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Thread: Wheres my creativity?
August 11th, 2012 #1
Wheres my creativity?
Ok so real serious question. I want to draw and be great at it. Not just as a past time or anything. I have put in serious study time and have recently learned a lot of different things.
Not when I go to draw I am seeing more and more of what I have studied than what I am imagining. So much to a point that I when I want to draw I cant think straight. My mind is all over the place. thinking to my self "Do I draw a skull, perspective, still life, photo ref, character, shapes, values" and the list goes on.
Now when I finally get my self to say ok i want to draw "This" and begin to draw it. I start thinking about other things that I will have to do like value, shape form, etc, then switch to practicing on an element I wont even need until I get there.
Am I over thinking to much? If so HOW DO I STOP IT! My girlfriend said a quote to me yesterday "The more you learn the less you know" which is sort of how its starting to feel ha ha.
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August 11th, 2012 #3
This is the difference between having knowledge and mastery or wisdom. Book learning is only good for Jeopardy unless you have courage and a strong work ethic. Focus is something that is impossible to teach. You can get tricks and hear others' stories but in the end you have to work enough to develop your own focus.
Maybe asking other people what they do will help you in some way but in the end you have to find your own focus or not.
August 11th, 2012 #4
Well Bcarman, my issue is not being able to focus hard enough to push through one thing.
August 11th, 2012 #5
You don't get to jump around on stage and be "creative" until you've played enough scales and can competently understand/reproduce the work of real performers.
August 11th, 2012 #6
Practice things until they become second nature then you don't over think things. What's probably the most common question an artist gets from strangers? "How do you do that?". Whats probably most artists reply? Something along the lines of
"I dunno.... .... practice?"
August 11th, 2012 #7
Sometimes "understanding" something isn't enough, sometimes you need to make the right mistakes to fully grasp a concept. Value, shape, form, light, etc, these things are almost second nature to a lot of professionals from what I've seen of them. Just like anything else, these things take time to develop and set in.
August 11th, 2012 #8
Very well put guys. The studying shall continue then ha ha, I guess I was just over thinking what I should be studying. After all there is just so DAMN MUCH to know that I have a life time to study it ha ha.
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August 11th, 2012 #9
There is no magic bullet or advice to help you focus and work. Either you have the passion to do it or you don't. If you can't do it without incentive or reward then you will fail. It takes years to acquire the skills needed to be successful. Are you willing to do it for ten or maybe fifteen years or more? If the answer is yes then do it and quit talking about it.
You can't trick yourself into motivation. Just because you don't have it now doesn't mean you won't change later.
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August 11th, 2012 #10
Ouch. Harsh but I understand where you're coming from D. Incentive/reward is not what I am looking for.The only thing that will reward me is knowing that I truly understand and can perceive reality enough when I am drawing an imitation of it on paper or a canvas or on a computer. More over I am willing to draw in this life and the next (Whatever it may be) and as long as I can hold a pencil I will draw.
Maybe I chose a poor set of words when I posted this. But focusing on art itself is not a problem. It is not being to critical of when I am not drawing what I see in my head. (to a degree).
For example when I see that I am off with my perspective before I even finish drawing I feel i should stop and start working on perspective. Maybe that's what you were talking about. But to me I feel I was just over thinking it. Any way man thanks for the advice.
August 12th, 2012 #11
Hey noticing a lot of threads like this and I mean... They're never going to stop. Up and comers are always going to feel the need to ask questions like this , I know I do/did.. Anyway I was thinking of making a thread that would be titled
"what you wish people would've told you when you were starting out"
Or. "what you know now, that you wish you knew then"
Something along those lines... I've read manley's post and Noah Bradley's and others. And motivation and flourishing as an artist comes different to everyone... So I guess it is just communication.
For me ... I learn from reading the responses in threads like this. Clearly dpaint and (and others) are experienced and give good advice. Thank you guys a lot.
I need to start studying artists and try to reproduce works and start trying to get a better handle over my "portfolio" and read up on some art history.
Drawing from my mind constantly just makes me repeat mistakes in a frustrating dumb cycle of nothing.
Anyways thanks guys.
Nd I will keeping an eye on your SB Pete.
August 12th, 2012 #12
I have at least three different working modes. One is where I'm practicing something specific to improve it. Another is where I'm trying to finish something to the best of my ability on deadline. And a third is where I'm just farting around drawing whatever comes into my head with no real intent to finish it. That last one is where all the creativity is usually hiding.
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August 12th, 2012 #13
Creativity is probably right in front of you.
if your troubled by to much thinking, your probably afraid of making mistakes. Go at it step by step and you shouldn't care too much about everything at once. Most of the time you can correct it anyway and if it doesn't work out, find out why, learn from it and go to the next.
If your creativity is bothered when doing the actual sketching/painting.
Go deeper in the creative mind before starting putting it down. Making notes what you want to show visually, what story lies behind the picture, what colors you want to use.
Looking for references in books, magazines,...can help with inspiration.
Writing down/sketching dreams can be fun.
For complex paintings:
Making small rough sketches/ thumbs will come more natural without thinking to much about the technical luggage. Your mainly looking for the right mood and composition.
Next you can do sketches smaller studies. First shapes (proportions perspective) then volume (values).
When you have the subject in your fingers you can go to your final drawing (can be a copy or collage of your studies) and build up your final from that.
Once you become better and better you can merge the steps more and more.