Results 211 to 240 of 265
May 30th, 2012 #211
Good to see new stuff from you! Especially your traditionell stuff looks fresh.
In your last painting the man's head looks a bit too big. His size compared to the girl just looks too big.
But that should be easy to fix.
Keep it up!
PS: Just changed my nickname. Nobody could remember Silwynar x_x
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June 17th, 2012 #212
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June 22nd, 2012 #213
June 29th, 2012 #214
skMOP:They're VERY small, because my sketchbook is tiny (around 3x5 I believe) but I definitely have been fighting with myself to use my arm over my wrist, even when using bigger surfaces. It doesn't feel quite natural yet but I'll get there! Thanks
So chilling at RISD pre-college. One week in and I'm drowning in work! Here are two oil still-lives I did in my Painting Major class. These are some of my first attempts using oil, and they're strictly using grayscale.
August 11th, 2012 #215
I have survived RISD pre-college I apologize for the lack of updates. I honestly didn't have time to upload anything let alone sleep. I have quite a lot of work to share which I will gradually begin to post as I photograph them.
All work with color uses colors mixed in a limited palette (usually a primary, raw umber, black, and white). Also, all work below is from direct observation. Paintings are oils, drawings are in ink and charcoal/colored pencil
More work to come!
Last edited by l'Aria; August 11th, 2012 at 12:42 PM.
August 11th, 2012 #216
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August 11th, 2012 #217
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August 15th, 2012 #218
August 17th, 2012 #219
kevin_: Thanks, I'll be sure to!
MeteorCat: Thank you! I'll hopefully update more regularly again
skMOP: It was incredible. I'm still trying to just digest all the information I received haha
Trying to break back into digital art and what better way of doing that than redesigning my OCs!
I wanted to do a concept that engages the viewer from both the front and back view, so I drew the characters facing opposite directions. I'll most likely add a background as well. For now, rough comp sketches and silhouettes!
August 17th, 2012 #220
August 17th, 2012 #221
Nice sketchbook. There is improvement in your understanding of light and color, that is great.
Keep going with the figure studies, that seems to be one problem that pops up a lot in the work you're showing.
The progression stuff is nice, just don't post too much of it, or it may just look like posting fodder. Might be a good idea to take all your progression shots and put them in a single post, and make other posts with other work done simultaneously.
The acrylic (I believe it was acrylic) painting of the man in the red pettycoat has a major problem with the placement of his left eye (was that intentional? I didn't notice any mention of it being so). If you want to correct it's placement you'll need to repaint it down a bit and closer to the nose.
Perhaps do several more studies like the study you did of the suit of armor, and use what you learn to do another creative piece.
I like the videogame and other cover art repaints that you did, especially the Legend of Zelda one (because it's one of my all-time favorite games!).
Keep posting, post lots more!
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August 17th, 2012 #222
Oo! I love the character concept sketches, and the drapery study. Looking forward to seeing more!
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August 18th, 2012 #223
Sepulverture: haha oh sorry! I'll try to condense my posts Yes, it was acrylic, but unfortunately I've already given that piece to the client so I can't fix it Thank you for your advice!
jorvaa: Thank you!
Finished concept sketches and a 32x38'' oil self portrait over an acrylic grisaille done at good ol' RISD (I apologize for the wonky coloring. I tried to edit it to the best of my ability)
August 19th, 2012 #224
August 20th, 2012 #225
August 20th, 2012 #226
SO talented! Most especially for your age. It's not fair!
Keep at it and you will be able to do whatever you want!
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August 22nd, 2012 #227
August 22nd, 2012 #228
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August 25th, 2012 #229
August 25th, 2012 #230
Hey, Great job! I see a lot of improvement over here. I love the colors in the last two pieces.Only thing I'd like to say , in the second one the back of the guy's neck looks really weird.Show some spine or muscles
August 25th, 2012 #231
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September 24th, 2012 #232
rastaray: Thank you! I fixed it
Sebastian Wagner: Thanks!
So I'm preparing my portfolio for the moment that I'll potentially destroy my future awww yeahhh. Doing the infamous RISD bike drawing as we speak and refining some pieces, so there's really not much to show but some sketchbook pages.
I just finished watching Lost (can you tell? haha). Graphite portraits and a little watercolor scribble.
September 24th, 2012 #233
nice drawings and that close up face in watercolor page is awesome!
i also like the oil studies you do....especially in #214. did you use only black and white and made a block-in with a brown color in the beginning or are you using black, white and a brown color the whole time? when i just use black and white i always fuck up (i dont' know....but i just don't like it) and started to use a dark brown and a white for quick studies. but starting with a brown color and then just using black and white might work...
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September 25th, 2012 #234
Woah! It looks like u got loads better in just one post! Great job on those portraits!
I'd comment only on the bartender : his proportions are kinda weird.His body is a lot smaller than it should be according to the size of the head.
Anyway...again good job and keep going
September 26th, 2012 #235
cedule: Thanks! Actually it's only black and white, no brown involved (but when I do block in with brown it's usually raw umber heavily doused in gamsol). It just appears brown because the cooler grays have white paint mixed into them and the warmer grays (the browns) use the canvas itself as a white, so to speak. Also, the photo itself may be a bit misleading haha sorry for that. Those two pieces in particular began with soaking a rag in gamsol, then in a midtone gray, and wiping it over the canvas. Then I went in with a clean rag, soaked in gamsol again, and carved out the whitest areas. Afterwards it's just building up with different tones of gray.
rastaray: Thanks so much! And you're right ah I need to fix that!
A few studies today of some very sassy figures.
September 26th, 2012 #236
big fan of this, i faved it on DA, its really clever.
sb most art copied to page 1
Weapons of Mass Creation 2011 ::: Add your favourites!
facebook: Alface Killah
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September 27th, 2012 #237
Velocity Kendall: Thanks so much!
20 x 30 inches, graphite trompe l'oeil from RISD pre-college rehashing the tale of my sculpting adventure and the bust's untimely demise. You can probably see how I rushed it at the bottom half. That's what happens when you pull two consecutive all-nighters and class is in twenty minutes and you still have half of the piece to render
Also, a quick 1-hour environment thumb that I'd really like to flesh out for my portfolio.
September 28th, 2012 #238
October 2nd, 2012 #239
haha starting my portfolio too for art center. its scaryy knowing that its real.
For the environment I find it helps when theres so much architecture to do a line drawing first, just so everything is a bit more structured. And not sure if you're doing this already but keep a overlay perspective grid on another layer that you can flick on and off throughout the process just to make sure everything is lining up right.
I didn't catch the stream, but just judging from the thumbnail, I would get rid of that middle building, I feel that by removing it you could open up the viewer to see more of the background and improve the overall composition.
October 3rd, 2012 #240
skMOP: haha yeah, isn't it? It's crazy!
The line drawing fits more to my nature as an artist which is why I decided to freehand it actually haha once I put in lines for architecture, I always lose the freshness of the piece, so I tried to preserve that this time around. I'm not sure if I was successful in that regard. BUT I am using a perspective grid and have my horizon line and vanishing points marked and such
I definitely see what you're getting at about removing the middle building, and I'll have to play around with that idea a bit. I wanted a more secluded feel, and I'm afraid if I remove it, the space will feel too open. I guess I'll have to experiment and find out!
Thanks for the crit! and if you need help choosing pieces for your portfolio, let me know!
WIP for the port town and another updated version of my novel cover. I love painting over the woman's face every few months. Although it feels like I'm never getting anywhere with my art, this always shows me that I have made progress, even if it's in a very small way like this. You can see the progression below. The very first version was painted a little less than a year ago.