Results 541 to 558 of 558
September 25th, 2014 #541
Top to bottom:
- The four colours, mixed to white and black.
- Yellow Ochre vs Indian Red
- Yellow Ochre vs Burnt Sienna
- Burnt Sienna vs Prussian Blue
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September 25th, 2014 #543
November 3rd, 2014 #544
November 4th, 2014 #545Registered User
- Join Date
- Jan 2013
- Helsinki, Finland
- Thanked 35 Times in 34 Posts
Hard work is paying off, looking very good here. Great master studies, and lots of them. Your figure drawings are of difficult poses and angles with foreshortening, and you pull them off well.
I think you can gain more from your master studies, by spending more time with some of them - I feel you are aborting before you get to really study the mark making of the masters, which is important part of their economical and effective way of painting. Take the Edgar Payne, or the Sorolla for example. Every brush stroke does much more than just show value and color in a particular area - they have gesture too, sharp and soft edges, direction and rhythm. He can do so much with so few strokes. I think it is worth studying and applying some of it in your painting.
November 9th, 2014 #546
Sushy - Hey, nice to see you again! I used oils in those studies. I believe you can use acrylics too. In this case, JManley advised me to use a set of colours that was popular among some of the old masters (Indian red, Prussian blue, Yellow ochre, Burnt sienna, and a white and black).
ricknos - Thanks for the support! I just need to get more productive, haha.
R-K - Thanks for the helpful tips. It's true I've been struggling with brush strokes in the master studies. That goes for digital work in general though. Find it hard to handle the digital brushes. I guess its worth investing some more time in this. Cheers for the advise! I think I already have some suitable studies in mind.
This one was for self portrait day (nov 1st) here on conceptart.org (link) as well as facebook.
Next up will be tons of life drawings.
November 9th, 2014 #547
Allright, more figure drawing. Two sessions.
As usual, short (~1.5 to 3 min) gestures first. Time increases to 15 or 20min per pose for the last ones. I've mostly used pencils, pens, conté.
November 9th, 2014 #548
November 9th, 2014 #549
hi anthis! were you there last monday? i missed it due to a cold. had a big day tuesday and didn't want to chance it. will be there tomorrow though; you? great portrait btw. and some awesome drawing in there! though i think i saw them all on location
March 4th, 2015 #550
March 4th, 2015 #551
Studies and figures from imagination.
Most of this was for the Spartan Camp. Unfortunately activity has gone down quite a bit (which I guess goes for other parts of this forum as well)
March 12th, 2015 #552
March 12th, 2015 #553
I desaturated the reference image and did a black/white study. Then I tried to colourize it to replicate the original.
Trying to get better at texture, colour, value.
March 12th, 2015 #554
Glad to see you're very active
Many life drawing congrats ! I wish I would do life drawing !!!
Last study is looking good . You can go further in color variation (wish You already did)
Also check and recheck proportions on the figure (that thing always follows us)
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4 Weeks Ago #555
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2 Weeks Ago #558
hey anthis ! man, good on you for all of the study practice ! truly paying off a lot! I need to get my ass back into a life drawing class bad! been far too long!! excellent work on the long poses as well as gestures! also still loving all the DSG's! keep it up bud!
- Tess Adams,
- Principe Daemoniorum,