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  1. #136
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    jason - ...you must mean grossly cute thing.
    gekochan - thanks! that is the first spaceship related thing I've ever done so I'll take any feedback I can get.

    scanning stuff is a pain... so I won't. I've decided to actually learn anatomy instead of awkwardly faking it all the time. These were done in ink, nibs, and a pointed stick. That cup is my current favourite, I made it too.

    Attachment 1068596

    Attachment 1068597

    Attachment 1068599

    Attachment 1068600


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  3. #137
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  4. #138
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  5. #139
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  6. #140
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    nib testing doodle. wet ink is easy to smudge. fancy that.

    Attachment 1069638

  7. #141
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  8. #142
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    this page takes forever to load...

    Attachment 1070025

  9. #143
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    some more ink sketches I'm working on.

    Attachment 1073290

    Attachment 1073293
    Last edited by octopus_interphone; September 30th, 2010 at 07:52 PM.

  10. #144
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  11. #145
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    Awesome inks!
    I like the piece in #129, nice lines and a good neutral color over it.

  12. #146
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    nice sketchbook you got here Hope you'll update it regularly because i would love to see more

  13. #147
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    amazing work!

  14. #148
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    Hey there! It was great seeing you tonight! I'm not on CA much these days (wow, this is my first post in almost a year!), but we should totally keep in touch. I was going to give you my info at the workshop, but I had to run before it was over. My email is ericpoulton at gmail.com, if you want to email me, add me on Facebook, whatever.

    I like the page of character thumbnails on post #124. There are some fun costumes in there. And the transparent jellyfish thing in #130 is awesome. I love the sense of humour you put into your art.

    The jellyfish spaceship is a cool design, but the painting doesn't look like it's to the scale you've labelled it with. It looks quite little. This is partly due to it being painted almost entirely with big, chunky strokes. Something this big should have, at least implied, a lot of small details. You've got a bit of finer detail in the yellow structure coming out the bottom, and I think that's the strongest part of the painting. You almost have to approach something that big like it's a cityscape. You could even use something like those mirrored sketches from posts #141 and #142, grab bits of that abstract detail and throw it into parts of the ship.

    Or you could just change the scale to 1000 cm and call it a day.
    www.WhereIsMyEyeball.com My portfolio! Go check it out!
    Sketchbook

  15. #149
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    skMOP, Lav, and JcinNYC, thanks for your comments!

    0kelvin - while I was working on it I couldn't figure out what makes a isolated object look large or small, but the detail makes a lot of sense now. I'm done with that one but on the next I will have to keep that in mind.


    I should photograph some stuff... thought I did but I will update anyways. Lots of anatomy studies coming this way soon.

    Attachment 1096004

    Attachment 1096007

    Attachment 1096008

  16. #150
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