Results 601 to 630 of 974
July 1st, 2011 #601
Hide this ad by registering as a memberJuly 3rd, 2011 #602
Another two. Not much else to add.
July 3rd, 2011 #603
the digital stuff is coming along really nicely love the feel you get in them and your ink work is awsome as always
July 4th, 2011 #604
Heads and Empty Skies
Not far from Dargaville. Northland, NZ.
July 6th, 2011 #605
Van Coke Kartel at Ramfest 2011
July 7th, 2011 #606
Tales from the Low End
Dan Adriano from Alkaline Trio at Ramfest 2011
July 8th, 2011 #607
July 11th, 2011 #608
The daily sketch and photo...
July 11th, 2011 #609
On the Easel
What's happening in the studio at present.
July 12th, 2011 #610
Figures. One quick sketch and one shot from Ramfest V, 2011
July 12th, 2011 #611
the picture of Dan Adriano is bad ass love it man im really lovin the photos you have been posting lately
July 13th, 2011 #612
July 13th, 2011 #613
Three-odd hour image sequence which i'm kindof happy with. Figuring out colour blending more than anything else.
July 14th, 2011 #614
July 15th, 2011 #615
Some scribbles and Yolandi Visser at Ramfest V, 2011
July 15th, 2011 #616
damn that progression painting looks awsome man looks like your getting more and more comfertable with the digital painting love the scribbles too and post 606 from a few posts up enjoyed the photo so much i didnt notice the drawing but i just saw it today and i love the explosive feel you got on that one
July 15th, 2011 #617
Comfort in pixels.
July 15th, 2011 #618
The Following User Says Thank You to a la bapsi For This Useful Post:
July 16th, 2011 #619
July 16th, 2011 #620
Just had a chance to enjoy your SB, awesome stuff. The pen/ink studies and sketches are so confident, they say a whole lot with those strokes, love the gestures. Thx for dropping by my SB, I'll add some more thx with my next update.
Looking forward to following your work, inspiring!
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July 17th, 2011 #621
Don't think I've ever stumbled in your sketchbook or commented. Excellent concepts etc. Love the photos too!
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July 17th, 2011 #622
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July 19th, 2011 #623
Our Brutal Winter
Following the tracks to Simonstown. July 2011.
July 20th, 2011 #624
Your photography skills are great sir, I enjoyed every one of them from the begginning of this SB. The wedding ones are pretty beautiful and expressive. Do you usually enhance colors in them? I also noticed an evolution from your first washed ink works (close to surrealism and abstract) to the last ones, more focused and realistic. The last ones are getting very tight! Maybe you could try to use more color treatment on them... or maybe paint color directly, one day?
thanks for sharing, I will be back for sure!
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July 20th, 2011 #625
July 20th, 2011 #626
Only fits. No starts.
Here are the scraps for today.
July 28th, 2011 #627
Blood. And Diamonds.
Here's a photoset from a recent family trip to Kimberley, a significant place in South African (and world) history. Look it up.
July 29th, 2011 #628
Quick colour study plus a signpost I shot(puns away!) three years ago, and again this week. Someone must've been bored bored...
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July 29th, 2011 #629
Thanks for dropping in!
Your photography work looks great! Nice composition and choices of focal points.
Your sketches seem to be hastily done. While this can be nature of sketching out an idea, these seem to lack focus and direction.
The painting you are working on, I can't really tell where the focal point is and most of the values are in the mid range. I know that it's not done but make sure that you've got the value groupings right.
I like your digital paintings a lot. I'm a sci-fi nerd myself. I really like the mech suit piece you have. I think the background values you've added are so light against the darker mid and fore grounds that it draws attention aware from the subject (which seems to be the focal point of the piece). Maybe you could place an "obscure" light source (in the green range) that lies just ahead of him that projects onto the suit so that it can simultaneously bring more attention to the subject and define the form of his suit more. Another idea is to also add a reddish orange light within the helmet area to accentuate the subject's face more to further draw the viewer's eye in. You could also crop the piece on the right side a bit. Of course, these are only suggestions.
You've got good work here! Keep the goods coming!
July 30th, 2011 #630