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  1. #91
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    Well done Sir Sparth! This openes so many possibiltys there is simply to limit,i started to sort of use it in a different way when i meet Stephan Martinière
    he used all this sorts of shapes from photos and custom brushes to create marvelous images also some guys from steambot studios did use this process,i sorta did this myself but i always considered it cheating haha fool me.Thanks for sharing this to public means a lot


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  3. #92
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    Ohhh, I so want to understand all this! really awesome! thanks Sparth!

  4. #93
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    thanks alot! well, ive to give it some more tries for success, i guess^^
    i was wondering how you go on with the coloring-steps? to paint over the shapes on a extra layer is the only solution for me by now. to colorize each shape in detail feels more like constructing than painting. to paint over the shapes feels good, because the shapes allow quick awesome concepts. but with a color layer above them the nice sharp edges get lost...so i would appreciate it to get some explanation..

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  6. #94
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    try the pixel lock function

    it is the little checkerboard button at the top of your layers dialogue box!

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  8. #95
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    Quote Originally Posted by agitpop View Post
    it is the little checkerboard button at the top of your layers dialogue box!
    that was a response to mister janchchan, btw.

  9. #96
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    Whoa sparth thnx for uploading ur stuff here!

  10. #97
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    flip horizontal

    To Dangermarc:
    I just, and I really mean JUST 2 minutes ago started to read this thread and experiment with it and stumbled upon the same question.
    Answer: it's not edit-image-flip horizontal, it's image- image rotation- flip horizontal (and vertical too). So you flip the entire canvas but your shape stays in the same direction. I'd already shortcutted that one to my wacom. I guess this takes some getting used to.

  11. #98
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    Quote Originally Posted by agitpop View Post
    it is the little checkerboard button at the top of your layers dialogue box!
    thanks, but it doenst help to keep the edges in the process :/
    i am wondering whats your workflow with this technique..

  12. #99
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    Awesome work Sparth! I love the futuristic museum at the top of the thread, I think it's one of your best. Such great lighting. I linked this thread on my blog because I want to see how it develops, thanks for sharing some of your process.

  13. #100
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    Quote Originally Posted by Mister Janchichan View Post
    thanks, but it doenst help to keep the edges in the process :/
    i am wondering whats your workflow with this technique..
    mr. j...
    sorry, i am not sure what you mean exactly. maybe others do? can you post a visual of the issue?

  14. #101
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    Sparth, thank you for demonstrating all this, you are a huge inspiration!


    Quote Originally Posted by Mister Janchichan View Post
    i was wondering how you go on with the coloring-steps? to paint over the shapes on a extra layer is the only solution for me by now. to colorize each shape in detail feels more like constructing than painting. to paint over the shapes feels good, because the shapes allow quick awesome concepts. but with a color layer above them the nice sharp edges get lost...so i would appreciate it to get some explanation..
    I assume that the quick mask mode is used a lot. If you enter into it (Q) you can lay down the shapes you want, and then by pressing Q again you will make the quick mask into a selection that you can paint into.

    Remember you can double click the quick mask icon in the tool palette in Photoshop in order to choose if you want to lay down the masked areas or the areas you want to paint in. It always made more sense to me to have the quickmask work as a "selection maker" rather than a "mask maker".

    I don't even know if I'm making sense here, but hope you can get something useful out of my rant.
    Last edited by gl0gg; December 3rd, 2010 at 02:07 PM.

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  16. #102
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    Thank you for posting these. really nice stuff!

  17. #103
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  18. #104
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    Very cool technique, thanks for sharing. Wish there was a way to rotate the shapes interactively after I've chosen how stretched it is.

  19. #105
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    Mister Janchichan - I don't know if this helps, but locking the layer's transparency allows you to paint within the shapes you've laid down without losing the crisp edges - it's not a great example, but I quickly scrawled the black shape below, locked the layer transparency and then over painted with the magenta, without losing any of the shape definition...

    sparth - depot - custom shapes
    Last edited by Dr. Stein; December 4th, 2010 at 12:15 AM.

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