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Thread: Kaikai SKETCHYBOOK! Please Crit!

  1. #1
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    Kaikai SKETCHYBOOK! Please Crit!

    Hi i'm new here so here's my first post.

    im 20 now and at the moment I study Game Art at Teesside university 2nd year. (oct 25 2012)
    EDIT: thumbnail AND PLEASE GIVE FEEDBACK /CRIT THANKS!

    Name:  bear.jpg
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Size:  406.7 KB
    Last edited by kaikaisushi; December 4th, 2012 at 08:36 PM. Reason: attachments
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  3. #2
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    hey man, this stuff looks pretty nice! could be refined more, but focus on really pumping out loads of work, by far the best way to get better is to just do! keep up the good work
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  4. #3
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    Ok thanks for feedback!

    Here's my study of chiaroscuro technique
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  5. #4
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    speedpaint. work in progress
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  6. #5
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    nude study
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  7. #6
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    hey great stuff.
    especially the first one looks very interesting and awesome.
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  8. #7
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    You did great job on chiaroscuro technique! I would love to see more of these.

    Keep on good work.
    Freelancer concept artist
    My Portfolio
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  9. #8
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    magic flying cubes things
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  10. #9
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    Moar speed paint!
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  11. #10
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    quick study
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  12. #11
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    Love the speed paintings...especially the the orange/red working in progress one...the silhouette of the ship in the sky works well with the composition and light of the whole painting. Keep it up
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  13. #12
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    Nice quickies! Good use of colours and values there. I like the balance
    Keep it up!
    I'm making mess here: Sketchbook .
    also on dA and tumblr
    Old sketchbook, in case anyone interested.
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  14. #13
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    A thought on the first image (Skull Dude).

    Take a look at the angle the sword blade is being held at versus the angle of the cut on his victim. If he had just cut the bloke, the cutting edge of the blade would now be facing away from the viewer. At the moment he is holding it quite statically (if that makes sense.)

    Other thing, try flipping it horizontally too. So the left to right read starts with the victim, then the eye is drawn by the cut, to the sword arm and across to the skull dude himself.
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