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Thread: Gallery of work

  1. #16
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    Wow, incredible incredible work. Thanks for posting... please post more


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  3. #17
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    great work

  4. #18
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    Hey Evan, have you ever thought about counseling?

    You have a seriously warped imagination... unsettling and beautiful work.

    Bil

  5. #19
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  7. #20
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    Wise Man


    Attachment 593394


    Wed clay sculpture
    Last edited by EvanCampbell; February 14th, 2009 at 09:42 PM.

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  9. #21
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    Beautiful pieces. A nice mixture of thoughtful, provocative and disturbing.

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  11. #22
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    Maan! I'm a fan of your scary sculpts!

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  13. #23
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    The Living Room Part 1 & 2


    Attachment 593416


    Attachment 593417



    Roma Plastalina clay sculpture

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  15. #24
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    Quote Originally Posted by iatriki View Post
    Maan! I'm a fan of your scary sculpts!
    I know you from CG HUB...thanks for such a compliment.

  16. #25
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    Icon

    You're work is AMAZING.

    I especially like the first sculpture of the creepy couple.
    Well done.

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  18. #26
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    Pay-Per-View

    Attachment 595436

    Roma Plastalina clay sculpture

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  20. #27
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    Quote Originally Posted by bmiles View Post
    You're work is AMAZING.

    I especially like the first sculpture of the creepy couple.
    Well done.

    Thanks for such great compliment...I appreciate you taking a moment to write!

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  22. #28
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    Bound into

    Attachment 597940

    Waterclay sculpture.

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  24. #29
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    Talking

    Evan, if you don't mind a question, I was interested in knowing what your favorite clay is to work with. I'm sure it's different for whatever project your working on, but if you had to pick one, what would it be?

    Thanks

  25. #30
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    Quote Originally Posted by bmiles View Post
    Evan, if you don't mind a question, I was interested in knowing what your favorite clay is to work with. I'm sure it's different for whatever project your working on, but if you had to pick one, what would it be?

    Thanks
    Over the years I have mainly worked with Chavant, Waterclay (Wed), and Roma Plastilina. There are pros and cons to each of these products. With softer clays, like Roma and Wed, you can arrive at your forms rather quickly, but it requires much more control in the finishing process. With firmer clays, like Chavant, it is the exact opposite. Initially, you go through hell carving, but once you reach your desired form, everything you put into it seems to hold up better. A particular clay should be chosen based upon the very nature of the sculpture. I would never use a soft water-based clay for sculpting any kind of robotic hardware. I would use a very firm Chavant that could be sanded and polished. Likewise, I feel the suppleness of skin can be more realistically produced by using a softer product like Roma or Wed.

    What I am always aiming for in my art is intensity of emotion and ideas. For me, art is very impulsive....similar to feelings. The first time you experience something it is usually the strongest. As time goes by, the emotion becomes weaker. I feel no differently about the beginning stages of creating a sculpture. The majority of my personal sculptures were rendered in the first 24 hour period. Of course, I spend many weeks adjusting and refining, but the overall mood is created in the very first sitting. So if I am fighting to model my idea with using a laborious and uncooperative clay, the emotional side of the piece suffers. That raw burst of creative energy can be greatly diminished or even lost if I have to spend days battling a very tough material.

    Many people love using Chavant...I have often been dissatisfied with the results. Even the softer grades of Chavant still have a rigidity that I find a hindrance. Every artist needs to find a material of choice that best conveys their artistic expression. Iíve come to the conclusion that sculpting with Waterclay or Roma Plastilina allows me the emotional freedom that I just canít achieve with Chavant. I thought this was an interesting question about the qualities and psychology of a material...and the implications it has on the artistís work.

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