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  1. #226
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    Heej Rhubix, great update. Loving the dynamic characters and the city overview. Keep posting sketches from your sketchbook!


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  3. #227
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    I love these! So bold That tree-house thing further up is really cool

    Good job with the background and objects, keep up this mix! Thanks to you I can't stop using blue pencil :B hehe

  4. #228
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    Thanks for the comments always appreciated.
    I'm glad you like the blue pencils MightyAppleJacks.

    Here's a sampler - pink is work doodles, white is subway sketching!
    Bit slow on the digital stuff- my tablet is KO and my new cintiq is delayed until the 21'st. Should be some binge art once that gets here

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  6. #229
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    Cool characters as always. I like that cute rabbit at the bottom.
    Also really nice gesture practice.
    I think that painting in post #212 was turning out pretty good!

  7. #230
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    nice stylished characters, i take you are getting into making animations?
    MY SKETCHBOOK IN BIG LETTERS: http://www.conceptart.org/forums/sho...d.php?t=116474
    COMPLETE LIST OF THE FORGOTTEN SKETCHBOOKS: http://www.conceptart.org/forums/sho...=1#post1992378

  8. #231
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    Nice as always Rhubix. Must be nice to do this kind of stuff at work.

  9. #232
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    Thanks Voodoo - That was the last piece painted on my now departed intuos 3
    Thanks nettle! - I've actually been working in the animation industry for a few years now. I really have to make an attempt to get some of my more recent work put together. Season's ending-- demo reel time >.<
    Cout<mecha- I adore my job. I kind of feel like I've tricked them some how, I animate explosions, smoke effects and all kinds of awesome stuff - then they give me money!!
    I couldn't imagine doing anything else.

    Today's contribution are some work sketches (I render times) and some subway sketchyness.
    My shiny new cintiq is still on back order so I've been out of commission for a while on everything else. sigh... hope to have it by middle of next week *fingers crossed*

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  11. #233
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    Rhubix tries to layout,... I'm not horrified with my results....

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  13. #234
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    Hiya =) I like your stuff =) Think you have improved over the last few months =) Your line is a bit cleaner =) It looks like you're doing animation or art for it.. =) I watch Disney a lot too, particularly the older ones cuz I'm not really into their newer stuff tbh.. =) Mmm, no crits atm really, your latest enviro is looking spiffy =)

  14. #235
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    Thanks Kunfoowiz

    Here's a few more for the bin... a few clean ups/ updates of some prior stuff.

  15. #236
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    Quote Originally Posted by andres333 View Post
    drawing anything ad everything that's the way
    pretty much summed up my feelings lol, AMAZING variety very unique sketchbook! Can't wait to see more

  16. #237
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    Thanks for stopping by my Sketcbook (even though I tend to Emo it up in there I'll have to do some line studies now, get some stronger/ cleaner strokes.

    Anyhow, about your new work
    I love those new environments. the look of the trees is great, reminds me of Hercules or Tarzan from Disney. I also really likes that city in post 224, great perspective practice.

    It's also cool to see the difference between the digital and traditional stuff you do, really interesting and motivating (at least for me).

    I do have a question though, how do you practice drawing? do you do mostly imagination stuff? or do you look at real life and cartoon-ize it?

    I ask because on that post with the subway sketches the people sill look simplified, but they are from real life. Is that a really helpful exercise or would it be better to buy some learn how to draw cartoons books?

    I would love to someday be able to do cartoon/ comic people but I'm not sure how to best practice to get there. I feel that if I copy someone else's drawings I'm not really learning 3D construction, but drawing from life makes my work look more realistic than I want it to be...

    Sorry, if I rambled too much, I just want to understand how someone better than me studies.

  17. #238
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    Thanks Sporus
    & always a pleasure Dracken. - Hercules and Tarzan just happen to be 2 of my favorite films for design ^_^ I've been hugely influenced by Disney, in fact watching The Little Mermaid at 5 years old was the first time I wanted to be an animator.

    I do have a bit of a practice routine- I spend a good chunk of time commuting so I spend at least 5 hours a week sketching on the subway- as you can see from the posts sometimes is spent doodling, some caricaturing, and though it doesn't get posted often I do more realistic studies as well. Sometimes figures, sometimes faces, other times shoes, handbags, or stuff I see out the windows or on the floor. Really it's as much a way to pass time as practice.
    When I get home from work I usually spend 1-2 hours working digitally. If I'm not on a contract I spend just about all day working digitally.
    The stuff I post is most of my perspective and cartooning work, and any painting I try to take a stab at.

    Beyond that I spend plenty of time studying from books or blogs. I don't post any of this stuff unless it's immediately recognizable like tarzan because I don't take the time to keep track of who owns what stuff I'm copying. I wouldn't feel right posting it without labeling it.
    Some of my favorites are Glen Keane, Stephen Silver, Jose Lopez, Studio Blink Twice, Creature box, Sean Galloway (aka Cheeks), Every movie by Miyazaki, and about a bazillion others.
    I also revisit my bridgeman books regularly and try to spend at least 2-3 sessons a month doing flat out gestures - Pixelovely is amazing.

    So that was a bit long winded, but basically I try to do a bit of everything. I draw realistic from life, caricature from life, cartoons from reference and imagination, perspective studies from life and imagination.

    I find most learn to draw books are terrible. I think the best way to improve your cartooning is perspective, and a combination of life drawing, cartooning reference, and stuff from the imagination.
    If your copying other people's cartooning, the best way to get the most out of it is to try and work out the 3D forms. Don't draw what your looking at, literally reconstruct the toon.

    Even the top animators of the world will deconstruct a character to get the proportions properly (see below). Often it's supplied for them (here's some Sweet Disney reference to riffle through) The higher the budget a project was the more detailed a breakdown they would get. Kinda takes the magic out of it when you know how it's done lol.

    So copy- but copy smart. Don't photocopy- reconstruct.
    Hopefully this is useful!

    Below: example from Disney reference I liked above. A model breakdown of Belle's face from Beauty and the Beast.
    Also, I never post without something of mine- so Here's some thumbnails
    Last edited by Rhubix; January 15th, 2012 at 03:04 PM.

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  19. #239
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    Thank you, thank you! I love reading about the way other people go about practicing. It's really helpful and makes me feel more confident about my own studies

    Also thanks for those Disney archives, good stuff there.

    Oh and nice looking thumbnails. I like those room studies, they look fun

  20. #240
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    Rhubix, your sketchbook pages are simply amaxizing!! I believe I was drooling when looking through em !
    I like how you draw your faces !
    Sketchbook
    www.TomDeVis.com
    I want to create memories, not to-do lists.

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