Results 391 to 420 of 467
Thread: Lane's Sketchbook
March 9th, 2014 #391
ua your work is jaw dropping, very loose paintings and yet they feel complete.
about the last post, well there is different minds that work different ways, i agreed with you, a painting can be simple and amazing, i think pictures kinda have a limit in how deep they can be, you can always mix with the art of writing or something else.
Hide this ad by registering as a memberMarch 9th, 2014 #392Registered User
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- Mar 2014
- South Carolina
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I'm from S.Carolina too. What part do you live in?
March 9th, 2014 #393
March 13th, 2014 #394
March 13th, 2014 #395Registered User
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- Jun 2008
- Thanked 301 Times in 275 Posts
March 14th, 2014 #396
March 17th, 2014 #397
March 17th, 2014 #398
Nice stuff, keep posting~
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March 17th, 2014 #399
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March 17th, 2014 #400
''I've decided that too often I'm trying to create an image that tells a story while also having some broad appeal. It's an impossible goal, and leads to abandoned paintings. That revelation came to me while I was doing this simple study. A painting doesn't have to tell a story. It's okay to just focus on a simple objective, such as creating a sense of light on the side of an ugly guy's head. Sure, it's not a profound painting. Maybe it's not even very good, but at least it did get finished and I learned from the process.''
This opened up my eyes! Awesome sketchbook, post #379 = winning.
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March 17th, 2014 #401Registered User
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- Helsinki, Finland
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March 28th, 2014 #402
April 1st, 2014 #403
April 1st, 2014 #404
That is quite possibly the most beautiful splotch of orange I have ever seen.
This stuff is amazing. Seriously.
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April 2nd, 2014 #405
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April 2nd, 2014 #406
April 6th, 2014 #407
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April 9th, 2014 #409
Omg. its look like traditional painting. That is what I trying to achieve with all my hurt. That is my dream! Really, I love most of such artists as Sergey Kolesov, Jaime Jones, GinoGino, Theo Prins and.. and u! Haha. How u reached to this "bold" brush strokes? Can u give me some advices on my begininng? You know, to stay on track. Anyway, Really like your style. I definitely will be checking your SB.
Sorry for english lol.
Last edited by Protsenko; April 9th, 2014 at 09:09 AM.SketchBook
My English suck.
Hope to find friends here.
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May 25th, 2014 #410
May 25th, 2014 #411
May 25th, 2014 #412
Nice work, I like your use of color !!!
May 25th, 2014 #413
June 1st, 2014 #414
June 2nd, 2014 #415
Man, I just love your brushwork... and the colors you use. So vibrant... I really feel the "life" even in your still lifes. Very, very nice sketchbook, it was very enjoyable to look through =).
☼ My Sketchbook ☼
June 13th, 2014 #416
I had the recent opportunity to join Iain McCaig's workshop at Spectrum Fantastic Art Live 3, the art convention in Kansas City.
In the workshop on visual storytelling, McCaig demonstrated his process with a re-telling of Little Red Riding Hood.
In a post-apocalyptic sci-fi setting, Red is a brain-washed clone who's arm was harvested by the Originals. Perhaps for cruelty or entertainment, the Originals replace the clone body parts with all manner of prosthetic limbs.
In the above concept Red 3 has a cumbersome, but effective, weapon.
Below, is a completely different interpretation of the same character. Only this time, the gun arm is a crippling burden.
I think it's interesting to think about how changing one factor can effect all other aspects of a character.
June 13th, 2014 #417
these two last characters look really awesome(not that your other works don't)
and the fact that you have taken that one mechanical hand cliche to some further limits and used it as a tool to tell a different story is really interesting
September 29th, 2014 #418
September 29th, 2014 #419
Oh my god!? How come I haven't seen your sketchbook before? Sneaky Weasel! >: )
No but seriously wooow, this is great stuff. I love the roughness, and the suggestiveness in some pictures. Wicked stuff! Glad to hear you gettin' them freelance jobs! Keep it up!
super thanks for sharing, whoah!
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September 29th, 2014 #420
Some awesome work in here dude.
Colours and strokes are both quality.
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