I have finally mustered the courage to post my artwork on these brilliant forums. I am absolutely stunned by the talent of the artists here hence I am a bit nervous.
A little about me: My name is Neave Lifschits. I am 19 years old. I currently live in Israel and I study at the Tiltan College of Design. For now, I'm in a short course teaching the three basic design programs (PS, Illustrator and Indesign). The real studies, the first year, begins in October and sadly, my illustration courses only begin on the second year.
I have only studied art with a teacher for a month or two but I have always been that kid in class that drew in the back row. I have about two years of experience with photoshop and I guess I have been drawing seriously for about a year now, mainly with pencil on paper. Recently, I've gone more into digital art and that is currently my main focus.
Last edited by MeteorCat; December 3rd, 2012 at 12:55 PM.
Nice sketchbook. It's always cool to see other people take an interest in "nature" subjects. One thing that I notice is that you focus more on detail than on basic structure. That's something you could work on.
You have very burned colors and they are very simple. What I mean you make the leaves with just one color and maybe the dark version of it the flower too just one color and white. You can add some yellow and bright green in the leaves and maybe purple in the blue flower try not to use simple colors. And about the white - in the nature there is almost nothing which is really black and really white. Use very bright blue instead or every color near the white point but not white.
The pencil work is messy - keep the fingers and the hand away in order not to have this stamps and smudges.
I can say I like the bird most but this hard strokes on the feather bothers me.
Nice sketchbook! The red cardinal is shaping up, but in the future I'd recommend starting with a big hard edged brush and working out the basic areas of tone before diving into the detail. Once you got the big areas of tone down you'll notice you don't have to draw every feather to get a feathery look, and it makes for a better design since you can control the points of interest in a piece by adding detail to the most important parts.
Yesss another newbie welcome welcome. I've only just joined after lurking and being nervous about seeing some of the work that gets posted here. Anyway, the flowers at the top are fab. Could I make a suggestion? When drawing stuff like human and animal hair you get a better look by sketching out more the form of the mass, rather than the individual strands.
Fun stuff so far
I think your biggest issue currently is edge control. You've got sort of a fuzzy look about your paintings and "hairy lines".
I think if you work on those two things you'll find a noticeable improvement quite quickly
The dog is another idea for my father. Can't really decide what to draw for him yet.
There is a school project to create a poster exhibiting your work so I was thinking of ideas. Some sort of bird/eagle carrying something representing art or digital art. Perhaps an eagle carrying a computer screen or maybe just sitting next to a large bucket of paint
Last but not least, the raccoons were sketched in class from a photo. I really enjoyed it.
Yes, it is just a hand holding a calligraphic ink pen
I really didn't focus much on the details of this as I was just using it as a small element on the CD cover I am designing for my college project (see above).
I'm working on the poster for my school project. I must say I have never drawn this big (A3 landscape, not portrait) and it is really really hard for me.
The eagle is supposed to be leaving behind him a trail of something (haven't done that part yet) that brings life to nature, hence the rest of the image is very gloomy and dead. I took this idea from Fantasia 2000 -- Firebird - http://www.youtube.com/watch?v=3FWq17CT6Cs
Keep on working hard. Working digitally is hard thing to master but so much fun.
Try to add some distance to the eagle painting. The objects that go farther away from you generally go lighter in value because of the atmosphere in betwene so you can try doing the mountains in the background with some lighter values.
"What does it mean to be an artist? It's constant, unrelenting, everlasting failure. That's what it is. You have to be really tough to take it." -Carl Larsson
Really nice stuff for your lack of experience. I like the cardinal painting, it's very realistic, though I would've defined some of its feathers, cardinals don't have fur! It seems you have an interest in drawing birds. A tip that I would give you is to study the anatomy of various types of birds, from the skeleton to the muscles-this way you will have an easier time laying in the overall form of the bird, and eventually you'd be able to create your own drawings of birds from imagination.
I hope to see some more drawings! gl =)
Hey Meteor! Thanks for stopping by... your new stuff is awesome. I really like the idea and general feeling of your last piece! I only would suggest to do some minor changes to the contrast to make the bird more visible since he is the most important element in the painting. Looking forward to the next updates!
"We all have 10000 bad drawings in us so the sooner you get them out the better" - Walt Stanchfield
Thank you Johnny, Rhubix and Baudolino for your nice comments and advice.
I did a bit more work on the image today but it all got deleted when my PS crashed (I was sure I saved). It wasn't much, plus, I'm sure now I'll do everything even better. I honestly can say it was the first time it happened to me with painting digitally.
I'd just like to say how much I appreciate everyone taking the time to look and comment on my work. Thank you again.