Join 500,000+ artists on ConceptArt.Org.
Its' free and it takes less than 10 seconds!
This was a big one at 40" X 40". Oil on Canvas.
First I lay down a pencil sketch and rough out the tones with a tin oil wash, then I work in more opaque colours to give dimension to the forms, then finally a thin wash of pure colours to glaze and make the whole thing more vibrant.
The print you see on the top left of my custom drawing board ( couldn't buy one big enough in the stores ) is a digital version I created in Painter for reference. The black and white prints are from a photo session with an actress/model and the inspirational artworks in the background are by my favorite artists, Boris Vallejo and Frank Frazetta
Last edited by patrick j jones; May 5th, 2009 at 06:45 PM. Reason: update
thx for posting this! its always nice to see
the progress,cause i can learn new things from it.
its a beautiful piece
Thank you for sharing this!
There seems to be such a big difference between the last two pictures. Do you use a lot of glazes at this point? It looks as if you repainted another layer with details over the whole picture.
Nice tutorial. Thank you for posting this. I'll have to go look at more of your work.
Thank you for this post! Very good to see process of making excellent painting. Great work!
Thanks for your comments and interest guys; much appreciated!
Bowlin: Yes, during the glazing I'll add some opaque detailing while the colours are still wet.
Man, I love it!!
Please, post more step by step, this helps so much to understand better the process of oil paint.
God bless the internet...hahahaa.
I wish I could have more free time to do traditionl paint.
Thank you Rod.
Sure Eric, blog away!
Like your work too...
Thanks Eric, I will keep posting.
Had a look at your blog earlier and was very impressed with the muslim lady portrait.
brilliant post.... pity the poor mermaid is dead !
Awesome. That glazing step makes a huge difference. Thanks for sharing!
Impressive and instructive ^^
hi pat.. loved wat you did here..
totally cool.. i completely respect traditional painters cause i've never learnt that stuff .
feel free to walk into my sketchthread..would love to hear from you as well..
There is but one short cut to success...apparently its called Hardwork.
The Great Indian Mythology Character Design Trick - ( please do leave your comments on this sketchbook) http://www.conceptart.org/forums/sho...d.php?t=142727