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Thread: im i

  1. #601
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  2. #602
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  3. #603
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    30min



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  4. #604
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    kingkostas is offline Train to help world with art someday...
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    Very nice mate!!!U keep pushing the pieces some more and great things are coming out.The more u work on giving a more detailed area to rest the eye,the work becomes better.
    U improved the light and shadow relations and stuff, i can see.I still find the more problem in the human figure but maybe its not your priority now so no worries.
    Keep up improving this beautiful style!!!

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  5. #605
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    haha, humans indeed are giving me a hard time! >_< thanks for coming by!


    2h bookcover thing










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  6. #606
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  7. #607
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    omglolk



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  8. #608
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    ThomasM is offline Artist in training.... Level 11 Gladiator: Essedarii
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    like these last two digi paints - they have a lot of texture to them, particularly the first. Keep it up!

    Sketchbook: INSATIABLE CURIOSITY

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  9. #609
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    Thanks thomas! I'll try to incorporate texture better in the future



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  10. #610
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    Surion is offline Just chasin' my dreams Level 6 Gladiator: Provocator
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    Again, love the mood in your works man! Sucks me right into the work.

    Help me improve my drawing skills by commenting my sketchbook
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  11. #611
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    Thanks Surion. I'm happy you feel this way


    experiment before bed...



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  14. #613
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  16. #614
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    15min photoshop... seems like I have to reinstall the wacom drivers everytime I use PS to ge pressure sensitivity on.. yey----



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  18. #615
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  20. #616
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    ThomasM is offline Artist in training.... Level 11 Gladiator: Essedarii
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    I lite post 617 it looks very traditional despite being digital, something I myself find difficult to achieve. Great work

    Sketchbook: INSATIABLE CURIOSITY

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  21. #617
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    Thanks thomas, here's some traditional....

    Mostly done with leftover paint, except the garlic







    Last edited by Lakka; December 11th, 2010 at 03:04 PM.
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  23. #618
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  24. #619
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  25. #620
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    Your colours are great, psychadelic yet kind of lifelike too.
    Hooray someone else who likes studying garlics lol.
    Is it deliberate that you steer far away from including details or do you intend to begin to build up detail in your finished works? The impressionistic approach is beautiful but doesn't always show the subjects off to their full potential. Of course, it can do nicely when done well, and I think you do it well.

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  26. #621
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    Thanks for dopping by larchist!

    I have been trying to get in to detail a bit more, somehow it's quite hard for me. Lately I have been busy with school so I mostly make little scribbles in 30-60mins and move on, just to keep drawing going in some manner

    But you are right about the detail thing, it's something I really need to work on.

    Here's a couple of small paintings, christmas stuff... 15-20 mins each








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  27. #622
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  28. #623
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    great mate!!!your style is becoming more evolved.Love this new things u have produced.I like very much the head that looks to be inside a bubble.
    And i like the mood of the garlics, mostly on their sepia version
    keep up the good work!!!

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  29. #624
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    yes its all heading towards something, growing your style man that book cover is like a marker. keep pushing yourself to try new things. your experimental style is awesome!

    “The true sign of intelligence is not knowledge but imagination.” Albert Einstein
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  30. #625
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    Thanks guys, it's been awhile..

    here's a quick one, just trying to get back in to it...



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  31. #626
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    acrylics painting...



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  32. #627
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    Made on friends laptop



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  33. #628
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    Love the acrylics work mate. I think that this level of detail that exist in your acrylic work should be taken also in the other pieces.
    Keep up the good work!!!

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  34. #629
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    ooo... very nice only using warm colours to represent a cool environment.

    “The true sign of intelligence is not knowledge but imagination.” Albert Einstein
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  35. #630
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    thanks guys, i've made a couple of paintings i'll post them later this week, here's something I made at school just now out of boredom with a mouse.



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