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Thread: Mostly oil sketches from life.
February 12th, 2012 #151
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You're really hitting a stride. You're gaining great control of the brush, colors, values, and showing a really strong mental organization and problem solving. It's really exciting to think about where you can take it! Keep up the good work!
I self-published a book on the fundamentals of drawing from life.
February 25th, 2012 #153
March 3rd, 2012 #154
Art is my oxygen.
March 11th, 2012 #155
Sony- Yeah, I really should get back to doing watercolors again. Maybe I'll break them out at my next life drawing session. Thanks for the comment!
Mane- Wow... I guess I've never thought about doing a video demo. I feel like most of the time painting is such a struggle for me that I never thought anyone one would get much out of watching me paint. But lately I've had more people interested in me doing something like that. So I guess I should put more thought into it.
MatejaPetkovic- I'll definitely think about.
Jetpack42- Thanks I appreciate that! You have some serious drawing skills! I enjoy looking at your thread.
Eva K- Thanks!
2Tone- I don't know about that. But thank you!
The portrait is a 1 hour oil sketch painted from life. And the other one is about an 8 hour oil painting.
Thank for all your wonderful comments!
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March 19th, 2012 #156
Nice painting. I like the portrait of Erin very much.
In august you did a study of the back of a woman you used just a little line it was delicate and expressive. It counterpoints your beautiful masses. You might start playing with integrating some of that into your work. It's nice to see so much work.
March 26th, 2012 #157
mburrell- Thanks! I appreciate you taking the time to comment. And thanks for the suggestion.
Two more quick sketches. Lately I've been doing these quick sketches in the evenings trying to work out different painting problems I'm struggling with. Usually it revolves around the basics. Drawing, value, color and edges. Things we all struggle with. Or at least I do.
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March 27th, 2012 #158Registered User
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March 27th, 2012 #159
March 28th, 2012 #160
Hey Matt just wanted to say how much I've enjoyed looking at your beautiful paintings and drawings. It's hard to pick one out when they are all of such a high standard but I think the painting of your friend Erin is my absolute favourite.
You really make me want to learn how to paint this well. Five stars from me.
April 27th, 2012 #161
Kvenh- Hey thanks! I appreciate the kind words!
Marian Rowling- Thank you! I got lucky with that one of Erin. Usually they don't work out.
Sorry, not much of an update... I'll try to do better next time. This painting was done from life. About a 2.5 hour pose. The model is Jessie.
Thanks for the comments everyone!!
April 29th, 2012 #162
be concious of your color use! but i love the kitten!
May 8th, 2012 #163
ThumbprintGallery- I use color more as a way to get some rhythm and interest going while I paint. It works for me. But I understand some people find it off putting. These sketches are just me playing around. I appreciate your comment.
Another 1 hour head sketch.
May 9th, 2012 #164
Hey Matt this last portrait is just beautiful. Really feels like you have just caught a stolen moment. It feels so fresh and alive. Can I ask how you prepare your canvas and what palette you used pleased. I'm very keen to learn all I can from artist's admire as I so want to be able to do this myself one day!
May 9th, 2012 #165
Marian - my palette consists of titanium white, permanent yellow light, permanent yellow deep, yellow ocher, permanent orange, terra rosa, cadmium red light, viridian, ultramarine blue deep, alizarin crimson. Sometimes I'll also use permanent green light. I work on canvas mounted to a masonite panel with miracle muck glue. I like working on a white canvas but this last painting was done on a canvas toned with burnt umber.
I hope that helps.
May 10th, 2012 #166
Yeah it does help Matt, thankyou. I originally thought that the dark areas and hair were Burnt Umber and that you had used a raw sienna with white for the flesh. So I was really wrong! I am now thinking permanent orange maybe darkened with the Ultramarine for the hair and permanent orange as a base with white for the flesh. Hopefully I'm right thinking the green I can see is permanent green light, but maybe not. Thankyou again anyway, makes me think about colours and more importantly how they could be mixed. I am a rookie
June 17th, 2012 #167
Marian Rowling- Glad to hear I could help. Best of luck with your painting.
The head sketch was done as a demo for the art students at Bridgview center. Bridgview is a drop in center for people living with persistent, severe mental illness. I taught a three day class on portrait painting. Most of the artists struggled with drawing, something I think we all can relate to... I know I can. this demo was to show students that starting a painting with one color and just trying to think about drawing the shapes your seeing can help.
The figure painting is an oil sketch painted from life. about 2 hours.
June 19th, 2012 #168
July 3rd, 2012 #169
Stupendous work. I'm loving your progression and your use of brushstrokes. I can learn a lot from you!
I've got to ask:
1) What colors are on your palette?
2) What surface do you usually work on when you do quick oil paintings from life?
Thanks and keep up the good work!
I apologize if you've already answered this.
"My friends, I address you all tonight as you truly are; wizards, mermaids, travelers, adventurers, magicians... Come and dream with me."-Brian SelznickMy Blog:
July 7th, 2012 #170
Marian Rowling- Thanks!
garboz- Thanks for taking the time to comment. Post #165 should answer your question. Best of luck with your work!
A new oil painting. 18"x 24"
July 8th, 2012 #171
Wow Matt what a fabulous painting. I can really fellow the warm sunshine the model is bathed in. The colours really sing in this one and it's a lovely pose and composition. I'm not sure if it's an optical illusion, but is her hand actually laying on the pillow as it does look like it's in the air?
July 11th, 2012 #172
freaking love all your work....
are you from st paul MN ?
Check out my youtube! https://www.youtube.com/user/GrawvyRobber?feature=mhee
July 15th, 2012 #173
Marian Rowling- Thanks Marian, I meant for the hand to be resting on the pillow... but I guess it does look like it's floating a bit. I'll try to fix it. Thanks!
TrueInstinct- Thanks for the nice comment! I do live in the Twin Cities.
Here's a new piece. 16"x20" oil.
July 19th, 2012 #174
July 23rd, 2012 #175
July 23rd, 2012 #176
Truly inspiring Matt, quick question, is an attic an ideal location for oil painting, if its setup next to the window that is except the floor is covered with rugs, or perhaps a open garage is a better fit?
August 2nd, 2012 #177
Really lovely work!!
August 5th, 2012 #178
hikix- Thanks! Not all of the paintings you see here are done from life. Some of the more finished ones are done from a combination of life paintings and photos i've taken.
Marian Rowling- Thanks! I just liked the look of the stockings and couldn't decide which concept I wanted to paint - so I decided to paint two paintings with the stocking concept. I'm sure I'll do more.
TNiznet- I'm probably not the best person to answer your question. My studio is in the basement of my house - it's not the ideal studio but I manage to make it work. What really matters is just finding a space that works for you.
Thanks for the comment!
August 5th, 2012 #179Registered User
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- Jul 2012
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Definitely love your work!
As someone looking to get into oil painting besides alla prima; any personal resources you can maybe spare that might help me pick up oil painting ?
August 7th, 2012 #180
the first in 155 is on of my favourite paintings i have seen in a while, those edges are lovely man