Results 16 to 30 of 54
April 21st, 2008 #16
After he walked away, it took a second or two for the four of us to realize what just happened. I've never experienced anything like it. He had traveled all the way to Boston to tell newspaper art directors how things are done. It was a first. So, yeah, please don't argue.
Last edited by Elwell; April 22nd, 2008 at 12:47 PM.My Sketchbook :: Phantasmagoria
Illustration Portfolio :: jasonsnair.carbonmade.com
Design Portfolio :: jasonsnairdesign.carbonmade.com
My Blog -- Feed Me Toast!
Hide this ad by registering as a memberApril 21st, 2008 #17
April 21st, 2008 #18
does that really happen?
people just come up to you with their phones and they are like "yo bro, check this shit out!"
and you are just like "ummmm cool bro, ahemmmm"
"so i'm hired?" no, not really.
that's how i imagine the conversation to go like.
April 21st, 2008 #19
Another thing I've seen is people who have to swear every other word when they're talking. Even if it's not at you, but to you... super unprofessional.* Help a CA artist! Visit the Constructive Critique section! *
April 21st, 2008 #20
God yes, LESS IS MORE at a portfolio review. I can add one from my own experience:
8.) Do NOT bring original 16x24 charcoal life drawings and cast studies to an interview, particularly if it's for a graphic design position at a major newspaper.
My neighbor worked at the Boston Globe and wanted to do me a favor, so he set up an interview there for me during my sophomore year in college. I didn't want a job in graphic design anyway and was caught totally off guard, since my body of work until that point was all student stuff. I wasn't considered for the job of course and the nice interviewer was patient with me, but I could tell she was thinking "What the hell am I supposed to do with these... and oh crap, now there's charcoal all over my computer desk."
Also, I've been on the other end of things and done some portfolio reviews, both for the sake of my employer and recently at workshops. Take-aways are very important - DON'T give me a generic CD with your contact info written on it in Sharpie. Not once have I popped an art CD into my computer after an interview, it's been my experience that CDs just get filed away and forgotten. (If your demo reel is on the CD, this may be a different story, but having a personal portfolio website is always preferred.)
Plus, I am really crappy with names and faces (like most people), especially if I've seen like 50 portfolios that day; give me something visual to easily remind me who you are! PUT SOME KIND OF ART ON YOUR BUSINESS CARD!!! I also recommend printing up inexpensive booklets to give to art directors. If you decide the job isn't for you, you can always take it back but to give it to a potential employer is not only a great reminder to them of your body of work, but it's also like giving a little gift. I have had a lot of success with giving out the books, if nothing else for the sake of networking.
The Following User Says Thank You to Steph Laberis For This Useful Post:
April 21st, 2008 #21
April 21st, 2008 #22
April 21st, 2008 #23
April 21st, 2008 #24
April 21st, 2008 #25
"I just got this mental image of someone doodleing on napkins, back of recepets and the inside of foil gum wrappers trying to pass that off to you as a portfoilo....wow..."
WOW! Things have really changed since my first interview in 1876, Juju-bee...
I'm going to transfer my napkin things to real paper now...No position or belief, whether religious, political or social, is valid if one has to lie to support it.--Alj Mary
Ironically, the concept of SIMPLICITY is most often misunderstood by simple-minded people. --Alj Mary
April 22nd, 2008 #26
I will keep these tips in my heart forever.
I was almost guilty of 2 as well with the person who interviewed me about an art scholarship. She seemed to like the older onesMy Sketchpad
Originally Posted by Mitch Hedburg
April 22nd, 2008 #27
Excellent points, Jason and Steph. And everyone else. I'll be doing portfolio reviews in May so I'll be sure to incorporate a lot of this discussion into my blog before then.
IdiotApathy -- That was different -- you were hanging out with a bunch of friends sharing sketchbooks. In that case, having a quick access to a gadgety portfolio (with good work on it) was a cool thing.
By the way — it’s easy for me to say what’s wrong with a presentation from my side of the desk, but there is a reason I never became a freelancer. I’d starve to death while falling into everyone if these pitfalls.-------------
The Art Department (blog)
April 22nd, 2008 #28- Dan Dos Santos
April 22nd, 2008 #29
April 22nd, 2008 #30
This is some excellent advice guys. And while it mostly seems pretty common sense, having it in writing like this makes it easy to put on that mental checklist. I usually think of myself as fairly poised, but I know nerves get the best of me plenty of times- especially with that self-critiquing tendency. I don't think I've ever done it in front of an AD yet, but it's probably a habit to avoid period.
Here's something: Plain ol' figure drawing/painting. Does it ever have a place in a portfolio? I noticed a lot of that from my fellow hopefuls over NYCC and didn't feel it was MY place to knock it, but to me it created the impression of unnecessary filler. No matter how pretty, there's just no content."The merit of originality is not novelty; it is sincerity."
By meghan_hetrick in forum SketchbooksReplies: 11Last Post: October 17th, 2005, 12:46 AM
By D_S_Marx in forum ART CRITIQUE CENTERReplies: 7Last Post: August 19th, 2005, 03:30 PM
By said7 in forum Artist LoungeReplies: 7Last Post: September 11th, 2003, 05:22 PM
By ColdCutPi in forum 3D ART, SCULPTURE ART & TOY ARTReplies: 1Last Post: September 4th, 2003, 01:28 PM