Hello, CA. It's been a few years since I've posted, so I thought I'd share some work. My thing lately has been experimenting a lot with color in Nupastel. The "finished" drawing above & attached (trying to figure out the thread thumbnail thing) is pretty big - 25" x 38" and is not a quick sketch - it took a couple of hours. From a live model I typically draw 1 min - 15 min poses, which is what's posted below. My apologies for the hasty photography. Hopefully you can still see them ok?
Last edited by Jane Radstrom; January 24th, 2011 at 01:54 PM.
Reason: add photo disclaimer
Inspiring is an understatement when it comes to Jane's work. Her use of color, shape, value and edges are absolutely beautiful. She has been a jewel in the TAD program and I wish all the best for her artistic future. Make sure to keep up on her blog for regular updates.
Absolutely stunning work! I am in awe of all these.
I notice that it is all Nupastel...I have seen a lot of TAD work in this, and after seeing yours I am kind of curious about it. Is Nupastel any different from regular pastels? How do they handle? I've never been a fan of pastels to be honest, but kind of want to try when I see people doing stuff like this with them.
"Complacency is the womb of mediocrity. " -- Jason Manley
"If you always put limits on everything you do, physical or anything else, it will spread into your work and into your life. There are no limits. There are only plateaus, and you must not stay there, you must go beyond them." -- Bruce Lee
Walnut & Ninja, thank you!
Andrew, Nupastels are "semi-hard", so they are not as soft as regular pastels. Also, they are square instead of round so that sharp edge can be nice. I first started using them when Mark English showed me a technique, the same one that John English teaches at TAD. So it does come from the same place. They are just a loose, quick media to develop tone or color. Here are a few more, these are all 1 and 2 minute poses.
These are beautiful. The first one stopped me in my tracks. Please keep posting :]
"A drawing is not necessarily academic because it is thorough, but only because it is dead. Neither is a drawing necessarily academic because it is done in what is called a conventional style, any more than it is good because it is done in an unconventional style. The test is whether it has life and conveys genuine feeling."- Harold Speed [[Sketchbook]]