This was a preliminary portrait drawing I did for a painting that I never got around to finishing. Hopefully I will get to someday... Attachment 653769
This Rubens drawing blew me away. It wasn't until I started copying it that I realized how freaking awesome this guy actually was! My god! This pose is intens. Copying from the masters truly is a conscious raising experience. Attachment 653771
And this last one is a SP that I started back in San Fransisco under incandescent light. The colours are a bit wacky.. and I hope I get to finish it if I can get the lighting setup to mimick the original conditions... Most of the painting is still covered in a loose underpainting with the opaque and final paint layer only visible on parts of the face. Attachment 653773
Last edited by Art_Addict; April 23rd, 2009 at 08:23 AM.
Whoa, nice! Figure drawing is a bit flat in my opinion, especially head. There are no feel of depth, but that's only my opinion and emotion.
The painting of Toby is my favorite here. I love the way you accent his interesting and elegant face contour. Face painted so strongly that eye don't want to travel at the bottom where is unfinished skirt. Good picture, honestly :-).
tokszmogus : Thank you for your comment. In my defense of the figure drawing, the focus wasn't to model form here but rather to study the specific structure of large to small masses and action and intention of the pose. The drawing of Rubens originally was done with black and white chalk, with white being used for highlights. Mine was done in graphite. Modeling the form would have meant filling in the white of the paper and would have risked taking away from the reason for copying this drawing in the first place.
Well, to start, tokszmogus is correct about the figure drawing. However, I have to argue that the preliminary portrait is strongest due to the fact you captured the value VERY well in the face. It's great just the way it is, unfinished (sometimes those are even better, according to master painter Richard Schmid and a few others whose name I forget). Heck, it even reminds me a little of Casey Baugh's charcoal work.
Also, your self portrait is powerful, I want to see it finished!
My only true critique is this: when painting from life, there is more red in the nose and cheeks (check out Norman Rockwell's work), blue and purple in the jaw bone area and yellow in the forehead, naturally. This is very hard to see unless you purposely look for it, but I guarantee it makes all the difference. Most of the time these colors are extremely subtle (except for red in the nose), and takes great time and patience to capture correctly.
I'm only applying this critique to your shorter life oil painting of Tony, not your self portrait, since you obviously had more time to capture the colors.
Mindbendermind : Thank you, yes Rubens is the man!
FallenGodX11: Thank you!
Jens: Thank you!
darkwolfb87: Hey Stephen! You ready for the fall course? The group they have is awesome! And no don't think I ever painted directly on wood.
Hyskoa: Cheers dude!
Zarahn: Thanks bro! Post your SP here!
majiinakuma: Thanks for your comments and taking the time to crit! True, the portrait of Toby is too monochromatic. In reference to the color suggestions... I do feel often times working up and down the value and chroma variations for the yellow-red spectrum gives me a huge range of mixtures to work with for the figure/portrait.
Here's a still life WIP I've been working on (sorry for the bad photo quality) and the older SP WIP that I might post in here too with the poster study that serves as a general relationships guide :
Great work man! That first SP you posted is fantastic! love the way you make your brushtrokes more defined in your face, and more crazy towards the edges. Good focus! The still life WIP is also good. Is the second SP a tribute to the portraits of old? Which artist in particular?
Very inspirational work here
Did you take any of the the Tony Ryder workshops?
I live in new mexico near his atelier and in debate on trying to go there or an art school and was wondering, if you did go how your experience was?
Keep having fun learning and observing. -Jamie
Jens: Thanks dude! The cloth was and still is quite a challenge, especially trying to keep hold of the chroma in the lightest areas. And yes I will be teaching a portrait drawing workshop here: CC Sint Niklaas
Gringo: Thank you! Yes, the latest SP is a tribute to portraits of the past. I'm mimicking a pose of one of Van Dyck's self portraits. In the background is going to be a cityscape of Antwerp. I grew up in and around the city there and thus have an emotional connection with the town and its great artists of the past.
Omerta: Cheers! I can very much recommend taking classes with Tony! He is a very generous and extremely kind teacher! At the moment I think they are on a break but you can easily swing by and take a look at the studio. Normally Tony and or Krista, his assistant will be there to show you around/ give more info. You are so lucky to live there man, I for one would not hesitate to study there for a second if I was in your position!