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  1. #46
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    I can bet the pros out there hit such a damn plateau skill wise that they would have real hard time getting better. You start with leaps and bounds, but the better you get the more of a style develops and the harder it is to go above and beyond without outside judgement and guidance.
    Last edited by Kraus; December 18th, 2009 at 02:30 PM.


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  3. #47
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    I bet they don't but I also bet that YOU wouldn't see the difference. There is a point where there is improvement but it's slower and more subtle, and you can look at the piece and think it's awesome but not know why it's better than another piece unless you have had extensive art training yourself.

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    True, art training does keep tabs on self-progress, but i think knowing is half the battle. The other half is breaking from the refined muscle memory many artists develop through time, and taking the action to improve.

    My theory is that the better an artist gets skill wise, the harder it is to break from the usual strokes and techniques they have engrained their art with. And that's the plateau i'm talking about...Especially when it comes to concept art, where so many more factors get introduced, unlike life drawing where one is trying to be able to replicate what the eye sees as close as possible.
    The plateau can come in many forms too: subject, composition, colour choices, etc..
    I'm not a pro yet, but that doesn't discredit me, i know where i am and where i want to be. From there on i'll make damn sure to take a break from art so i can come back after awhile and see if i can get off the plateau.

  5. #49
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    Dave and Baron_Impossible have stated it very eloquently But yeah, usually when I finish a piece I'm really proud of it. Some of them a few days later, I no longer feel that way about, and some I continue to really like.

    I'm happy with almost everything I do, if I'm not, it's not done. I used to be okay with turning in stuff I didn't really like, but honestly I think that unless the deadline is crazy, that's simply lazy.

    Liking something you did doesn't mean you can't take crits on it or do better next time either

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  7. #50
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    Hrm, it's rather nifty to see all the responses here. Not a professional either, but I also feel slightly less crazy now, as I also go through the roller coaster of liking/disliking a piece both during creation, and after. I don't think I've ever actually settled on a view of any of mine to this point.

    Though I'll also say, after deciding to move on there's an hour of calm and then for hours directly following that it feels like I'm a masochist, finding every flaw possible. It's useful in that I think it helps immensely for the next piece... but yeah, ouch.

    I'll definitely agree in the view of the endless journey, there's so much out there and in each individuals heart and mind that I don't think it could ever end, and why would anyone want it to? My goal in the end is to create things that share and evoke in others, just like a piece I found yesterday which I proceeded to share with everyone nearby. If I can do that even a little, I'd be happy.

    One last thing though, is that pondering this I have this mental image of working on a masterpiece, something like a culmination of all the study and work in a lifetime coming together into a distilled piece as close to perfection as could be attained by that life... and moments before completion, a few brush strokes to go... heart attack. *cough*
    "I have learnt silence from the talkative, toleration from the intolerant, and kindness from the unkind; yet strange, I am ungrateful to these teachers." - Kahlil Gibran


    Sketchbook: Critique greatly appreciated =)

  8. #51
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    Quote Originally Posted by Kraus View Post
    My theory is that the better an artist gets skill wise, the harder it is to break from the usual strokes and techniques they have engrained their art with.
    One of the art instructors I've met through school has painted photo realistic portraits and has been working since the 60s so I picked his brain as much as I could. His solution to the advance and hold problem was to constantly change style and medium whenever he reached a point where he felt he was comfortable with what he was doing. It sounds like a method that makes perfect sense to me. I think when an artist begins to improve it's because they're finding solutions to various problems in creating form etc. After they have a skill set of solutions they're now comfortable with their method so completely changing the method, like switching from pencil to stick, or a different shading method or whatever forces the artist to develop new tools all over again. It means more challenge and more bad drawings but in the end it worked for him.

    Of course working professionally isn't the time to experiment. I imagine if a client is paying for the style in your portfolio that's what you'd have to deliver so the development would have to be done on your own time. Something like that for a professional artist would require a great deal of dedication. He or she would have to work when they're not working.

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    Quote Originally Posted by slig665 View Post
    Of course working professionally isn't the time to experiment..
    Oh i disagree. Every professional piece would be an experiment, assuming it's not so mind numbing that you just wish to get it over with.

  10. #53
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    Here a quote from that site that was linked

    'Photographic reference is almost always used as a guide by photorealists, but becomes less necessary as an artist gains proficiency, and understanding of the elements of photorealism. While reading the list of the elements of realism, consider that no other artistic style demands so much of an artist. Photorealism is by far, the most difficult artistic style to master.'

    what a BS




    Quote Originally Posted by KonnA View Post
    WTF!!! How is this a painting? Seriously. I looked at the WIPS and it didn't even look like it was real.
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  12. #54
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    I've not seen that painting but I've seen originals of others of Dru Blairs artwork at Coast Airbrush. It's insanely amazing work. Those that say that the WIP steps of the image don't look real DO NOT understand the method of creating an airbrushed artwork AT ALL.

  13. #55
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    Let's not get emo. I think what people say is that the claim that no photo reference or real model was used is BS.
    No one said it is not possible to paint by ref.

    Reproduction is the first basic step of every artist who start out.
    It is not the highest form of art. Art is not about reproducing some photo as good as possible, painting is a language and his images dont tell me anything at all. The coke can that is splashing in the water looks nice tho, some of this is good illustration work and would make great of ADs or posters.

    But painting this level of detail and lighting without any ref, that's BS.



    Quote Originally Posted by Jake Kobrin View Post
    I've not seen that painting but I've seen originals of others of Dru Blairs artwork at Coast Airbrush. It's insanely amazing work. Those that say that the WIP steps of the image don't look real DO NOT understand the method of creating an airbrushed artwork AT ALL.
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  14. #56
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    Quote Originally Posted by Kraus View Post
    Oh i disagree. Every professional piece would be an experiment, assuming it's not so mind numbing that you just wish to get it over with.
    Of course to be fair one of us has to start getting paid before we can claim to know what we're talking about.


    Quote Originally Posted by R a n d i s View Post
    Let's not get emo.
    Hahahahahahahahaha!!!!!!!!!!

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    http://www.ustream.tv/recorded/3145940

    Stephen Silver has a bit about this in his latest art cast. Im not sure how to embed videos all fancy that aren't from you tube. I really enjoy his videos, not as grating on the nerves as a certain other high energy, high pitched utreamer (which I still enjoy from time to time)
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    Quote Originally Posted by Slash View Post
    Personally it lasts for a couple of hours, maybe a day or two at best. Then i see the flaws and try again.
    Same for me.

  17. #59
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    I always second guess myself to the point of insanity. I think its because the level of work I want to achieve is quite far from my grasp, and at times I get so frustrated that I get insecure about my work, cause I'm surrounded day by day with people that blows my mind with the stuff they make or when I see someones insane work here on CA or ...

    I do have my good days though, and those are the days where I can sleep pretty well.
    Last edited by richarddoble; December 20th, 2009 at 07:33 AM.

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  19. #60
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    Quote Originally Posted by J Wilson View Post
    Strangely though, there are always people who see things differently. There are people who really like pieces I consider a dog, and people who aren't that impressed with pieces I really like.
    Man. I got this almost all the time. It sometimes gives me impression like I pursue the opposite direction to what people consider good art or I'm too focused on things that doesn't really matter.

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