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    Art: Some scenes from Robert E. Howard stories I'm...

    Some scenes from Robert E. Howard stories I'm working on. These are the finished digital studies which will be turned into oil paintings later on in the year for Illuxcon in Allentown. All are...
  2. [QUOTE=fllamjr;3915928]Hi dpaint! Thanks so much...

    [QUOTE=fllamjr;3915928]Hi dpaint! Thanks so much for your reply! Quite nice of you to throw out numbers, I appreciate it!

    I guess $100 is really too low haha Thanks again!



    It all comes down...
  3. I can't see the art try to upload it again. I...

    I can't see the art try to upload it again. I don't expect you to get my rate with no experience but this is what I got for some of the recent games I've worked on. For Cityville I got $300/400 per...
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    SketchBook: Couple of Solomon Kane sketches for paintings...

    Couple of Solomon Kane sketches for paintings
    http://www.conceptart.org/forums/attachment.php?attachmentid=2090291&stc=1

    http://www.conceptart.org/forums/attachment.php?attachmentid=2090292&stc=1...
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    He's using a classic steelyard composition as the...

    He's using a classic steelyard composition as the basis for this. A large and small object are balanced in the image using shape color light and value.
    ...
  6. Thread: dragon concept

    by dpaint
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    450

    yes we can. When you have something big like a...

    yes we can. When you have something big like a dragon consider showing it from the point of view from behind the figures looking up at the dragon instead of the way you have it now. That way you...
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    the lighting needs to be distinct separate the...

    the lighting needs to be distinct separate the planes into shadow and light I did a quick POhttp://www.conceptart.org/forums/attachment.php?attachmentid=2088763&stc=1
  8. Thread: dragon concept

    by dpaint
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    450

    try reloading the image its not showing up

    try reloading the image its not showing up
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    relative proportion will help along with checking...

    relative proportion will help along with checking angles. Start with the big outside shape and designate points and check angles again. Then measure internal elements against the outside shape once...
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    you're welcome. Try posing yourself or your...

    you're welcome. Try posing yourself or your friends or get some photos from a farmers market or outdoor market if you don't have access to those look up those things on the net, Reference will give...
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    Pay more attention to proportions and edges. ...

    Pay more attention to proportions and edges. Shape sizes need more consideration. The value transitions between the elements are too contrasted.
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    there are no interactions between the figures...

    there are no interactions between the figures strengthen the gestures for them they are all stiff and upright. The first rough sketch is better because there is more life in the poses and more...
  13. Thread: Help on Color?

    by dpaint
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    375

    Since nature doesn't fit into a ten step value...

    Since nature doesn't fit into a ten step value scale interpretation is key. There are many ways to solve the problem of light and shadow, Shadow values and light values actually overlap in natural...
  14. Thread: Help on Color?

    by dpaint
    Replies
    3
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    375

    pay attention to the local color of your elements...

    pay attention to the local color of your elements the skin is different slightly from the lips and the hair and eyebrows is a lot different than the skin. That means if the shadows are two values...
  15. Thread: Some critique?

    by dpaint
    Replies
    4
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    396

    If you want to work professionally you need the...

    If you want to work professionally you need the anatomy to be better and to pay attention to all of the elements in your scene and the overall design more. Good enough for you at this stage isn't...
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    The best way to add scale is to place something...

    The best way to add scale is to place something the viewer understands the size of in the frame of the image. What that is should be up to you.
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    so what is the idea for this piece? You need more...

    so what is the idea for this piece? You need more structure to make it solid. Right now it just sort of floats without a sense of real form or scale.
  18. Thread: Some critique?

    by dpaint
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    396

    so you have a character that needs better...

    so you have a character that needs better anatomy, you have a tentacle that doesn't go anywhere you have a closed treasure chest with very little light on it. where is the design and center of focus...
  19. Using anything in a production environment is...

    Using anything in a production environment is fine. It depends on its use though. You are talking about a very narrow range of uses for this type of work. there are plenty of fields that even though...
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    well there is no background so placing him in an...

    well there is no background so placing him in an appropriate environment would help a little. The biggest problem I see is you have no clear direction for a light source in the image and so the...
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    you need to pay more attention to the secondary...

    you need to pay more attention to the secondary forms in the head structure. Things still look flat. Some of that comes from not knowing what those forms really look like and some of it comes from...
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    Its not just color theory you also have to take...

    Its not just color theory you also have to take into account the material surface of the object. That also the affects relative appearance to the viewer. The best thing you can do is lots of...
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    todays...

    todays coverhttp://www.conceptart.org/forums/attachment.php?attachmentid=2082323&stc=1
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    thats the thing about free speech you don't get...

    thats the thing about free speech you don't get to pick what gets to be said by anyone else. I think that stuff is funny and I also think I don't care if people are offended, too bad. Being offended...
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    It comes down to a matter of skill and how you...

    It comes down to a matter of skill and how you blend things Frank Frazetta, Jack Davis, Mort Drucker, Tom Richmond were and are perfectly capable of blending those styles...
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