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  1. #871
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    Janos is offline Fool me once shame on you. Fool me twice shame on Fu! Level 10 Gladiator: Equites
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  2. #872
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    Hey guys
    I am back for a little while. London and the courses at CSM were great, I met lots of cool people and drew a lot. I am going to post my stuff ine here in teh following weeks and I am going to try and get back into the flow a bit more. Sorry to those that were waiting (as if!).

    BUt now enjoy some sketchbook madness... MADNESS I say!

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  3. #873
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    i was waiting! and i'm sure others were as well glad to hear things are going good
    Is the 'well done' a painting or a photo?

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  4. #874
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    Eyo Lav, how are you?

    The Well done Mask is a foto, the Do it Mask is a watercolour image I made.

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  5. #875
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    hey, some new stuff.
    Enjoy!

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    yea i agree i like the variety and i enjoy how loose ur drawings are. keep it up and never let the man change u janos

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  7. #877
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    hey guys, thanks for the comments. Glad you like my style!

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  8. #878
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    wow you sure are busy!

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  9. #879
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    Thanks kidult. There is more to come...

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    I keep coming by here, I never have anything to say or crit on tho, truth is you're doing some awesome work be proud of yourself

    "Take credit for anything embedded in the edit as long as you ment it when you said It"

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    tee hee, great sketchbook updates! water color i presume? looking great janos!

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  13. #883
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    Thanks teapo, Lal and Incinerated.

    My sketchbooks are mixed media, mostly watercolour or pencil.

    Here now some other stuff, not only sketchbooks:

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  14. #884
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    Thanks a lot for stopping by my sketchbook. Anatomy is my weakness, I struggle and struggle. I can see you are an amazing artist, you works seem effortless. I will keep an eye on your sketchbook,it is full of knowledge.

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    there's so much flow in your line and figures, and I really like your watercolor style. I'll definitely come back here, so much inspiration

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    hey man, cool stuff happening here, diggin all the different subjects and methods you approach.
    I think, however that you simply might puuuuush it even more. Some of your pieces seem a little bit too rushed (even for a "loose approach). Everytime I see something like this I think of a line in Richard schmids book "alla prima": "loose describes the way something looks like, not the way it is painted". Working on a 100% intensity rate is the way to really improve, no matter what you do. Well at least that's the way I see things working out

    keep it up, man!!

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  17. #887
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    Thanks Arteater and jskotte

    Hey Gloominati, thanks so much for stopping by. I know exactly what you mean, and I am trying to better myself. The last few months I was trying to really learn and work as much as possible and experimant. That kind of meant that I relied more on quantity than quality. I simply did not spend as much time as possible on every single piece. I am going to try and find a good middle road in the next few weeks. Thanks again, I need people like you to give me criticism. Thats what I am here for.

    Here somenew larger stuff, the first one was just a nice effect of some sunrays that hit the picture while I was photographing it:

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    your traditionals are cool! this last paintings are very intresting... very storytelling.
    Maybe you could put more emphasis in your values
    keep working like this!

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    Loving them colors on the latest post. More of that!

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  20. #890
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    very nice updates, i really like the 3 part paintings, great job

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    hm, great work! Your work awakes a sense of art inside of me... love it!

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  22. #892
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    Thanks AimBIz, Lav and Luckers for the support.

    I agree Ricardo that valuewise the last batch isn't very developed, that was on purpose though, as I wanted to experiment with a very limited and light palette. I don't think it works well due to the strong lines, I'll just continue testing and see what develops. Thanks for the criticism.

    Here some new sketchbook pages. Enjoy:

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  23. #893
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    ooOoOo... loving how the sun rays affected the outcome of those sketches. i also love the little narrative you gave with the frog-like creature and the 'sirens'. poor froggies 3':

    keep posting!

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  24. #894
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    maidenfrogs ftw!

    very nice man...absolutely LOVING the colors.

    -A

    more than (but i'm getting there)

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  25. #895
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    Thanks teapo and purb36.
    I am glad the frogs and the maidens are well recieved here. The theme I have going with them in the three panel stories I have finished to this point is very simple but it seems effective. I will keep them coming.

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  26. #896
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    really nice charcoal drawings! Is the coloured one a mix of aquarel and coloured pencils? it's looking good, love her face!

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  27. #897
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    everytime your studies becoming better and better mate.I agree that the piece with the women have great storytelling!!!
    These value studies with charcoal are great.
    Dunno just keep up improving fundamentals and improving your style
    keep up mate

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  28. #898
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    Thanks Lav and King.

    Fine Art for my Fine Friends:

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  30. #899
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    Some fast sketches for you. Btw I was finally invited to the second stage of art school application at Stuttgart Academy. Wish me luck, I think I am going to need it!

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  32. #900
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    Hi, Nice work, its great to see so many experiments with visual language. I did grayscale CG character concepts, they are simple and clear. I think it is because you using traditional mediums a lot.
    One thing that I would suggest is to concentrate less on human body in the maneer of art class. You should concentrate more on the message they could convey than naturalistic apperience

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