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Thread: Anibawl's Sketchbook
October 9th, 2008 #1
Hi, I'm barely making my sketchbook here on CA.
Hope you guys are very critical... I need all forms of help. Right now I'm just going to try and do a quick picture on the Wacom at work everyday for ... however long I can.
This one I made yesterday.
It took me so long because I was barely trying to learn to use the wacom and how to paint and all that good stuff.
Picture just to practice some stuff... didn't have much time to do anything to this plus I kept having trouble because of the very large area's of skin to paint. I guess I just need to keep reading the photoshop forums
Hide this ad by registering as a memberOctober 10th, 2008 #2
Lime picture for Vegetable/Fruit painting under Digital Painting Thread
I think I might have played with it too much... or maybe not enough. What should be done to it ? or... what should have NOT be done to it?
EDIT: darkened lime a bit
Last edited by anibawl; October 10th, 2008 at 07:42 PM.
October 10th, 2008 #3
the lime looks real good, im in the same boat as you, i recently got a tablet and im figuring how to work with it as well.
one small thing on the lime is how the edges are dealt with, light edges are hard while shadow edges are soft, maybe a bit of blur where the shadows and around the right edges. just what i see, though
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October 10th, 2008 #4
October 11th, 2008 #5
Glad to see you've taken the advice and that you're continuing to post. As for your problem with painting skin it's pretty much straightforward. I suggest you take a couple of photographs and try to paint those first. Don't worry about colours for now, just stick to the actual techniques. You can do them in grey scale.
Simple way to start up:
1: Block in the paints first
2: Start adding layers of paint gradually to build up features
4: Repeat steps 2 and 3 until satisfied
5: Add Detail
I've taken the sketch of the face you've posted just to sow you some simple steps. Hope this clarifies things a bit. Obviously you can take this much further with the actual photo.
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October 11th, 2008 #6
aw man that's freakin perfect advice
Only thing is:... I'm not entirely certain what blending actually MEANS. I've looked for it in the Digital Painting 1 and 2 by Bumskee... but I don't really know what it means.
For the lime thing I just did a lot of stippling and turned my Opacity on the brushes very low. Is there a more simple way to do that? Or am I completely off track.
October 16th, 2008 #7
Here a few techniques in blending which will help you to achieve smooth gradients in your painting. note that studying real life objects and practicing with them is the quickest way to get better at this. You need to expand your visual vocabulary to be able to mimic real life shadows and gradients.
1- Smudging: Smudging requires you to use the smudge brush located in both Photoshop and or Painter. Tho in Painter it is called the blending tool and is much more versatile than what you have in Photoshop. You may use any type of brush that you prefer to smudge with. Tho there are brushes specifically made for the smudge brush that mimic the blending tools in Painter.
Application: After blocking in your paints select the smudge brush of your choice and start using it as you would a paint brush. Notice the harder you smudge the larger and the more pronounced the are of effect is. You may want to use it very lightly in areas. You will understand why with more practice and you will develop your own smudging techniques as you progress.
2- Airbrushing: Very simple and straight forward. There are multiple airbrushes you may use in Photoshops default brush set.
Application: Use lightly in areas where you want to show a smooth transition between light and dark. Be very critical when using the airbrush as sometimes you may go over an area and it will look out of place. Use on a separate layer.
3- Layering: The third technique is called layering and is basically using a translucent brush (whether hard edged or soft is your choice) and applying paint over and over again until you achieve the desired gradient. Use of the colour picker is necessary in this case as you will pick light and dark colours very quickly.
Hope this helps you out a bit and as always feel free to PM me whenever you need advice.
October 20th, 2008 #8
October 27th, 2008 #9
November 18th, 2008 #10
hahaha... Brashen... I did what you told me to do.. I've been working on Anatomy and what not... here's some random stuff from my sketchbook.
These are from a book I got from Hastings. It's really handy, it's Drawing Cutting Edge Anatomy: The Ultimate Reference for Comic Book Artists
I did these from CharacterDesigns.com... I didn't really try hard on the faces, I just wanted to get the right poses.
November 18th, 2008 #11
These I did from Stock images on Deviantart.com:
I was going to take the character on the right side out, but I didn't because well... I don't know. The two peeps having almost the same pose was coincidental... I was like afterwards
This is my roommate playing halo, it was a really fast sketch and I was pretty happy with how good it came out for him sitting there maybe 2 minutes
And these, if you think you've seen these you more than likely have. They are from FRUITS, the japanese fashion magazine. I wanted to learn to draw clothing and stuff and this is how these two pages came out.
That thing on the bottom... with the beard and big googly eyes... o.O I have no idea what it is... just came out.
November 18th, 2008 #12
Hey hey hey,
Great stuff you got going here I'm so glad your still posting and getting better with your anatomy I see. The roomie sketch looks good and feel right. Try to go for more dynamism with your pencil strokes tho dont stroke in the same direction.
Keep it up with the anatomy practices. You've still a got a bit of a way to go to nailing that torso. Let's see some hands next shall we?
November 18th, 2008 #13
I like that room-mate one a lot, I can't say why! And good foot studies, they can be hard to make sense and form of I suppose... many people cop out.
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