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Thread: Cortes' Sketchbook

  1. #1
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    Cortes' Sketchbook

    blah blah drawing
    Last edited by Cortes; December 29th, 2012 at 06:56 PM.
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  3. #2
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    Welcome! You have very beautiful lines as well as a good sense of structure. You need to work on proportions and a better understanding of how the figure is put togheter but judging from this stuff that shouldn't be a problem for you. Hope to see more soon.
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  5. #3
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    Hey, back. I've forgotten the password and email for the old username but this is the same dude here. Let me post these.


    Cortes' Sketchbook

    Cortes' Sketchbook

    Cortes' Sketchbook

    Cortes' Sketchbook

    Cortes' Sketchbook

    Cortes' Sketchbook




    [/spoiler]
    Last edited by CortesDiddy; December 21st, 2012 at 11:48 PM.
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  6. #4
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    Ok, had to delete that post because I can't figure out how to delete attachments.

    Finishing up two classes at Gnomon for the fall. I can say my perspective knowledge has increased to a significant extent already from the one class. The other class was figure drawing, and to be honest wasn't very useful in terms of feedback; we came to class, drew from the model, the instructor might say a brief comment on your drawing, then class ends. My drawings improved (they're all traditional so gotta find a fucking scanner to scan these drawings!) though.

    Here's some heads. First some heads I drew about a week ago or so:


    Cortes' Sketchbook

    Then the heads I drew yesterday:

    Cortes' Sketchbook

    Then the heads I drew all day today. The heads are ordered from top to bottom, top being the ones I drew earlier in the day, the bottom right being the most recent one.

    Cortes' Sketchbook

    I can't believe I spent all day drawing those. Fuck it, I'll just draw more tomorrow.
    this is an exciting, interactive and ballin sketchbook sig

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  7. #5
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    You need to work on proportions and a better understanding of how the figure is put togheter
    I can agree with "fantasyart". You have to draw a lot more figures from life and learn how to "see". From what I can see in your figure sketches you stop drawing where you don't know how it really looks like ( like the feet etc.). you can see that you stopped drawing at some points, because you didn't know how to proceed. Also you should always draw everything of the body almost at the same time. You have to build something like a slight shade. (sorry my bad english, I hope you know what I mean)
    Keep going!
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  9. #6
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    Quote Originally Posted by DariusV View Post
    I can agree with "fantasyart". You have to draw a lot more figures from life and learn how to "see". From what I can see in your figure sketches you stop drawing where you don't know how it really looks like ( like the feet etc.). you can see that you stopped drawing at some points, because you didn't know how to proceed. Also you should always draw everything of the body almost at the same time. You have to build something like a slight shade. (sorry my bad english, I hope you know what I mean)
    Keep going!

    You are right about those drawings and they weren't from life. I do have lots of life drawing done recently though; I've taken figure drawing sessions in the past and right now I am in the process of finishing up a figure drawing class at Gnomon. The class is great and is giving me lots of life drawing experience. There's another class nearby that is starting up in January, so I'm going to try to take that as well.

    The thing is, with figure drawing, you only have so much time to draw before the model changes the pose, so I aim for the whole gesture first and foremost instead of focusing on the details. I'd love to have a model pose all day for me to get it right but... that's kinda how it is.

    So I agree, that's what I'm trying to do, the drawings I am doing in that class do attempt to address what you're talking about.

    I need to scan them in though next time I'm at the school.


    Anyway, I spent about 9 hours working on these. I'm burned out right now and need to take a break, lol.
    Slow and steady, dedicated practice.


    I have no idea if I'm practicing 'efficiently' or not, so any pointers on what to focus on per day (like 'x amount of heads, x gesture drawings/etc') would be cool.


    But yeah, I jump on any opportunity to draw from a model that I can.

    Lots of people say to go to public places too, and I've done that a few times. Mostly it's only good for gestural drawing too; I can't really capture too much as the person moves, but I guess that's the point of it all.


    Anyway, this is how I spent my day practicing:

    Cortes' Sketchbook
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  10. #7
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    Some more:

    Cortes' Sketchbook

    Cortes' Sketchbook


    I seem to be having trouble figuring out what angle to place the features at. I am drawing these heads on a perspective grid and so try to plot them out on the correct receding angles.
    Last edited by Cortes; November 18th, 2012 at 03:50 PM.
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  11. #8
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    I like the head studies, you're really getting better there! I'd recommend spending some work studying the proportions of the body, but I believe I'm not the first to mention that, so I don't really have anything to add... keep up the hard work!
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  13. #9
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    Love the head studies! Keep it up, study the heck out of those heads--also study the forms of the body a bit. You're pretty off on anatomy, but if you keep plugging the studies, you'll get up there quickly!
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  15. #10
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    Lots of people say to go to public places too, and I've done that a few times. Mostly it's only good for gestural drawing too; I can't really capture too much as the person moves, but I guess that's the point of it all.
    Yes I feel the same. I like to draw people on the train. When I want to draw detailed I choose the one sleeping or reading. When I want to catch the motion I do quick sketches with very few lines.
    I think it's all about understanding how things are connected and how to "see" and actually let your hands tranfer everything you see onto the paper. I guess you are on the right way. As long as you draw to understand things and not only draw it the way you think it is, it doesnt matter what exactly you are drawing.
    Just keep on drawing!
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  17. #11
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    Some heads from a few days ago. Busy with Gnomon class work atm but will continue after that's taken care of. They are numbered in the order that I drew them.

    Cortes' Sketchbook
    Cortes' Sketchbook
    Cortes' Sketchbook
    this is an exciting, interactive and ballin sketchbook sig

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  18. #12
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    Hi.I am a first time commenter. I'd suggest more exercise in drawing through. Google Vilppu since he is a great classical figure drawer is mostly concerned with how you conceptualize what you see. The poster who said you must learn to see is pretty right on. When you think of the "head shape" Remember there is a side not seen by the viewer, but this side will help infinitely to the one drawing if used as a tool for placement of landmarks (nose, eyes, ct).

    For what it's worth
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  20. #13
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    A little walkcycle I worked on a few nights ago.

    Cortes' Sketchbook
    this is an exciting, interactive and ballin sketchbook sig

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