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  1. #1
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    When I mirror my drawings, they suck

    Just as the title says folks. I've been doing some self portraits, and everything looks kind of ok, but when I put them to the test and use a mirror they suck, like REALLY suck, they have like weird eyes and some stuff is leaning heavily to the right and so on. I make a concious effort of having the right shapes and have them "even" and all but everytime I mirror the drawing some new stupid error appears. I have a reached a bump here guys, should I just keep doing the portraits and the problem dissapears? or what can I practice to erradicate this problem? it's very discouraging cause when i think I got a nice drawing, I see all the errors and really puts me down. I would post samples but my sacanner isnt working right now, I will post them if i fix it, but trust me they blow.
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    Use more construction lines and draw THROUGH forms instead of around them. Also focus on vertical/horizontal relationships between things such as features, and use shape to reinforce the accuracy of the forms from the construction.
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    Quote Originally Posted by Andrew Sonea View Post
    Use more construction lines and draw THROUGH forms instead of around them. Also focus on vertical/horizontal relationships between things such as features, and use shape to reinforce the accuracy of the forms from the construction.
    I know this is not my thread, but I'd really like to know what you mean with drawing through forms?
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    Quote Originally Posted by Trixtar View Post
    I know this is not my thread, but I'd really like to know what you mean with drawing through forms?
    Using ellipsis, like for example on the upper leg. At it's most basic form you can translate it into a cylinder. So draw the cylinder, and show all of the ellipsis. Like when you draw a see through cube and you can see what's through the form.

    This also helps with perspective because depending on how the form is oriented in relation to the horizon will determine whether you see under or over the ellipses.

    In my opinion drawing through the form has A LOT to do with perspective. I mean, you can't really have a form (3 dimensional object) without perspective.
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    Quote Originally Posted by Shaggnasty View Post
    Using ellipsis, like for example on the upper leg. At it's most basic form you can translate it into a cylinder. So draw the cylinder, and show all of the ellipsis. Like when you draw a see through cube and you can see what's through the form.

    This also helps with perspective because depending on how the form is oriented in relation to the horizon will determine whether you see under or over the ellipses.

    In my opinion drawing through the form has A LOT to do with perspective. I mean, you can't really have a form (3 dimensional object) without perspective.
    Cool thanks, I thought it was something totally else that was mentioned here

    Well, at least I can say I try my best doing that already, although "my best" still needs to increase significantly!
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    Quote Originally Posted by Trixtar View Post
    I know this is not my thread, but I'd really like to know what you mean with drawing through forms?
    its better with a picture
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  10. #7
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    To mirror something effectively pay attention to the negative as well as positive shapes. Measure to the edge of the surface from the outside of the contour and measure angles too.
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    Bingo. Everybody does this to some degree, especially beginners. That's WHY you have to mirror your drawings. The more you do it, the more sensitive to your individual skew you become. (P.S: You're drawings don't look "kind of OK" before you mirror them, it's just that it allows you to see what everybody else already can.)

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    I know its hard for some people to do, but you could try making your initial framework with the subdominate hand. Our brains are crosswired when you rely on one hand you're relying on one side of the brain. When you mirror the image you're using the otherside to view it. Also you could try turning the drawing upside down if you can't manage the switching hands thing.
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    Quote Originally Posted by Shorinji_Knight View Post
    I know its hard for some people to do, but you could try making your initial framework with the subdominate hand. Our brains are crosswired when you rely on one hand you're relying on one side of the brain. When you mirror the image you're using the otherside to view it. Also you could try turning the drawing upside down if you can't manage the switching hands thing.
    Um... sorry, but that piece folk neurophysiology isn't quite true.
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    Quote Originally Posted by arenhaus View Post
    Um... sorry, but that piece folk neurophysiology isn't quite true.
    It's a gross generalization, but it is still correct and entirely applicable. I was attempting to help without becoming too technical. The idea is to force yourself to think differently.
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    When your eye first looks at an image it's excited by the different values, the colors, the shapes, etc. The longer you look at it the less stimulated your eyes becomes.

    I know this works big time with seeing values. The more you stare at them the harder they are to pick out but I'm not sure how much it might have to do with natural skew that most folks start out with.

    Somebody more sciencey than I can chime in.
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  18. #13
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    A mirror gives you new eyes on the thing you've been staring at for a while. Try and turn it upside down while you're at it.

    "A mirror is a good judge for you to have, it is marvellous how every weakness in a painting is so clearly revealed in a mirror"
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    This is not a new thing that you are experiencing.
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