Results 1 to 7 of 7
February 28th, 2009 #1
Argh, I just wrote this really long post about glazing and Firefox crashed (again). Why is this new Firefox crashing all the time? I'm really pissed off--
errmm-- where was I?
well, this is about glazing and maybe it should go into the Fine Arts of Critique area (feel free to move)
Here is what we have so far about Glazing:
DSIllustration used glazing in his werewolf tutorial http://www.conceptart.org/forums/sho...?t=45901(below (image 1 below)
From what I understand so far, glazing is a process by which you apply these tansluscent layers of coulour over an underpainting, the layers add up and create a luminescent subtle effect. Glazing was used a lot in painting until the late 19th century.
Here is a link explaining the process a bit more: http://www.artisticforum.com/ArtFacts-06_03.htm
It says that it is neccessary for each layer to dry completely before adding a new layer.
DSIllustration uses opaque paint directly on the wet glaze. So there seem to be different approaches.
This website says that you need something like 9 layers to get the full intensity of coulour http://painting.about.com/od/oilpain...dD_glazing.htm
Here is some more info http://painting.about.com/od/oilpain...lazing_FAQ.htm
This seems to be a good tutorial. Here, the underpainting is grisaille (b/w). http://www.wetcanvas.com/Articles2/32418/530/index.php
Can any colour be used for the grisaille underpainting? I used dark brown.
What I'm trying to achieve is something like image 2 (below)
Where I am at the moment is image 3. I guess I have a long way to go ;-)
Questions: Should the thinning medium for the glazes feel more oily or more turpentin-ish? How much medium should I use and when do I know that I have used too much? (I'm using the Artisan painting Medium for water soluble oils, it is recommended for glazing but it feels pretty oily)
I have some problems with adherence and coulour in the area of the nose, the new colour doesn't stick porperly and the lighter areas are hard to cover with the darker glazes. Can such technical mistakes be remedied, or will they come through every time I try to correct them?
Is there a video showing glazing somewhere? It's much easier to "steal" technique when I see poeple doing it live.
Last edited by Uli; February 28th, 2009 at 04:52 AM.
Hide this ad by registering as a memberFebruary 28th, 2009 #2
February 28th, 2009 #3
you should also check out a book called Traditional Oil Painting by Virgil Elliott. It has a lot of stuff about glazing in there and some of the traditional oil techniques, as well as info about supplies and things.
The Following User Says Thank You to dwilliams For This Useful Post:
February 28th, 2009 #4
The book cover illo dvd has some good stuff on the whole oil process, including glazing.
February 28th, 2009 #5
As for the thinning medium, it should feel about 50% oily and 50% turpentin-ish...
When you mix the pigment in with the medium, you should only use a little bit and you should try to use more translucent pigments, (for example, Alizaron Crimson is more translucent vs. Whites are generally more opaque) When you apply it onto your painting, you should apply it pretty thinly, if you glob it on there, I've heard that it can slide down overnight.
I hope that helps. And, I'm a total art noob. I only started oil painting last year, so if I got anything wrong, anyone who knows more ::coughelwellcough:: feel free to correct me.
February 28th, 2009 #6
thank you, everybody!
FraserMcT- the film is awesome-- hes painting over the skull! NOOooo!!!! lol
bandaidboy12- slide down over night- ohmigod- I can't go to sleep now *grin*
CluxDeluxe and RMcCabe- I'll check those out, thanks!
here is more tutorial. I found it on this website http://www.wfmartin.com/
Last edited by Uli; February 28th, 2009 at 02:19 PM.
February 28th, 2009 #7
here is the use of glazing on a sky, pretty interesting:
More sky painting with a demonstration of scumbling:
Last edited by Uli; February 28th, 2009 at 04:18 PM.