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Thread: 2 simple questions
November 28th, 2009 #1
2 simple questions
1) When you guys sketch in public, and there's nowhere to sit on, or if you're required to stand so as to achieve a particular eye-level etc., do you guys hold the sketchbook in one hand, and sketch?
Currently, I tuck the sketchbook into my stomach area with my left hand and draw with my right hand, but after a while, the left hand starts to ache and it's very uncomfortable. Also, it's kinda shaky during the drawing process (let's not talk about easels for now).
Any tips? Or will it get better once I get used to it? So far, 99% of the time, I've been sitting down comfortable at a chair and table and draw stuff in front of me, but today, when I sketch new objects while standing up, it's really hard.
2) Is there a difference between illustration and fine arts, or are they both the same? I checked the threads here and read Wikipedia, but both seems to be about drawing?! I assume the job of an illustrator is to do nothing but draw and draw and draw and paint all day long.
Hide this ad by registering as a memberNovember 28th, 2009 #2
2) Illustration is usually a visual representation of something which a client requires, fine art is something the artist wants to do and then finds a cliŽnt for it.
For a simple analogy, compare illustration with being a manwhore and fine art as being chronic masturbation.
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November 28th, 2009 #3
Lots of discussion about illustration vs. fine art in these threads:
**Finished Work Thread **Process Thread **Edges Tutorial
Crash Course for Artists, Illustrators, and Cartoonists, NYC, the 2013 Edition!
"Work is more fun than fun."
"Art is supposed to punch you in the brain, and it's supposed to stay punched."
November 28th, 2009 #4
I think alot of confusion is sprang up over the difference between Fine Art and Illustration due to all art being illustrative but not necessarily being Illustration as a profession.
Norman Rockwell apprently felt anxieties over this type of stuff, since he wasn't accepted by the 'higher' arts.
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November 28th, 2009 #5Registered User
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1> If you have to stand up, make a quick drawing, just enough to record the information you need of what goes where, make notes if you need them, and then go sit down somewhere else to finish things. There's no rule that you have to stay where you are as you draw. Not doing so will help your recall to not look at what you're drawing.
2> All art is illustration.
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November 28th, 2009 #6
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November 29th, 2009 #7
1. Sorta the same. I brace my left upper-arm on my ribcage and rest the book on the inside of my forearm, against the crook of my elbow, maybe, sometimes, pressing the bottom edge against my body.
2. N. C. Wyeth would have grabbed you by the shoulders, spun you around, and kicked you in the ass really hard for insinuating that illustration is not fine art!
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November 29th, 2009 #8
For the standing part, carry a light sketchbook with lesser pages, i do that, but then again i also carry an a3 sketchbook too, if its too heavy then it will take you time to get used to it...
for the second question, please click Elwell's links.
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November 29th, 2009 #9
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November 29th, 2009 #10
What about this?
My website for learning traditional fine art on your own! --- Derived from THIS thread at CA.org
------------ ♦ ♦ ♦ ------------www.cast-drawing.com
drawing casts (geometric shapes, anatomical casts, skull), tutorials on Bargue drawing and cast drawing, Willow Charcoal, free drawing exercises
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November 30th, 2009 #11
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November 30th, 2009 #12
Wow, WTH is that, Taneli?
It looks like a portable chair but it seems to be able to be used as a table too! Walkerstool is the name? I'm gonna check it out, though I'm not gonna buy it, cos' it'll cost me my life savings.
Good idea, though. I could probably get a high foldable chair which can double as a portable surface for me to lean my drawing board on diagonally in public.
November 30th, 2009 #13
Hmm.. doubt you could use them as a table, not sturdy enough. Even sitting isn't much of a party. They sound like a great idea, but I found them to be pretty uncomfortable to sit on, to be honest.
"Work for your self first. You can paint best the things you like or the things you hate. You cannot paint well when indifferent.
Express a mental opinion about something you are sensitive to in life around you. There is a profound difference between sensitivity and sentimentality."
~ John Sloan Gist of Art
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