mambo
June 27th, 2006, 09:05 AM
Besides doing a lot of lurking here since I've become a member (a very short time)... I've actually been getting things ready to get back to doing some paintings in acrylic.
Only this time I wanted to make a break from the prior method of painting -err... which was... if worked out and looked good then I'd put the brushes down for a while and rest on my laurels... which wasn't too far from when a painting didn't work out... where my method was then to curse my inability and get lazy and step away from the paints... either way... a lose/lose situation for improving.
So... this time I've prepped by doing some reading on skin tone palettes and how some portrait artists go about painting portraits... example - the book by:
Painting Beautiful Skin Tones with Color and Light
in oil, pastel and watercolor
Author: Chris Saper
Publisher: David & Charles
ISBN#: 0 7153 1266-9
http://www.amazon.com/gp/product/1581801637/ref=ase_artshowcom-20/102-8528927-3682559?s=books&v=glance&n=283155&tagActionCode=artshowcom-20
the index so you get an idea of where she's coming from:
http://www.amazon.com/gp/sitbv3/reader/ref=sib_dp_top_toc/102-8528927-3682559?ie=UTF8&pageID=S00D&asin=1581801637#reader-link
Some might agree with me that one can go to the library and find volumes of books on how to paint and do portraits - and that's fine and well until you start flipping through them and find that most of the work is total crap.
This book seems to be a bit different and she lays down a very good structure for delving into portrait painting.
Anyhow - so I dug out the paints and a bunch of canvas paper and will dig in... but it got me to thinking... having been so tied up in pencils and markers for such a long time with most of the realization of the final pieces being in Photoshop... I wondered what everyone else was working with in terms of brushes and colors... here is a short list of questions:
1) Can anyone give me a quick idea of what sorts of brushes they find usual for human figure and portrait work in acrylic?
2) What about a rough idea of your skin tone palettes?
3) What is your preferred surface/base (eg. canvas/paper/masonite etc.)?
I will eventually start another thread where I post the progession from the first painting through the current one and ask for some feedback.
Best regards,
Mambo
Only this time I wanted to make a break from the prior method of painting -err... which was... if worked out and looked good then I'd put the brushes down for a while and rest on my laurels... which wasn't too far from when a painting didn't work out... where my method was then to curse my inability and get lazy and step away from the paints... either way... a lose/lose situation for improving.
So... this time I've prepped by doing some reading on skin tone palettes and how some portrait artists go about painting portraits... example - the book by:
Painting Beautiful Skin Tones with Color and Light
in oil, pastel and watercolor
Author: Chris Saper
Publisher: David & Charles
ISBN#: 0 7153 1266-9
http://www.amazon.com/gp/product/1581801637/ref=ase_artshowcom-20/102-8528927-3682559?s=books&v=glance&n=283155&tagActionCode=artshowcom-20
the index so you get an idea of where she's coming from:
http://www.amazon.com/gp/sitbv3/reader/ref=sib_dp_top_toc/102-8528927-3682559?ie=UTF8&pageID=S00D&asin=1581801637#reader-link
Some might agree with me that one can go to the library and find volumes of books on how to paint and do portraits - and that's fine and well until you start flipping through them and find that most of the work is total crap.
This book seems to be a bit different and she lays down a very good structure for delving into portrait painting.
Anyhow - so I dug out the paints and a bunch of canvas paper and will dig in... but it got me to thinking... having been so tied up in pencils and markers for such a long time with most of the realization of the final pieces being in Photoshop... I wondered what everyone else was working with in terms of brushes and colors... here is a short list of questions:
1) Can anyone give me a quick idea of what sorts of brushes they find usual for human figure and portrait work in acrylic?
2) What about a rough idea of your skin tone palettes?
3) What is your preferred surface/base (eg. canvas/paper/masonite etc.)?
I will eventually start another thread where I post the progession from the first painting through the current one and ask for some feedback.
Best regards,
Mambo