ArtfulCodger - Composition 1.1
 
View testimonialsView Artwork
Results 1 to 30 of 30

Thread: ArtfulCodger - Composition 1.1

  1. #1
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0

    ArtfulCodger - Composition 1.1

    I've completed five of these so far. Here is my first:

    Da Vinci's sketches have always been magical to me. I love the sculptured quality of his figures and his use of light.

    let me try that again with smaller pictures.

    Attached Images Attached Images    
    Last edited by ArtfulCodger; March 4th, 2014 at 05:06 PM.
    Reply With Quote Reply With Quote


  2. Hide this ad by registering as a member
  3. #2
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Hopefully this will work better.
    Name:  da vinci portrait.jpg
Views: 220
Size:  96.0 KB

    Reply With Quote Reply With Quote

  4. #3
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Drew Struzan, although probably a weird pic after Da Vinci is one of my absolute favorite artists. I've always loved his choice of color and the sharpness of his portraits. Not every composition is that great, a lot of them are dated and sometimes cliche but the depth of the original is fantastic. I wish I'd had access or pastels or charcoal but this one was done is just pencil. Also I was unable to print out a reference for it and had to go straight from the computer screen.
    Name:  Goonies poster original.jpg
Views: 249
Size:  79.7 KB

    Reply With Quote Reply With Quote

  5. #4
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Cezanne is a favorite of mine because of his bright colors and sharp contrasts. This still life has long been a favorite because it just doesn't seem to fit in. I'm not sure if I could really pinpoint what it is about the composition that appeals to me so much.
    Name:  Cezanne still life with skulls copy.jpg
Views: 225
Size:  53.8 KB

    Reply With Quote Reply With Quote

  6. #5
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Last one I'll upload today. JB Monge is not one of my favorite artists but this watercolor really caught my eye as I was browsing through Spectrum 16. I loved the light and his clear focus even in the midst of all the clutter. The drawing took far longer than our recommended time frame due to the amount of stuff surrounding him. The cell phone picture makes my drawing much lighter than the actual image. Hopefully relative contrast will work.
    Name:  monge with copy.jpg
Views: 241
Size:  114.6 KB

    Reply With Quote Reply With Quote

  7. #6
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    ok...a couple thoughts. first, you are doing some very nice work. you will see improvement if you slow down and double check your shape blockin before you render as you have placed the table a bit back in space compared to the original and already detailed it out quite a bit. you have to get your shape right before rendering or you will find mistakes in placement and layout and it will be too late. don't waste your work by not checking your shapes...both positive and negative. also you could benefit from pushing your value range more closely to the originals as that is something that needs immediate effort. keep it up1

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  8. #7
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Greg Manchess was one of the first guys that I came across in the fantasy art realm. This composition was the first one that I saw from him and it remains my favorite to this day. The coposition almost forms an X with the man charging forward. I feel like the narrative is very strong here. I also love the variables in the polar bears in mood and stature and load. Name:  value study of greg manchess.jpg
Views: 192
Size:  63.3 KB

    Reply With Quote Reply With Quote

  9. #8
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Gurney is a master of light and color. Most of his copositions are extremely intricate and complex. I like this one for it's simplicity and action. I love the way that the figures jump off the page. Name:  value study of gurney takedown.jpg
Views: 184
Size:  66.0 KB

    Reply With Quote Reply With Quote

  10. #9
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    you have awesome handwriting...cursive. that's nearly a lost art.

    the other pieces are good...and can be better if you focus on two things.

    a. your positive and negative shapes...double checking them, flipping the images...using a mirror...backing away...all will help

    b. your values...I really want you to focus on being very very honest about what values you are seeing. Find the lightest lights and darkest darks and gauge all the others off those. You will find areas that do not match easily enough if you do so.

    keep up the good work.


    j

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  11. #10
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    I'll keep working. Thank you for the compliment on my handwriting. Sometime in college I got very dissatisfies with everything I wrote looking as if I'd written it in crayon.

    For the values, I'll make a value chart tomorrow and use that to help gauge my values.

    Reply With Quote Reply With Quote

  12. #11
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Brom's artwork is wonderful but I love it because of his unity in color. I didn't expect to like his work as much in black and white as much as I did. I was really impressed his use of the full range of values in this piece.
    Name:  value study of Brom 35.jpg
Views: 187
Size:  51.2 KB
    Unfortunately I laid in the definition on her muscle with my lightest gray Ink ink marker but it still wound up too defined.

    Reply With Quote Reply With Quote

  13. #12
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    nice job on your values...but watch the background shapes too as they are composed that way on purpose. also watch for little things like the diagonal scarring on the triceps..yours tilts differently. remember, it comes down to getting your shapes accurately as you can, then values, then edges. triple check everything.

    keep up the great work.


    j

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  14. #13
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    I've been slack on getting these done, I apologize. I could make a 1000 excuses about other projects but really I've just not given it my 100%. I'm going to see if I can't put the pedal to the metal and get these knocked out. I'm highly considering doing the Level Up and need to give this more attention. Thank you, Jason for your thoughtful comments and direction. You'll see more from me very soon.

    Reply With Quote Reply With Quote

  15. #14
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    you are welcome. i look forward to working with you. don't give up on these! you are showing good progress. keep it up.

    j

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  16. #15
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Finally able to post this:
    Value Study of Dali. This work is one of my favorites from Dali just for the sheer imagination. The B&W version is not near as lovely as the full color because the juxtaposition of complementary colors is what really drives the focus for this piece originally and it seems in only assisted by value. I also love the way that he leads the eye through his composition starting at the pomegranate, through the tigers and finally leading to the figures face through her shadow where the foot brings it back to the beginning. Lovely stuff.
    Name:  value study of dali.jpg
Views: 134
Size:  61.2 KB

    Reply With Quote Reply With Quote

  17. #16
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Probably the last one for toady: I stumbled across this painting by Norman Rockwell on Muddy Colors blog and was astounded at the seriousness of the painting. I always associate Rockwell with fun and humorous illustrations. This one is stark in theme and in composition. The painting is mostly monochromatic which makes the splash of red jump out.The lighting makes for a fantastic focal point also.
    Name:  value study of norman rockwell.jpg
Views: 125
Size:  56.0 KB

    Reply With Quote Reply With Quote

  18. #17
    Join Date
    Apr 2014
    Location
    Tenerify, Spain.
    Posts
    67
    Thanks
    13
    Thanked 11 Times in 10 Posts
    Follows
    0
    Following
    0
    It is great that your drawings are handmade! I have tried it, and it is soo difficult to get the correct values. Are you using charcoal?

    Reply With Quote Reply With Quote

  19. #18
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    I use a variety of media. Usually start with a cheep mechanical pencil and I'll stick with it to lay in the basic shadow tones. Then to get the darks, I'll use either charcoal (the Da Vinci, Struzan, Cezanne above) or I'll use India ink markers (The Rockwell, Brom, Gurney & Manchess). The Dali I did with a black colored pencil and graphite. The Monge copy is the exception in that I only used graphite for that one... however I feel like the values really reflected the limitation of that media. The last study, the Rockwell, is almost entirely India ink except some white colored pencil.

    Reply With Quote Reply With Quote

  20. #19
    Join Date
    Apr 2014
    Location
    Tenerify, Spain.
    Posts
    67
    Thanks
    13
    Thanked 11 Times in 10 Posts
    Follows
    0
    Following
    0
    I think that have to be very difficult to get the darks when the original painting is made with oils, because is almos imposible to get the dark of oils with a dry media like charcoal or pencil. Anyway, you are doing a great job!!

    Reply With Quote Reply With Quote

  21. #20
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    agreed...these are coming along really well. keep working on those shapes and values. at this rate you will get this down really well. good job.

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  22. #21
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    I dont' care for my version of this too much but I know better than to hide my deficiency. Rembrandt's most simple compositions are my favorite. The ray of light focus and the warm dark economy in the background are wonderful. I also love the expressiveness of his portraits and clear emphasis on the face.
    Name:  value study of rembrandt.jpg
Views: 121
Size:  33.0 KB

    Reply With Quote Reply With Quote

  23. #22
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    couple things on the head...the hat is a little smaller in yours, and the face is a litele bigger. mainly you need to keep very focused on capturing accurate values. Ask yourself where the lightest lights are. ask yourself where the darkest darks are. Judge all the middle values off of those two and each other. Compare. Double and triple check. You will get this. You are showing improvement. Keep pushing.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  24. #23
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Name:  Value Study of John Singer Sargent-001.jpg
Views: 92
Size:  78.7 KB

    I love the semi spiral composition of this Sargent work. The values are darkest at the focal point and the sharpest lines and contrast help to re-emphasize his composition. I especially love the choppy economy of the folds in his turban.

    Reply With Quote Reply With Quote

  25. #24
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    much better. the next step will be to try to capture the feeling that the light has when hitting the face, but overall you have done a much better job mapping out your values and shapes. good work.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  26. #25
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    As long as I was a punk as affection for it still grabs me. I used to draw album covers to pass time. This was always one of my favorite for the sharp contrast and humor. Except contrast I'm not sure what else I like about it compositionally speaking. This is a Stan Winston.
    Name:  Value Study of Stan Winston.jpg
Views: 77
Size:  63.7 KB

    I did this one on Good Friday, I know this is my second Dali study but this is certainly one of my favorite compositions. I love the fantastic point of view, the sharp contrast between the cross and the surrounding field of black, the balance between the economic field of black and the swirling clouds.
    Name:  Value Study of Dalis Christ.jpg
Views: 72
Size:  68.8 KB

    Reply With Quote Reply With Quote

  27. #26
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    nice work. there are some values on the cross and shoulders/back that could be more accurate but overall this is a very nice study. the one prior is also nice, and could improve with a little more care toward shape accuracy, like in the face for example. remember to flip the images or use a mirror to check such things. You are making good progress. Keep it up.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  28. #27
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Its been a crazy week and I've hardly had time to draw but never the less here are three more studies. I don't have time to elaborate on my decisions at this time but I'll log on tonight and do that part:
    Name:  Value Study of Van Gogh.jpg
Views: 58
Size:  55.3 KB
    Name:  Value Study of Frank Franzetta.jpg
Views: 60
Size:  45.4 KB
    Name:  Value Study of Monet.jpg
Views: 57
Size:  44.0 KB

    Reply With Quote Reply With Quote

  29. #28
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    very nice improvements. the monet study is soooo close. if not for the tiny figure and her head being different this piece would be very difficult to know which one was the original. great job with your textures and surfaces on that one.

    keep focus on accurate shape, then value then edge. Nose to the grindstone so to speak. Keep a mind on being as accurate as you can be.

    Keep up the great work.


    jm

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

  30. #29
    Join Date
    Feb 2014
    Posts
    18
    Thanks
    0
    Thanked 0 Times in 0 Posts
    Follows
    0
    Following
    0
    Okay, been crazy lately plus i had a couple commissions I've been working on, here is my latest study this one of Rackham's Alice.
    Name:  Value Study of Rackham Alice.jpg
Views: 49
Size:  48.7 KB
    I really love the sweeping composition and the balance of the black in her hair and legs. I feel like the chaos of the cards is directed by the folds in her dress.

    Reply With Quote Reply With Quote

  31. #30
    Join Date
    Jul 2002
    Location
    Austin TX
    Posts
    11,281
    Thanks
    2,089
    Thanked 11,291 Times in 2,826 Posts
    Follows
    2
    Following
    1
    great work. nice job on the values too. Mainly i think the face could use one more pass to push it to be as accurate as you can get it. The shape of her waistband area is wrapping around, and shown to be doing so by the dress elastic/belt or the like. The shape of her hips/ribs is a bit..less straight in shape, than how you have handled it in yours He wraps her forms carefully. Watch for opportunities like that.

    Keep up the great work.


    JM

    Keep up the great work.

    LEVEL UP! - ConceptArt.Org online workshops are on sale- Join now and get 25% off!
    Reply With Quote Reply With Quote

Members who have read this thread: 0

There are no members to list at the moment.

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
  • 424,149 Artists
  • 3,599,276 Artist Posts
  • 32,941 Sketchbooks
  • 54 New Art Jobs
Art Workshop Discount Inside
Register

Developed Actively by vBSocial.com
The Art Department
SpringOfSea's Sketchbook