Sketchbook: andres333 SKETCHBOOK - I love HARSH Criticism - Page 17
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Thread: andres333 SKETCHBOOK - I love HARSH Criticism

  1. #481
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    Good stuff mate, keep up the god work, more more more

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    really nice form studies, I can see that like myself you are really interested in how the change in value can just change the way you look at something entirely. I'm doing a lot on that myself at the moment, so its interesting to see what you're up to. I definitely recommend doing a cast study or two

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    Yikes, nice study on the shadows there =) Thank you for the tips and analysis =) Good luck with your next study bro =)

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    Oh, man, seeing through the form is tough. Nice work.

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    whoaa. nice studies! keep it up, more!!
    you inspire me!

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    Nice work dude. i need to learn to look at things from a technical perspective like that.

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    thank you so much for the replies

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    still figuring out how to render soft surface stuff

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    This is great progress Andres. If it helps at all I was watching a painting video the other day and they said that you have to keep the highlights soft edged and diffused on skin otherwise if they get to hard edged and bright they make the skin look shiny and oily.

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    Marian Rowling: thanks for the tip I'll keep that in mind when I proceed further rendering my pieces, these just count as value block-ins though

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    Check out Gilen Villpu's videos on spherical forms and cubic forms! They are great videos that demonstrate construction of figure drawing.

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    Quote Originally Posted by andres333 View Post
    I still can't believe how easily can value show a form change
    So true. Diggning your recent figure studies.

    Thanks too for the advice in my thread...and as always for the helpful process animations.


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    Aryeh: Oh yeah those videos are off the hook I've studied them before, but one can never get enough of such good material

    Jephyr X: I'm glad you find this helpful

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    could you do a tutorial on how to draw cast shadows?

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    Wow.. you really pushing yourself on these studies =) Thank you for sharing these processes as well =) Good luck with your next piece bro =)

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    so, there i was, thinking that gesture was impossible on a waccom when i got smacked on the face by the truth o.0.... omfg!!! grat job... XD

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  22. #497
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    Aryeh: haha you mean it? I'm no master to make a tutorial or anything but I can try to explain all I've learned. However, it might be better for you to study the resources that I used which are: Scott Robertson's DVD's, Glenn Vilppu's DVD's and some other books that I cannot remember right now.

    Kungfoowiz: thanks for the constant support

    rokushoxxx: haha it's not impossible...it's just a kick in the balls..but as everything it just takes practice

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    WAt reference or books did you learn the procedure for your perspective light/value sketching? its incredible how realistic you make your anatomy appear with that structure id like to learn that procedure you use as well, almost seems like your practicing for something insane, feel something epic coming . . . .

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    AdrianNagorski: I've already mentioned it. I'm going through Scott Robertson's DVD's Glenn Vilppu DVD's and some material from Ron Lemen and Marshall Vandruff...and as for practicing for something insane..well..hehe as my bio suggest for now I just want to earn a living :/

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    more quick stuff

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    Awesome studies! Thanks fir the inspiration

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    Vertical: Thanks for dropping by

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    why dont you try defining shapes with highlights, rather relying on the lines. To me it seems like all your practicing light and shadow on basic shapes is great, but falls flat on on more complex pieces...

    so make the complex easy!
    silhouette the fucker like there is only light from behind, then add front light to define whats within the shadow.

    Start with background - usually this is also seen as backlighting, ambient light, its very dark but you can still see some shape and forms within it (they usually are always gradients, unless indoors)

    then slap one tone in for silhouette

    then add more light front /side, as many as you want.

    You can also work in pitch-blackness, meaning you see nothing coz theres no light at all. In that you could place one light source in front.. it would look like this
    http://fc00.deviantart.net/fs71/f/20...ak-d37ohsa.jpg

    And just note some factors on ur last objects study, round shapes never get sharp shadow like the ones you did. Only sharp objects get sharp shadows. Round objects get round shadow..


    Last edited by Cold; September 28th, 2011 at 03:55 AM.
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  33. #504
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    I like your studies man. This one is way cool..

    Cold has a good point. But what if you want to draw comics and need to rely on lines? It's hard to draw a silhouette then, or use much shading. But Cold's idea is a good one, too. Maybe until you can grasp 3D forms with your mind

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    Thanks for your nice post in my sb haha, I think you're right though! it's true. I've learned a lot about myself these past 3 months. Things I never thought would be about me, and all of it is coming from within. I'm on a path of getting better and I'm starting to listen to my inner child a lot and get professional help. I'll be alright.

    can I ask what happened to you? it's ok if you don't want to talk about it otherwise, send me a pm!

    btw, lots of nice studies here! I wanna see some more colour!

    rock on!


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  37. #506
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    You are doing the right things here man.
    Beautiful studies.
    Picture perfect.


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  39. #507
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    Inspiring to see all the study your doing! Thanks for sharing your work!


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  41. #508
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    Hey, nice studies in form and flow, your figure drawings look better and better with each post as well. Keep it up!

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    WOW O___O you're amazing! Wanna be as good as you!
    and your process animations are very helpful for me.
    Thanks for sharing your work x33

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    Andress !!! Loving your studies more and more.

    And great input from COLD, but i must ask... why the darker tone near the cavity/edge of the box in the shadow side. Wont that area(just above the contact shadow) be having the maximum amount of bounce light ??? The dark tone there doesn't seem to make sense/fit in !

    Anyway... keep painting dude... inspiring stuff

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