Sketchbook: HA HA! Dangly Parts! - Page 3
 
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  1. #61
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    with posemaniacs, it might be better to focus on gesture work at first, and make sure to mix that up with LONG anatomy studies. and you'll start being able to do really fast anatomy/gesture studies

    lets see some nice long studies from joo mang.

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  3. #62
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    quick sketch to see how my progress in proportions is coming along.

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    "Good composition is sort of like pornography. You know it when you see it. "


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  4. #63
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    More fun. Idea i had involving a enslaved giant.

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    "Good composition is sort of like pornography. You know it when you see it. "


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  5. #64
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    soooooooo tired..........must update tho

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  6. #65
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    ! bleh. My progress seems to be crawling atm.

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    "Good composition is sort of like pornography. You know it when you see it. "


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  7. #66
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    woa!
    those last markers are great!
    thats NOT crawling

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  8. #67
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    I agree! Trying out different stuff and mediums is NOT crawling=)

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  9. #68
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    if you feel your progress is crawling, it's probably due to being at the end of your rope as far as your visual memory goes. Do some nice long studies from life/ reference, and make them as good as you can. I've found that doing long term studies not only helps upgrade my visual memory, but gets my brain back into gear, and ideas come abound.

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  10. #69
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    Trying for more interesting poses. would refine more, but i have drawing class to goto. let me know how it looks plz.

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    "Good composition is sort of like pornography. You know it when you see it. "


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  11. #70
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    ajvenema Thanks for the kind words and stopping by my sketchbook.
    Doggy Thanks for stopping by my sketchbook...i guess i was be to overcritical
    Texahol I found a life drawing sessions i can join. Its only 7 bucks a week! i think it shall be full of massive win.

    as of late i couldnt update due to me finding out im the proud owner of kidney stones

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  12. #71
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    Here is some of the stuff i have been workin whilst dealing with kidney stones
    Let me know what you think.

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  13. #72
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    thank the gods i think the kidney stones/UTI i had have passed cuse i can sit down and draw longer than 10 mins due to not having to pee every 5 :-D also the horrible pain is mostly gone!

    Here is some more updates!

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  14. #73
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    rough sketches need moar

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  15. #74
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    Hey man some really nice stuff going on here. One crit i have is to have a look at some refernces for the torso the abdominals in #62 look abit off
    cheers dave

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  16. #75
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    studies!

    I want to see some studies with a focus in value and edges!

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  17. #76
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    daveskogstad I didnt notice it (insert a big DOH! here) thanks for pointing it out. Also thank you for stoping by, and cheers back at you.

    Texahol starting studies. need to push the pencil a bit further eh? as always !sex texahol.

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  18. #77
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    merry xmas all

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  19. #78
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    Whats up Joe!! Nice sb, ill be keeping an eye on yer updates!

    Feel free to drop me a line any time.
    Cheers

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  21. #79
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    smaller file size. sorry about that

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  22. #80
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    I really like your work, especially your marker work. What kind of markers do you use? Also what kind of techniques do you use? Thanks.

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  23. #81
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    oyowzas: Thanks man. I currently have been using a French gray set from Prismacolor. As for techniques its alot of trial and error. I also got the DVD from featuring Feng Zhu. But the bulk of it is just playing with it so you can workout the processes in your head. If you need any more explaining/ help feel free to pm me, msg me on my SB, or IM me.

    S!R: It was a fuckin blast! You are one cool cat. Thanks for the watchful eye.


    Here is some more work to look at. Please feel free to critique or constructively nit pick...i have tough skin.

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  24. #82
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    More of the previous post. working on my tonality in drawing abit

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  25. #83
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    Huge dump! hope you enjoy!

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  26. #84
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    Issues i will come back to on this one but its only sketch phase.

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  27. #85
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    hey man thanks for dropping by my sb. you've got some good concepts here, and can see much improvement now over your first stuff. keep up w/ the anatomy studies, maybe trying utilizing your lines a bit more w/ longer flowing lines and more use of weighted line. i'd also suggest in your digis work more on the contrast to help the images appear less flat. keep it up.

    To live is to create, to create is to live. Without art and music, I do not know how I would get by in my day to day life.

    http://conceptart.org/forums/showthread.php?t=115997
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  28. #86
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    thesadpencil: NP on stopping by. Keep up the work! Yeah i have been fighting with breaking the habit of being to sketch with my lines or just going over and reassessing them. Thanks for the input on the Digi's. I do need to start posting more of em.

    Here is a lil something...

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  29. #87
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    Here is some randomness from my pocket SB i keep on me. It pretty much a personal documentation of daily events/thoughts. Hope you enjoy. As always C&C welcome and loved

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    "Good composition is sort of like pornography. You know it when you see it. "


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  30. #88
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    He is some of the stuff i have been working on...and its digital too! im quite surprised myself. The first post in a head portrait in progress for Don's class over at CG society.

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    "Good composition is sort of like pornography. You know it when you see it. "


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  31. #89
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    haha the wrestler teddy made me lol. these last enviros are looking good, in the one w/ the building try darkening up the lines along w/ upping the contrast in the image, because the building seems to get lost in the background. keep it up.

    To live is to create, to create is to live. Without art and music, I do not know how I would get by in my day to day life.

    http://conceptart.org/forums/showthread.php?t=115997
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  33. #90
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    thesadpencil: as always thanks for the input! well post some more enviros with better contrast soon.

    This is a head study done for Don Seegmiller's Digi Face&Figure painting. My only crit atm is i need more life drawing practice due to the fact i was painting using photo ref and caught myself spending too much eye time on the painting and not on the photo. It taught me to keep pushing myself to paint it with my eyes and not my head.

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