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Type: Posts; User: Jason Manley; Keyword(s):

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  1. Replies
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    fabulous job. my only comment is to really...

    fabulous job. my only comment is to really double check your edges at the very end as you can go a little soft, like around the trees for example. keep up the great work.

    jm
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    193

    watch your edges...especially look for the sharp...

    watch your edges...especially look for the sharp edges in the original as you tend to go a little bit soft edged in quite a few places. treat it like a quality control pass at the end, before you...
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    beautiful job. a little bit smoother gradation...

    beautiful job. a little bit smoother gradation on the values of the flesh and this one would be aced. try using a lower opacity brush for that kind of thing..soft edged.

    keep up the good work. ...
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    159

    agreed on the prior crit about the sargent. keep...

    agreed on the prior crit about the sargent. keep an eye on those values, and double check them all before uploading. the vermeer is looking great. a few accents on the head scarf where there are...
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    555

    a little of the pattern on the ground and snake...

    a little of the pattern on the ground and snake would wrap this up perfectly. great job.

    jm
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    awesome work. you went a little large on the...

    awesome work.

    you went a little large on the two heads in the most recent but overall it is very close. keep up the great work.

    jm
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    475

    agreed...these are coming along really well. ...

    agreed...these are coming along really well. keep working on those shapes and values. at this rate you will get this down really well. good job.
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    agreed. I also think a soft edged airbrush at...

    agreed. I also think a soft edged airbrush at low opacity would be best for smooth transitions on faces. your marks on areas which require gradients are too obvious and pronounced...hard edged. ...
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    agreed. I also think a soft edged airbrush at...

    agreed. I also think a soft edged airbrush at low opacity would be best for smooth transitions on faces. your marks on areas which require gradients are too obvious and pronounced...hard edged. ...
  10. Replies
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    get those light lights pushed into the image,...

    get those light lights pushed into the image, like behind the death dealer's head. great job though...keep it up. you are on the right path for sure. jm
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    very good start on these. You are headed in the...

    very good start on these. You are headed in the right direction.

    When you get your shapes worked out well, pay very close attention to the values. You want to match the values you see as...
  12. Replies
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    your values overall are looking good. same with...

    your values overall are looking good. same with your edges. just double check all your shapes.

    keep up the great work.


    jm
  13. Replies
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    you will get there...the steps we are taking in...

    you will get there...the steps we are taking in level up will gear you up to work more fluently from imagination. it is a long but very worthy road.


    j
  14. Replies
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    your shape work is improving. keep focused...

    your shape work is improving. keep focused there. do not let up on that. looks like the flipping of the images is helping.

    When you get your shapes worked out well, pay very close attention to...
  15. Replies
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    1,032

    very good work. check the accent marks that...

    very good work. check the accent marks that suggest the hair contours and such as it will define the head structure. keep rocking.

    jm
  16. Replies
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    169

    great job. the light pattern on the rocks is a...

    great job. the light pattern on the rocks is a little stronger and standing out more in the original, value wise...but overall this is an excellent study. please do add in textured brushes to...
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    the mucha is really solid for the time spent. ...

    the mucha is really solid for the time spent. you have the head tilt a little off, which is causing the mood/gesture to shift a little...but for how long you spent on it, I am not sure i could do...
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    excellent work. these are really coming along. ...

    excellent work. these are really coming along. keep focused on edge accuracy, and the gradiations that happen as edges roll around forms and back into space. at this point the main issues to focus...
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    great work on your shapes btw...

    great work on your shapes btw...
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    Understood. Yes there will be improvement over...

    Understood. Yes there will be improvement over time. You are headed in the right direction. When you get your shapes worked out well, pay very close attention to the values...even more than you...
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    you are doing such a great job with your shapes...

    you are doing such a great job with your shapes and values. at this point your pieces are feeling overly slick...a challenge that can be resolved by integrating textured brushes so you capture the...
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    these are showing imrpovement over time which is...

    these are showing imrpovement over time which is great to see. the amerling is missing the bounce light from the book on her chest, which is making the piece feel so luminous. the next image is a...
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    very much improved. great to see this. you can...

    very much improved. great to see this. you can still get smoother in the face, and you have some atmospheric value that is missing from the cumberbun (sp?), and lastly the background values could...
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    looking good. the sargent copy could get a...

    looking good. the sargent copy could get a little closer on the edge work but overall is looking good. it's nice to not have a ton of crits on these...shows you are on the right track. keep it up....
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    nice. the pattern of the fringe on the bottom of...

    nice. the pattern of the fringe on the bottom of the composition is a key design element. yours is far more natural where the original is almost like a graphic design element. not that you need to...
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