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  1. #136
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    -self portrait thread in sig -
    Last edited by rinnikirun; May 21st, 2012 at 11:56 AM.
    Yum!

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  3. #137
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    .........................
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  4. #138
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    HOT DAMN!

    It's coming out great...tilts are crappy, but just keep it up, maybe try somethings from loomis...do some extra face studies. It really helps.

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  6. #139
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    NYERR--
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  7. #140
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  9. #141
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    Yo it's me again
    got something that may will help you to draw portaits ^^
    http://conceptart.org/forums/showthread.php?t=14119

    I think it's a quite good tutorial, but i am too lazy to use and read all the text lol
    Hope you got more endurance xD
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  11. #142
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    Well, though I think you're doing fine, I think it would do you good to observe stuff from video too. One thing I see you almost always miss with your torso muscle studies is the movement and "squeezing" of the pecs. This is one of those things that's hard to notice when you don't actually see it happen.
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  13. #143
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    Ahh I can't believe i missed that, thanks TinyBird!
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  14. #144
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    Nice to see someone young on here working hard. And seeing as you are young, I guess I should tell you about the Teen Challenge in case you weren't aware. I just posted a new topic so you can get an early start if you want to enter

    As for feedback on your stuff...well I think you are headed in the right direction. I'd warn you to be careful on the studies though. Two things--one is you aren't always paying enough attention to proportion (rushing it a bit perhaps? Try slowing down and really try analyzing/breaking it down). The second is that you are doing lots and lots of studies after other artists such as Kevin Chen and Bridgman, both very good sources, but you aren't applying it enough. I'd try to include a few more studies from imagination, a few from photos, and if you have the chance a few from life (either life drawing or getting parents/friends to pose).

    As for your mentioning lighting being a problem...try reading through this:
    http://www.huevaluechroma.com/021.php

    It might be a bit technical and more than what you want at this point, but covers it very thoroughly. Basically there are two little "tricks" for getting convincing lighting. One is to separate the lights form the darks--the lightest value in the shadow is still darker than the darkest value in the light (Caravaggio is a great example of taking this to an extreme). The other is to include a core shadow, which will really sell the forms.

    Hope all that helps!
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  16. #145
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    holy crap Ven your lines are so clean!
    You need to more drawing from imagination though!

    I think your hatching's showing form well enough, but it looks a little random and distracting. You should study how Rembrandt and Franklin Booth did it, artists who specialize in prints have absolutely phenomenal lines. You could study Gustave Dore too, if you feel like going insane.
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  18. #146
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    Dude the anatomy studies are sick! Glad to see some drawings from imagination. Now do more stuff from imagination.
    You just drew the same face three times with a different hairstyle. And their eyes. They are so small. You know the proportion rule is there's about one eye between the eyes, not 1 and a half or 2 eyes between. So draw it like that.
    If you want to draw heads then draw some skulls. Like tons of skulls. learn the form of the jaw and where the features of the face fit and what sizes they can be and still look good. Maybe go back to Drawing the Head and hands for a refresher. Draw from imagination and vary the faces! You seem inclined to draw small-eyed people with wide faces, make yourself draw thin faces with big eyes or something.

    Or just keep focusing on arms and master one part of the body at a time I don't know, maybe the heads were just a warm up

    Oh one final thing, there's a decent bit of space between the collar bones. Actually they're separated by a bone called the manubrium. Know it.

    keep up the good work bro!
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  20. #147
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    Hey bro...I've already given you some advice but here's another tid bit...
    I know you were having trouble with your portraits always looking like you...
    well draw other people. Loomis isn't just for me you know

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  22. #148
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    I see that you have improved quite nicely. With that being said, I suggest that you do more imaginative material along with those studies.
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  24. #149
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    Not sure if the faces on the last set of updates was deliberate or not, but you might want to block out the features with the rest of the head to keep them in proportion.
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  26. #150
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    Thanks for the crits.
    Vertical- Thanks sam! I'll tackle heads again, just visiting area's of anatomy I have barely touched on
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    yum
    Last edited by rinnikirun; June 12th, 2012 at 06:59 AM.
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