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Thread: Combust Deficit's sketchbook
May 7th, 2008 #1
Combust Deficit's sketchbook
Hi, I'm Henri from Finland. I do graphics and design characters for all kinds of projects using wide range of styles. I'm inspired by art history and I like practicing and researching classic realist drawing/ painting methods. I also occasionally draw comics and animation works.
Last edited by Combust Deficit; 1 Week Ago at 11:00 AM. Reason: changed intro
Hide this ad by registering as a memberJanuary 21st, 2011 #2
Haven't updated for a while, so here's some sketches and studies (also in my blog):
January 21st, 2011 #3
My oil painting teacher encouraged me to show some of my sketchbook contents to people instead of keeping them in the drawer, so to speak. Most were done last year. Anatomy studies, old master studies, referenced from classic works by Barcsay, Szunyoghy, and others like Imagine FX Anatomy issue.
January 21st, 2011 #4
August 5th, 2011 #5
Some works since last time. This batch contains observational drawings from life study course and natural history museum. Plus some anatomy studies and master copies.
July 14th, 2012 #6
So, since last post I've studied a year at university, graphic design again. I spent much my spare time practicing traditional and digital, figurative art skills, drawing over a thousand of anatomy studies, drawing and painting figures at least once a week and studying old masters (see my art blog for more, contains some nudity if that bothers someone). Some selected, latest sketches:
July 14th, 2012 #7
July 14th, 2012 #8
I scanned and compiled some older 2010-2011 sketchbook pages just for the sake of reflection. Some from the animal anatomy workshop of Imagine FX magazine.
July 15th, 2012 #9
More of the same. Marshall Vandruff workshop and anatomy studies of Andrea del Sarto, del Piambo and José M Parrámon.
July 15th, 2012 #10
More sketchbook nostalgy. Anatomy practices, photo analysis, old master studies (da Vinci, Annbale Carracci, Jacopo Pontormo), hasty sketches in Louvre and imagination or memory practices.
July 16th, 2012 #11
Sketches from last year when I was seriously learning anatomy, as one may notice the Bridgman and Loomis approaches, plus a Mignola study and some randomness.
July 16th, 2012 #12
A bit more diverse studies from various sources, film stills and photos as well as brainstorming, also from last year. I'll post some newer works later. My cheap scanner is not working correctly so here's photos.
July 17th, 2012 #13
Using colored pencil and sharp charcoal pencil gets one nicely into the right mood for anatomy practicing.
August 10th, 2012 #14
Here's a portrait practice I did two weeks a go. Painter 11. Sketched live, then grisaille and finally colors.
August 11th, 2012 #15
I want more experience with industrial design and concepting, so here's a sci-fi motorcycle design. Oils on illlustration board.
November 13th, 2012 #16
A drawing and painting course assignment: copy some painting. I chose The Valpincon Bather by Ingres. Oil on canvas, 80 x 120 cm. Flemish layer painting technique. Process stages documented.
January 23rd, 2013 #17
Grayscale work. "Dodo aristocrat". Brainstorming with open mind. Focusing on the idea, the design.
January 23rd, 2013 #18
January 23rd, 2013 #19
Scifi vehicle doodle.
October 23rd, 2013 #20
More sketchbook retrospective. It has been a while sinve last post. Bridgman, Ellenberger and Rafael studies
October 23rd, 2013 #21
More studies and memory drawings.
October 23rd, 2013 #22
More master studies from Renaissance to 1800s (Raphael and Géromê. Some imagination drawings too.
October 23rd, 2013 #23
Asta head, random studies of artmor, photos, Bouguereau, more Géromê.
October 23rd, 2013 #24
Random scribbles, animal anatomy, grotesque heads, and cars.
October 23rd, 2013 #25
More cars, armor studies with ink brush and head studies.
October 23rd, 2013 #26
Bargue plates from last September when I read Classical Drawing & Painting Atelier books by Juliette Aristides plus the classics by Harold Speed. I learned to sharpen the vine charcoal with sand paper.
October 23rd, 2013 #27
The second and third Bargue plates. Even the simple ones take many hours but are absolutely great training for the eye. It was pretty straining to measure with plumb line for the first time but one gets used to it. Pocket mirror was also helpful.
October 23rd, 2013 #28
Bargue, random master copy from a Russian art instruction book, and 1 hour live model study from January 2011.
October 27th, 2013 #29
I took the time this weekend to finish the Bargue plates 5 and 6 that I started many months a go. Lots of time spent with mirror, black mirror, skewer, and plumbline. I received the hard quality Nitram Fusains in the mail some time ago. They helped with getting the very light midtones. They are also helpful with rubbing the charcoal to the paper pores for a smoother, more even surface.
Last edited by Combust Deficit; October 27th, 2013 at 08:44 AM.
October 30th, 2013 #30
Hand study and some anatomy drawings after Burne Hogarth's Dynamic Anatomy