usually feel like my lines are all over the place, but I just try to draw really big then shrink it. Line wobbliness shows a lot less. And I use a custom brush preset I found somewhere that's meant to mimic the scratchboard tool in Corel Painter -- it's a lot less fuzzy than the default pressure-size PS brush (but I think if you sharpen the PS brush afterwards it probably gives the same effect).
April 24th, 2014 #21
All that stuff I get - what baffles me is the disconnect when using a tablet. If I'm drawing on paper the drawing is right there, and I can see exactly the orientation of the paper, I know exactly what angle my lines will go when I make them. But with a tablet - a blank grey surface that stares mutely back at me as if mocking my every effort - I can see where the tip of the stylus is aimed, but I can't be sure the tablet is lined up perfectly with the monitor, so if I make what should be a perfectly 'horizontal' line, it might angle a little up or down.
It's probably worse because I draw with the tablet in my lap - very casual-like. Do you put it on a table? And do you pay attention to make sure it's lined up with the monitor? Lately I have somewhat remedied things - I stuck a clamp on the leg of the table in front of me and I lay a drawing board on my lap with the top edge supported on the clamp. That makes a semi-stable surface, but my legs are still a bit squishy and it can move around a little, plus the tablet isn't aligned with the monitor - I guess I should work on that now that I've said it. Seems kinda obvious now. Thanks, I'm glad we had this little talk! Lol, isn't it great when you can help somebody without even saying a word?
April 25th, 2014 #22
Darkstrider - I usually have the tablet at a very slight angle, just enough to be comfortable -- but always on a flat (or angled, like on a binder) surface, and I can tell immediately if the angle is off from my usual when I start drawing. I have an artist friend who does use hers in her lap, though, and has great results with it, so maybe it's just a matter of finding what works best for you? I actually like the idea of having it supported and on the lap, just because I tend to have arm and elbow aches/cramps/soreness if my chair and desk height aren't perfectly aligned. (I'm using a kitchen table right now and have to have a folded blanket and pillow in the chair to try to get a decent height -- which is okay, but I'm constantly sliding out of the chair, lol.)
As far as perfectly straight lines, in Photoshop you can tap your stylus to the surface, then tap elsewhere on the canvas while holding SHIFT and it'll give you a straight line, if you didn't know. (Holding SHIFT as you draw makes them as well, but only horizontally and vertically.) Also, I CMD-Z like crazy, and erase as much as I draw.
And I love those sorts of conversations! I have a friend with whom I regularly exchange emails just like that. XD
* * *
And some more: started on Loomis today. I'm curious about Bridgeman and love the blocky-forms look, but I already had the Loomis book, so. I may end up doing these on scrap/loose paper, because I am terrible with the lower couple of inches in a sketchbook and just sort of fall off the page. Nice feets that fella's got.
Playing around. I kind of borked the guy on the left. I think I mismeasured (or misdrew over) the segment too short for the lower calves/ankles/heels. Also, he has ape arms. Oops.
And now back to Comp 1.1 stuff and lovingly rendering Lucifer's bum. (I chose a Ferri piece.)
April 28th, 2014 #23
I do know the shift key trick and a few more that I picked up on Control+Paint, thanks for mentioning those. One thing I'm starting to find though is that, despite what I keep reading, sometimes you need to make lines slowly. I've always heard digital artists make lines fast and then maybe clip off the ends if they go too far, and that works for certain kinds of lines - mostly if they're long and nearly straight. For the more curved ones or for circles it seems to work better to have the heel of your hand laying on the tablet but otherwise move from the shoulder and just slide your hand around while holding your fingers pretty rigid. I guess I'll gradually get the hang of this, and I feel like when I've learned how to do lines well I'll have made a huge step forward. Thanks for all your help on this!
The Loomis drawings look good! Something weird about that guys' legs though, I notice they're the exact same length as the legs of the figures next to him, which are drawn at a smaller scale. I think his head is a little bigger than a head length too. But the rest look great!
I'd need to take another look at my Loomis books, but as I recall, he doesn't seem to show you the forms of the body in simplified 3 dimensional form, the way Hogarth and Bridgman do. He probably does, and for some reason I just don't remember that though. Anyway, I think that's what I prefer about them - the way they break the parts of the figure down into 3 dimensional simplified shapes rather than just showing anatomy charts etc. - But I don't mean to know Loomis - he's an amazing teacher and artist obviously. Just trying to figure out why I don't care for his anatomy teaching as much at the other guys.
April 29th, 2014 #24
I was doing some more Loomis yesterday and I think what happened with the wonky guy is that I drew his thighs longer than they should've been and didn't allow enough room for the lower parts of the legs (and just sort of chopped them off) -- I kept trying to do that on the studies then. If I worked from the bottom up, however, I didn't have much of a problem. Which is kind of funny considering that if I I'm not paying attention, I tend to make the lower portion of the body way larger than the the top. Maybe it'll all even out.
Darkstrider - (well, the above was 1/2 to you, too; 1/2 general observation) Let me know how that shelf turns out! I'd kind of like to try the tablet-in-the-lap trick now. I had a computer desk of the sort with the drawer that pulls out for a keyboard/mouse, and I'd put my keyboard on top of the desk and put the tablet there, frequently with a binder beneath it to tilt it up slightly, and have it at just above lap-level. Sometimes I couldn't draw with the binder, sometimes I couldn't draw without it. Just one of those things.
And I think you're right about the brush strokes -- I think a lot of it depends on stroke length, and type of stroke, as well. I don't usually think about what my hand is doing when I'm doing it, but I was doing the bird studies below tonight and tried to use a looser stroke and get my whole arm involved (which was really awkward, what with weird angle and the sliding out of the chair and all).
• • •
I tweaked the line variation on the pic for my friend. The face is Mako Mori from Pacific Rim, and the last is a handful of quick robin studies because reasons.
Last edited by verilyvexed; April 29th, 2014 at 03:24 AM. Reason: i am sleepy and do not know how words work
May 4th, 2014 #25
Still studying Loomis (slowly) and doing figure and gesture studies from Pixelovely. Most of them are awful, but I tend to do them first thing after I've woken up, so I'm going to blame that. Yay, blame.
May 5th, 2014 #26
Haha!I know what you mean - I've done the thing where you go bigger as you work down a drawing. I once did a Batman with giant legs..
One thing I like to do sometimes when I have the tablet on my lap is to tilt it down a ways. Sit with my knees lower than my hips. It relieves all pressure on the arm and wrist. And there's no reason you need to be able to see the surface of the tablet - it's just featureless grey anyway. In fact I often work in the dark so I don't get all the glare and reflections off the shiny glass surface of my iMac. Stupid glass.