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It's been a few months since I've posted here. I've been busy with a few things. I ended up moving to San Francisco back in August. Since then, I've been attending the evening figure drawing classes at atelier. I just finished my third month with them and I wanted to share what I have so far. This program has provided me with a much needed kick in the ass. Crits are welcome.
Last edited by N D Hill; June 11th, 2012 at 08:33 PM.
These look great to me. Especially the faces on the last 2. How long per pose on these? Are they instructed classes?
sb's sb: Crit it! Hurt it! Make it cry!
Looking good matey!
I agree with everyone else no crits just to more and if you feel happy start colouring them up as well.
all the very best to you mate
A great kind hearted lumbering bullock
http://conceptart.org/forums/showthread.php?t=209918 = my Sketchbook
Beautiful, clean and honest: you're a very refined academist, if I was anyone to tell you. Just a sugestion for sources: I don't know if you're familiar with the work of Saturnino Herran; you may find his work inspiring, as he (althought under the influence of modernism/secession/symbolism ways) serves freely from his master academical skills to render highly poetic renditions of the human situation.
Have a very good day.
Last edited by elemile; December 6th, 2011 at 11:49 PM.
How do you render those smoothly shaded areas? Is it good to let your pencil get dull and use the side? I find it difficult.
Thanks. Actually, I keep my pencil pretty sharp. I go back and forth between a 2mm led holder and a 0.03mm mechanical pencil. Value control and being able to render subtle turns is emphasized heavily in atelier drawing. That means spending a lot of time filling in cracks and keeping an eraser handy to knock back stray marks and places where my hand was too heavy.
Last edited by N D Hill; December 10th, 2011 at 04:17 PM.
How do you keep your lead sharp?
I either use a .03 mechanical pencil, which does not need to be sharpened, or I keep a lead pointer handy when using the 2mm lead holder.
I don't use traditional wooden pecils much but when I do, I use sharpener and exacto knife to keep a thin, long section of lead exposed and needle-sharp. I'm usually too lazy to do this though.
Last edited by N D Hill; December 27th, 2011 at 11:26 PM.
wow never heard of poses being broken up over a course of time! now i understand how you developed each drawing so well!
they are all very impressive!
this is my art history blog: "teenager traversing art history"
ps i know it has a horrible name...any suggestions are welcome!!!
Some very cool works here , Ive just done my first three months too at my atelier art school , much the same approach to constructing and breaking down the figure as we go along ... I/we work from a pose thats about a 40+hour pose broken up over the span of 5 weeks ...at a time ... its methodical drawing that reads as realism should ... I love it !!!
hope to post some on my stuff soon ...
Nice nice… good job! Have you considered though adding some more dynamic / loose lines to make it more artistic and less photorealistic or increase some tones at some points (extreme black on small area) to focus the attention of the viewer on one or two points?
“Dream as if you'll live forever, live as if you'll die today.”
I think you're doing fine, but what kind of instruction are you getting if they didn't pull you up on that hand?
Last edited by N D Hill; February 5th, 2012 at 09:36 PM.
I love your works. Wow, just wow. Love the flow of the poses, the vivd facial expressions, the realistic style of shading.
I also love how distinctive these are of you; I can look at this and not only see a realistic render of the human body, but see yourself and your own, very slight individual flair in the works.
I look forward to seeing more of your stuff. It actually inspires me to work more. You're doing great with your works so far.
So very inspiring. A lovely sense of depth and form. Thank you for sharing these.
The last one is quite nice! I would suggest strengthening the core shadow the slightest bit. Could strengthen the sense of form however your instructors are likely better at this then I!
Nice work! --Kevin
the blog will not leave me be: http://www.kevinwuesteart.blogspot.com
Good job hammering away at these studies! One thing I noticed that I think would improve you latest one is the direction of your pencil strokes esp on her leg. If you had them going around the leg rather then down the leg I think they d bring out a greater sense of roundness and form. Being conscious of this over all the forms on the body will likely yield better results. Take a look at some old master drawings and you ll see they do the same thing.
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