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  1. #541
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    Thanked 690 Times in 590 Posts
    Your figures and portraits are looking fantastic! keep it up : )
    Talent and Creativity are yours to use and keep

    [S K E T C H B O O K]


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  3. #542
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    Feb 2008
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    Colorado
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    Friggin exceptional work mate. I'm going to go through your whole thread and take notes...keep it up!

  4. #543
    Join Date
    Oct 2010
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    awesome sketches and paintings man, cant wait to see more from you

  5. #544
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    "gerezon, I am pleased to hear that and while I feel I have a LONG way to go, I am hopeful.. sometimes!"

    well said
    sterling work as ever
    sb most art copied to page 1
    Weapons of Mass Creation 2011 ::: Add your favourites!
    skype: velocitykendall
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  6. #545
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    Jan 2011
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    This is awesome : O
    sick anatomy skills and perfect lines D:

  7. #546
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    Charm City: Baltimore, MD
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    Kevin--

    You keep posting great work--good job.

    I like all of it, but I find the painting of the bald guy (1st image in #539) particularly gorgeous: your marks, the sense of light, and the overall keen observation and atmosphere.

    Inspiring!

    cheers,
    Nick

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  9. #547
    Join Date
    Feb 2011
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    United States
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    amazing work

  10. #548
    Join Date
    May 2010
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    Thanked 228 Times in 224 Posts
    Your comments actually have helped, and i appreciate you taking the time to answer my question, I'll consider that for next class.

    and watch that eye line, every once in a while your eyes aren't aligned properly, just an observation, i may be wrong though ;d

    fantastic update; those paintings are too good!!
    ...the imperfections make it interesting...

    [sketchbook] [deviantart]

  11. #549
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    Aug 2008
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    pure genious! loving this sketchbook,and all of it in it!

  12. #550
    Join Date
    Dec 2008
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    Farnborough, UK
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    Hey Kevin this is a lovely update I really like the soft sort of summery colours in the paintings, especially the lady with the head scarf, where you've echoed some of the head scarf colours in the background. I also appreciate all these head drawings and I think I could learn a thing or two from them. The page of heads at different angles is really great to see. It's always a treat for me when you update.

  13. #551
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    without going too far into bullshit, what i admire most is how its like all your training and effort have given you a sort of fractal level of control; you handle the macro scale composition stuff and the close detail, and the mid size detail clusters like the face, hand or pubis all in a supremely intelligent way. like you take the subconscious control that hard work and practice gives you, and you harness it to a bright unfettered way of thinking.. the mixture of planned stuff and spur of the moment innovation is really brilliant, its a real pleasure to sit down and enjoy it and then study it..
    your skill is so much greaer than mine i hate to offer crit. i guess all i would say is, on average the hands and feet are reduced to elegant flicks and suggestions.
    theyre very beautiful but maybe having mastered that style, but id love to see what somenoe like you could do if you really unleashed on them in the way you do on the incredibly subtle surfacing on say a womans hip.
    (i literally stared at this girls bum for about 15 minutes.
    http://www.conceptart.org/forums/att...1&d=1275886792)
    sb most art copied to page 1
    Weapons of Mass Creation 2011 ::: Add your favourites!
    skype: velocitykendall
    facebook: Alface Killah

  14. #552
    Join Date
    May 2008
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    SF, CA, USA
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    dope fiend - thanks - um - yeah - do you draw from life ? there is /are at least a few things that get less attention - but mostly I get things like the perspective of head shapes correct. Mostly. And then there are other times when I don't. Drawing from real, moving humans - give it a try - you'll see - it ain't easy! period. But once you start to understand it a bit, working from photos can be just about.. zzzzz.. that is only one opinion of course.

    Marian - thank you - I did not get enough "form" in that woman's painting - or enough done overall but will keep working on the big things - I get hung up on the head - I love trying to sort them out - but sometimes I over-work a part and under-work too much else. All those little heads on the sheet are from life and about 2 or 3 minutes each - flying!

    Velocity Kendall - Thank you for the kind and thoughtful (and hopefully BS free !- hah!) note! I am humbled to read it. A fair crit on the hands - I love doing them but I run out of time and with figure studies I try to get the head and bodies as sorted as possible but I will think on that for this coming week's studies! I am working hard to think more about the design of the forms than copying what I see.. while retaining a likeness. It doesn't always succeed ( on either count) but I like the idea of working toward that. Funny you mention fractals, as I think about that in the nature of things often!

    brodywms - thank you
    Nick - thank you - I like that one too - it looks way cooler in person ( doesn't everyone say that ?)
    vivi - cheers!
    Dana and Eekolite- thank you and thank you for writing!
    Thank you Odayga too!!

    Thank you everyone and I apologize if I missed you - off to draw and paint now! and watch the Oscars!

    Kevin

  15. #553
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    kevin u r a true artist u never stop amaze me

  16. #554
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    Quote Originally Posted by kevinwueste View Post

    Marian - All those little heads on the sheet are from life and about 2 or 3 minutes each - flying!

    Kevin
    Wow that is so impressive to me and clearly something I must aspire to. Hope you enjoyed those Oscars.

  17. #555
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    Whoa you are fast, I just turned by back for a second and BAm you fill your sketchbook with awsum stuff.

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