I took a look at that Loomis site, I'm gonna have to go over that real thoroughly this weekend! I did take a quick peek and tried to apply some of those basic head concepts to some little faces I decided to do. I think they already look a little better than before, though I'm totally still fucking up. I'll do some actual legit serious studies later tonight. Thanks, man!
Last edited by littlebones; August 10th, 2011 at 07:12 PM.
As LordLouis once told me, "can you whack up the contrast on your scans a few notches?" I'm having a tough time seeing the details of your sketches, and I think I have an idea of a few suggestions for you, but I just can't tell. Also, look into either Fun with a Pencil or Figure Drawing for All It's worth with Loomis. If you study Loomis, he'll treat you very well.
Alright, so now that you can all actually see my scans you can look at this... thing I did this afternoon. I know little about drawing scenery and buildings but I'll never know until I try, so. I had about 15 free minutes on my lunch break to do this... today's been a regrettably artless one.
Sat down on this lovely Saturday afternewn with some good tunes and Fun With a Pencil.
I first started off watching the video I got from the downloads section here, the Mike Bierek one about form, and I shaded a circle and my own little lumpy dough pile, and then just went along with the skull he was doing, so there's that too!
Hi there! Thanjs for the comment on my SB. You seem to be taking to loomis very quickly, can already see some good improvement here.
In order to draw perspective stuff freehand (like those buildings) it is good to practice your lines. A good way to do this is by connecting dots. Draw 2 dots around an inch apart and then connect them in 1 fluent stroke, then draw 2 more dots a further distance apart and connect them, increasing the distance each time, add more dots in between if the distance is too far - but always use jsut 1 fluent line to connect them. Next you can place un-uniformly placed dots (not in a straight line, more of a curve) and then connect them in one fluent line also. Use our elbow and shoulder rather than your wrist and you should start to find it much more confortable to draw more accurate freehand lines.
Got up this morning and went directly for my sketchbook. Found Posemaniacs again and decided to do a bunch of practice poses, none of which came out perfectly but it's practice, at any rate.
The lady who looks like she's poopin' in the woods was from a photo reference, and the lighter was drawn from life. I'm proud of it because I went to reach for my lighter out of the corner of my eye and reached for my drawing instead, so it can't be that bad!
EDIT: Thanks glaudarien, I'll try that out!
Last edited by littlebones; August 14th, 2011 at 08:30 AM.