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Thread: THEMike's sketchbook
May 11th, 2011 #1
Hello everyone, I'm Mike and I'm slowly working towards becoming good enough an artist to possibly get a job. I'll post some of the stuff I've done over the years (much of it consisting of my Dungeons and Dragons Characters) and I'll keep it updated as I work. All comments and critiques are welcome.
NEW STUFF ON THE LAST POST
Here's a few of my sketches from highschool
Last edited by THEMike; September 18th, 2011 at 02:18 PM.
Hide this ad by registering as a memberMay 11th, 2011 #2
Some more recent stuff from 4 to 2 years ago. That was the period when I was first intriduced to photoshop and I started coloring some of my drawings. I must say that I still feel somewhat awkward about painting and coloring, mostly because I've worked much more on improving my drawing skills and I have very little experience with colors.
May 11th, 2011 #3
Some stuff from last year (there's a little nudity at the end)
May 11th, 2011 #4
And finally my newest works
Last edited by THEMike; May 11th, 2011 at 08:20 PM.
May 13th, 2011 #5
May 17th, 2011 #6
May 17th, 2011 #7
May 18th, 2011 #8
May 18th, 2011 #9
May 19th, 2011 #10
May 21st, 2011 #11Registered User
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- May 2011
- Maine, USA
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I don't want to throw you off your groove here, so feel free to ignore this. I feel like it would be more worth your time to copy paintings instead of movie stills. Film is such a completely different medium. They have thousands of images to get something across, while a painter has to convey everything in one image. But if you're going to do it, try to think about how it works as an image more and not just copy. Watch your values especially. In your last one everything's basically black except the face and the blurred lights and it's just not very interesting.
Just my thoughts . . .
May 27th, 2011 #12
Mr. Corlan, thanks a lot for the interest. My choice of movie stills was more or less random and to an extent because they were readily available and were easier to find for me than good quality photographs which I originally intended to do. You make a good point though, so I'll try something different.
As for the immediate future, it's exams period so I won't be doing much, if anything for a while, but I'm thinking of trying to explore some traditional mediums as well in the summer. We'll see.
August 6th, 2011 #13
August 12th, 2011 #14
August 12th, 2011 #15
nice sketchbook your sketches are looking great, some good concepts... more studies would help communicate them better though. try still lives, in line and in greyscale to help your values... anatomy studies are always helpful too and when you're working in colour, try not to use black to show shadow as this kills the colour and makes it look flat.
looking forward to seeing you improve! welcome to CA!
August 12th, 2011 #16
August 16th, 2011 #17Registered User
- Join Date
- Jun 2011
- Jacksonville, Fl
- Thanked 241 Times in 221 Posts
Nice sketchbook you have here. While I don't share the same idea on working from movie stills as Mr. Corlan (I think they are a challenge), I see his point about copying master works instead and it's something I should do more of as well.
Anyways, I think your movie still practices are great...a little rough around the edges, but good nonetheless.
Also, you seem to have a good grasp on anatomy, and I think doing some more studies (as Jessibelle mentioned) would take you even further; that is of course, if you aren't already doing them.
Awesome work so far.
My Sketchbook: Criticisms and Feedback needed
"A journey of a thousand miles begins with a single step."
Lao-tzu, The Way of Lao-tzu
August 19th, 2011 #18
Thanks you for coming here bish0p2004. Copying masters is something I am definitely going to start doing at some point. Meanwhile, I found a book my prof told me to get: "The Natural Way to Draw" by Kimon Nikolaides and started working on the first exercise... I am supposed to draw my hands (or other body parts eventually) without lifting the pencil from the paper and without looking at what I am doing either (so practically my eyes fill follow the outline of my hands and the drawing hand will have to follow the movement of the eyes. I am allowed to lift the pencil and look at the drawing only briefly to know where to place details inside the form, like creases of the skin and other details... then I have to repeat the process but this time draw with my left hand... it's tough
well, here are the results for day one. I've marked the ones I did with the left hand with an L
August 31st, 2011 #19
September 8th, 2011 #20
September 18th, 2011 #21