Sketchbook: Characters/Digital Oils/Portraits - Page 3

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  1. #61
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    awesome sketchbook, some cool characters you have there

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  4. #62
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    maeshanne: thanks for the liking my work.

    I did this for some learning the original painting is by Aaron here' link to his gallery must visit gallery awesome painter.

    Link to the Aaron's painting.

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  5. #63
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    Im really enjoying your sketchwork and the anatomy ones on the first image, you really have control over your line work

    My journal,please check it out and heavily crit, even go as far as what youd like to see just to see what i should improve on
    http://www.conceptart.org/forums/sho...40#post1996540
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  7. #64
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    Ater: thanks

    I downloaded Zhanglu's and Jason manley's portrait lecture and i am really happy with the improvement. This is from imagination and points from the lecture in mind. I did a lot of pencil work will post soon needs time to scan. here my first try digitally.

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  8. #65
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    I have digitally painted this portrait from Emily G's gorgeous painting. Its all for learning purpose. b/w Emily you are amazing.

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  9. #66
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    I love the diversity in your style and subject matter.

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  11. #67
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    Those character designs on the top of page 2 could use some color. The style you've done them in would do well from a treatment of a high energy color scheme.

    Boston Splinter Cell 36
    Jushra | Purb36 | PartialArtist | Vorp | Kongni
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  13. #68
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    conti: Thanks, thats good you like my efforts.
    Jushra: Thanks a-lot, Its in the preferences setting about; how much post we want to see in a thread, may be you have different setting there so I didn't get exactly which characters are you talking i think you are saying about weirdo bunny heads ones. mention post no. can erase this confusion. thanks again.

    I am so in love with portrait-ing
    ref link to Joanna Kustra's photographs, he is an amazing photographer. what a beautiful lights costume everything awesome i really enjoyed doing portrait form his work. i really learn t much from this.

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  14. #69
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    great studies!, I can really see your improvement

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  16. #70
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    Capital G: thanks, yeah right! that's true.

    I am so in love with portrait-ing
    ref link to Joanna Kustra's photographs, he is an amazing photographer. what a beautiful lights costume everything awesome i really enjoyed doing portrait form his work. i really learn t much from this.

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  17. #71
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    Wow, I feel honored that you used one of my paintings to study with! Great colors and I love the softness between the hair and the background.

    Some things to look at:
    She needs some more skull area added to the back of her head.
    Pay attention to the details. The corners and shape of the mouth, for instance. You can add some softness to the transition between lip and the rest of the skin.
    Use warm browns and purples instead of just gray on the side of her face.

    Very cool!

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  19. #72
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    I really enjoy your paintings a character designs, but I thought I'd told something useful about those graffiti sketches, you should make your letters look they are in the same font (that they match to eachother) by that I mean, you should make the legs of the letters(or bars, not really sure how to call them) in the same size everywhere, your letters should be the same height and width, also the 3d or the shadow or whatever, was missing in some parts of the letters. Also your letters should have a "flow", that means if you bend one letter to the right, you'll to that with all the other letters, to match, (there are a lot of more complicated flows in graffiti pieces, but it's just a basic example) If you ever want your graffiti to look decent, you have to master the basics, you should do really simple straight block letters, (something similar what you see on some commercials etc.) After you master simple block letters, you can bend your letters little more, add a flow and make them look a little bit more "cool", so basically development takes place from really simple to step by step to more complicated. There seems to be quite much freedom in graffiti, but there really isn't, all of the pieces (that are actually good) follow those basic rules.. after mastering those basic "rules" then you can be free with developing your pieces, because you then know how to make your piece "look right".. I just wrote it because I wanted to be more useful then saying just "your paintings and characters are cool", though I think you don't really do much graffiti so I think my comment is still quite useless. (the sketches I commented were about six months old :d)

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  21. #73
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    Emily G; I feel honored that you liked it. I must admire your work again. its just so alive and beautiful! I am so happy. These critics are the most value able assets to me. thank you dear Emily.

    spark_zero; Thanks for dropping by. I am happy that you enjoyed your time spent. I like graffiti but as you pointed out I need to
    understand the flow more for it, good advice I will work on this. Cheers

    here's an update for head design for a secret agent Challenge @ cgtalk.

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  22. #74
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    Hey today's portrait.
    Ref Link to second portrait by Giuliano Bekor's Portfolio.

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  23. #75
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    I thought I be nice like u and quickly paint over some stuff for u to see better.

    Her overall face is out of proportion. Her right side is too big, her left side is too small.

    The lips is too small. The eyes are too far apart. The right eye is a tad bit far from nose line. Her left eye is tad bit too close to the nose line.

    I try to do do some value changes, but that doesnt convey well.

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  25. #76
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    oh thanks alot mate that looks much much better, I just saw coro's painting tutorial trailer and he say that first we should only worry about the placement and distance b/w eye and nose and after that the lips. Which i think i skip and jump into next stage,
    thanks again so nice of you!

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  26. #77
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    Wou, it's been almost a month since i have update anything! here's another portrait!

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  27. #78
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  28. #79
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    Great book sony. I especially like seeing the stages of progression. It helps those starting out like me to see how its done. Fantastic, thank you.

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  30. #80
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    hey yahya...good 2 hear 4m u. u got nice stuff here, finaly i got 2 c ur 2D work, its gr8 especially the studies....thanx 4 the advice man, i will put some action to it....cya

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  32. #81
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    I really like how much expression you get in your portraits! The eyes have a lot of personality to them! One thing of critique is that there seems to be a lot more contrast in your black and white images than the color ones. The colors are a lot more muted and all the values are similar.

    I do like the color choices, however!

    My sketchbook! http://www.conceptart.org/forums/sho...d.php?t=166709

    If you want follow up critique/comments, feel free to send me a PM or post on a thread of mine! I might not realize you need it, otherwise.
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  34. #82
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    Jigje: Thanks, its really good that you got something out of it, that serverd the perpose

    Maria: Lol, thats stragne to know that you haven't seen mine 2d work!

    Meralynn: i love eyes! yeah you are right about colors, kind of obsessed with pure bright tones, need to get out of it. thanks for the comments.

    OKAY time for some update

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  35. #83
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    Good work with the portraits! but I must say that I rrrrrreally like the very last post. Very cool style, those brush strokes are pimpy!!!

    Cheers!

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  37. #84
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    this portrait is awsome:
    http://conceptart.org/forums/attachm...1&d=1245053071

    thanks for step by step

    all the best,
    mariusz

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  39. #85
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    Portraits On newsprint with carbon pencils

    Hey guys Its been a loooooooooooong time I did an update, I can't get the things approved by my self to be posted! these are some of the excerpts from what i have been sketching on newsprint with Carbon pencil. Most of these are from photographs(behance.net), time spend on each is not more than 30 minutes, most are 10-15 minutes portraits, I don't know why but i felt for some time I have been over conscious on the time, so trying not to worry about the time and draw better portraits having more emotions. Last ones my favorite, Thanks for reading my description.

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  40. #86
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    sharp photo!

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  41. #87
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    Study from Rembrandt's self, may be i have higher-ed the brow-lines and made it more feminine any ways here's what i did in 15 min study.

    Oh I found an old study of BLACKFROGS's snake-ish skull done probably couple of years back. Done in Painter(software) is quiet better than photoshop in getting colors blending,still a fan of ph-otoshop but C.painter is also fun to use.

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  42. #88
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    Hey - really like those charcoal (?) head studies near the bottom and that swirly illo of the woman looking down ( looks like a head in a david kassan painting!) very good stuff!

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  44. #89
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    Kevin: Its really honor to have your comments I really admire your work, you have such a control over you line work and capturing emotions, Infact I have learned a lot from your blog and work and will be learning more. Yes that's referenced/study from David John Kassan's Painting.

    Here's a figurative work from outfitters(local fashion brand)
    Maja Character design

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  45. #90
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