Sketchbook: malon' s sketchbook - Page 2
 
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  1. #31
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    smael

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  3. #32
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    Bonne chance pour ton apprentissage du dessin, en meme temps a emile colh, je me fais pas trop de soucis pour toi .

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  4. #33
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    You should try to study some Bridgman or loomis, I'm sure you will improve fast.

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  5. #34
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    publish more always

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  6. #35
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    festival d' angouleme, it was very great, boby shiu' s women had does a drawing in my sketchbook, and thierry lafontaine has give me lot of advice for drawing, veru cool, it was great^^

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  7. #36
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    des exos pour l'anatomie....ben.... la tu me poses une colle.....j'ai pas mal bossé de pause d'après natures, les copies de platre c super pour les valeurs ( j'en fais jamais....:-/) sinon il y a toujours la copie de bouquin d'andrew loomis et du site de kevin chen qui explique la construction de l'anatomie :

    http://www.angelfire.com/art3/kchendemos/

    Sinon fais un tour dans ma signature j'ai fais un recap' d'un peu tout ce que je pense savoir. Par contre, quand je parle copie je ne parle pas simple " décalquage" des dessins, mais vraiment comprehension des volumes dans l'espace..... bref, j'espere que tu vas trouver ton bonheur dans mes borborigmes.

    PS: mets un lien vers ton sketchbook dans ta signature, ça permets de le retrouver facilement pour les commentaires ;-)

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  8. #37
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  9. #38
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    i' m happy of my lamp^^

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  10. #39
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  11. #40
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  12. #41
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    yo gros ! jtrouve c'est inutile de poster l'exo avec les ellipses, c'est un truc que tu fais pour toi ! sinon, comme jte l'ai dit, pour le moment, essaye de faire que du dessin d'observation, autoportrait, dessines ton bureau, des croquis, etc ! oublie les valeurs, concentre toi sur le trait, ne perds pas ton temps avec les valeurs ! les ajouter ne sers a rien si les proportions ne sont pas justes ! donc voila, concentre toi sur une seule chose : dessiner d'observation au trait, et tu verra que quand tu te concentre sur une seule chose, tu progresses plus vite, que quand tu fais 36 choses a la fois et que t'avances lentement !


    contact: kikindaface.art at gmail.com

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  13. #42
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  14. #43
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    dac avec kiki ndaface .....pourquoi passez trois heure sur un dessin si la construction est bancale? Je ne dis pas de ne pas en faire, il faudra un moment t'y attarder, comprendre la lumiere et autre, alors peut etre une fois ou deux la semaine, sinon le reste du temps bourrine sur ta construction fais en plein , des tonnes, faut se mettre en mode pose d'apres nature de 5 minutes en prenant bien soin de dessiner ce que tu as sous les yeux et au trait ( quand tu arriveras a faire tout le dessin en moins de 5 minutes et que tu auras le temps de mettre les ombres tu auras deja bien avancé, d'ici là tu vas en chier :-D )


    je pense que sur le dernier dessin tu t'es fait avoir par le bas de la feuille du coup tu as raccourci le pouce, au vu de la position de l'ongle je pense que c'est ça, si le pouce etait plus de face, il faudrait poser ton volums simple.... matte dans ma signature, il y a un dessin de luca cambiaso que je trouve tres parlant avec juste des cubes.

    Last edited by dessinateurimpulsif; February 10th, 2011 at 08:33 AM.
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  15. #44
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  16. #45
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    i fulfiled this chocolate, knife and key on gouache, i' m not very googd on paint but with time, i will be^^, i hope^^

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  17. #46
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  18. #47
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    self-portrait

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  19. #48
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  20. #49
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  21. #50
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  22. #51
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    hiiiiiiiiiiii, after 1 month without posted, i' m return^^, it was difficult without^^, i' ve too much draws to post but i'm glad be return

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  23. #52
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    charcoal fulfil^^

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  24. #53
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your technical drawings are great man! and those hands are getting better as well! Keep it up, keep studying! =D

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  • #54
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  • #55
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    je dédi ce platre a tous les probatoire d' émile ccohl, les traits verticaux c' est pas si terrible que sa^^

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  • #56
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    call me

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  • #57
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  • #58
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    observer drawin on grey paper

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  • #59
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    training^^

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  • #60
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    can you explain me how hairs drawing please? thank^^

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