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Type: Posts; User: Jason Manley; Keyword(s):

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    btw....you can go over the hour mark and most do,...

    btw....you can go over the hour mark and most do, you are right. Speed will come. The key is to balance the study quality and putting in time on analysis of the compositions so that you keep your...
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    Really good work on the expression and life in...

    Really good work on the expression and life in the painting. Your shapes and values are coming along well. Be sure that you are keeping a close eye on your edges. Note where the sharpest sharpest...
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    a bit more level adjustment to bring up the local...

    a bit more level adjustment to bring up the local value of the flesh would probably be beneficial as it is suggesting a far darker flesh tone than I think you probably have in real life. This is...
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    Nice work with the mood on this one. One area...

    Nice work with the mood on this one. One area that could use focus is on structure and form. You are doing great suggesting light direction on the light side of the face but the shadows move into...
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    You are doing a good job with these. One area...

    You are doing a good job with these. One area that could use focus is on structure and form. You are doing great suggesting light direction. Really focus on suggesting planar changes and overall...
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    Everyone is different, so it can take a few...

    Everyone is different, so it can take a few months or it could take a month or it could take a few years. It depends how much work you want to put in every day :)
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    You are doing a very nice job with your value...

    You are doing a very nice job with your value range. Look for more accurate planar shapes, and shapes which better describe the forms. Your brush marks and smoothness of values can sometimes not...
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    Really nice atmosphere happening and your edge...

    Really nice atmosphere happening and your edge range is definitely a strong point.

    Look for more accurate and descriptive planar shapes, and shapes which better describe the forms. Your smoothing...
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    nice work with such a complex viewpoint and...

    nice work with such a complex viewpoint and angle. Good expression happening too. Look for more accurate planar shapes, and shapes which better describe the forms. Your simplification can sometimes...
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    is ok to work on images where you experiment...

    is ok to work on images where you experiment more. some will be more successful than others.

    Look for more accurate planar shapes, and shapes which better describe the forms. Your simplification...
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    nice. choose where you want the viewers eyes...

    nice.

    choose where you want the viewers eyes to rest and put more details there. That way the whole image comes into view when their eyes focus on the parts you choose them to rest their eyes...
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    watch your value transitions between light and...

    watch your value transitions between light and shadow masses on the most recent. There is a half-tone that could be used there.

    Also, watch for overly sharp background shapes that can pull the...
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    nice work simplifying your values. Expression is...

    nice work simplifying your values. Expression is focused and looking good so far too.

    Look for more accurate planar shapes, and shapes which better describe the forms. Your simplification can...
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    welcome.

    welcome.
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    nice work simplifying your values. Good...

    nice work simplifying your values. Good expression happening too. Look for more accurate planar shapes, and shapes which better describe the forms. Your simplification can sometimes not accurately...
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    looking forward to it. jm

    looking forward to it.

    jm
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    Look for opportunities to suggest form changes...

    Look for opportunities to suggest form changes when you get big shadow masses. Like the shadow on the face that goes up to the eye from the nose. Check out the rembrandt self portraits to see how...
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    great job improving your values. I would...

    great job improving your values. I would recommend integrating a bit more of the textured brushes to capture some of the surface of the originals as surface and texture is so important to edge...
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    great job being consistent. As said, just keep...

    great job being consistent. As said, just keep them coming. I'd love to see a little more analysis of the compositions as well since you are doing such a great job with the studies.

    jm
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    Nice start on these. You are headed in the right...

    Nice start on these. You are headed in the right direction. When you get your shapes worked out well, pay very close attention to the values. You want to match the values you see as closely as you...
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    These are getting progressively better with each...

    These are getting progressively better with each one. I really like seeing that happen. good work.

    You are getting about 90 percent there with the three most important things...shapes, values and...
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    Really nice work. I would recommend integrating...

    Really nice work. I would recommend integrating some textured brushes to capture the surface quality a bit as it tends to affect edges and the overall feel of the originals and doing so will see you...
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    much better. Try integrating a bit of a textured...

    much better. Try integrating a bit of a textured brush when surface is obvious in the originals and secondly be sure you are getting the most accurate range of sharp to soft edges. You get a little...
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    Nice start on these. Great to see you working in...

    Nice start on these. Great to see you working in traditional media. You will need to take a little more time since you are doing that but it is well worth it. You are headed in the right direction. ...
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    Nice start. First, be sure you are using the...

    Nice start. First, be sure you are using the exact same image format as the original. That is key. If you go a bit wider on your format all your other shapes will be off. So start there.

    When...
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