still learning

[sombertwin]

First Sketchbook. First time revealing my process. The point of starting this online journal is to help me organize my thoughts and efforts around who I am as an artist. Because I really do not know yet.

The update: I am still working at trying to be creative, had to take some time off due to health, but I did not stop drawing or painting, just needed to manage my time.


comments welcomed.

Huge EDIT...

[sombertwin]

ok I am having trouble loading up the other sketches...time to search out the how to load sketches...

[sombertwin]

loose gesture sketches to find characters for collateral damage painting.

[sombertwin]

more studies

[sombertwin]

more studies

[sombertwin]

I will be working for awhile on the skeleton gestures. I use skeletons a lot. To me skeletons are not so much about death, but about drastic changes.

[sombertwin]

I'm not sure I will be able to sketch anything for Collateral Damage today. I plunged into another online art experience called Brooklyn Library http://arthousecoop.com/

I needed to challenge myself to grow and the Brooklyn Library projects force me to produce. It is donation driven and what you do is not juried, it is displayed though in their gallery and online.

CA really has some good to great artist. I just love art. A lot of y'all are way younger than I am. I am in my 50's. As a child I had wanted to be an artist but bless my mother a person told her my work reminded them of van Gogh. My mother was impressed until she read up on the most tragic artist life that makes it hard for some to understand not all artist suffer. My mother felt a black girl child had enuf to deal with and being an artist was too much. So she threw away all art stuff and after years of discouragement I stopped I was 13 or so. It was a fluked that I found art again,but that is another experience to be shared later perhaps.

The reason the painting's working title is Collateral Damage is because I was watching CNN. Pictures of war gave me nightmarish images. I thought at the time how do women shop for groceries, what are the children lives like, the men and women on both sides of the war as soldiers who were they becoming?

In the painting to the far right are 3 soldiers, a couple of helicopters and other machinery. These soldiers are frozen watching the exodus of people leaving their homes. Each person fleeing has their own story. The soldiers are removed from their pain because they have to be numbed. But in the painting these same soldiers are fleeing...because they will go home. Once in war the person changes I think. So this painting along with several others I have in the works attempts to speak to collateral damage caused by various situations.

The painting will have an estimated 48 plus characters, over a dozen war machinery, a house on the hill and the rest i can't really explain. The painting has several elements that are not immediately apparent to the eye.

The plan again is to draw the gestures that define the character and then work up the anatomy. During this time I will also be experimenting with compositional elements.

[sombertwin]

I am attempting to find an expression that communicates despair for the victim the skeleton will be carrying. Also the skeleton will also feel sorry for the child left behind

[sombertwin]

I thought I would loosely sketch ideas. I am having trouble freeing the barriers my mind presents. I am trying to demonstrate rawness..but I am frozen in an abyss to get it right the first time.

I am still working out a process that will help me get this painting completed.

[sombertwin]

I am a member of the Brooklyn Library and am involved in a project call the Color project. I have to complete a finished work 8x10 by 13 Apr 2010. The site is at http://arthousecoop.com/photos/87297-collateral-damage-paint-sketch.

The Brooklyn Library is not a juried thing any artwork is accepted and shown. It is truly a peoples art place. Of course it is support for charging a small fee...I mean small fee for submissions. I am part of the ART co op because I have got to get working outside of my basement and because I need the challenge. It is a nice way to enter the world of art I think.

The sketches following are for the 8x10 work. I hope to have all of my subjects and composition figured out by Friday evening and hope to be able to begin painting by Sat.hahahahaha

I am working on the background.

[sombertwin]

Below is the working composition for the Brooklyn Library. I wish someone would comment on it before I start painting. But since I have to start tomorrow....what are the chances?

I will have to paint wet on wet using a drying agent for oils. I am most familiar with oils and not very comfortable with acrylic. But I might try acrylics...I am not sure yet.

I do know I am going to have to paint an an abstract way because I will not have time to figure out the real anatomy of the subjects.

What I do for resources is find positions close to what I want to draw, then look for arms, hands heads that fit the position...but most of the time I am just guessing at what the correct form is based on what I know so far about figures.

I wish I had time to figure out clothing...but that is another layer of thought and color composition. The funky way the drawing looks is because I need to copy the composition to a canvas somehow. Never have done that before...so I make the lines look darker.

[Prion]

Awesome idea, it's great to have a goal! Keep it up, I can't wait to see the outcome!

I'm not in a position to crit, so don't take my words as the truth. My eyes are distracted in this picture, I think it's because the individuals are directing themselves away from the focal point, the skeleton? In one of my psychology classes we learnt that our vision is impacted by things within our environment, if someone looks one way, we'll generally follow. I'm inclined to look to the left.... Probably because the people are looking there. Try it on your friends, look up suddenly and they'll follow. I'm assuming the same idea transferrs to pictures/composition. I twisted it around... Sorry about the crappy paint pixels, ill hopefully install photshop tomorrow to experience its awesome. :P Oh and for some reason the chick in the bottom right is annoying me.... I don't know what to do with her. I think it's a prospective issue.

952030

952031

Tbh, your painting reminds me of classical paintings. Here's an example, look at the eye/head direction of the individuals in the image below.

http://farm4.static.flickr.com/3253/2921301153_8d1b2c6c83.jpg

Now note in the image below how everyone's congregated up and around the focal point.

http://www.titien.net/data/img/610/061_Gericault_1818_Le_radeau_de_la_meduse_491x716_ Musee_du_Louvre_resize_pt.png

Hopefully these photos will help with colors too. If you're still stuck do a google search for renaissance or classical art to get further inspiration. :)

I just did this as an experiment. Maybe a united image isn't something you're after? Like I said previously don't take my crit as a definate. I'm noob P: Hopefully someone with experience will be able to pipe in.

*bump*

Gl :)

[Jamieth2000]

Sombertwin (lol), My brain isn't up to speed yet, however, the left leg of the skeleton bothers me. I would need to print it out to check the angle. I figure you already noticed this.

Is your skeleton like your other characters here? Are you working on her movement as well? If so, I feel certain this post is completely unnecessary.

edited: doh! I can see you're working on the left leg. Sorry bud for the comment.

[Jamieth2000]

Your sketches of the skeleton are AWESOME. Especially the skull detail for one of them, and the detail in the one with the woman's body.

[Jamieth2000]

For the sketches, what do you want looked at. I can see they are a study in the position of persons and that the box look is for you to see what each part of a body looks like. When they are integrated into your painting, that boxiness we be gone.

I'll look at them a bit more tomorrow. Online too much right now.

[sombertwin]

Prion
dude! or dudette this is what I am taking from your post...you can skip reading it all because all the words equal thank you and your comments helped and gave me additional creative direction.

!. I did not think about using Photoshop to change the composition only to print and save.....oh so duh! I have Coral Paint too...thinking thinking...Now I have to learn how to mirror an image and play some more with the composition in PhotoShop.

2. The focal point is the tableau between the three figures to the extreme right,.skeleton, woman and the woman to the extreme right, which I am changing back to the original child figure.

The rest of the figures are walking away involved in their own pain, their own problems. That is why the figures are displaying different emotions. The problem is there are missing elements in the smaller composition...the bigger painting, the one that is the one I really have to do has a war scene that implies the reason people are walking away, while the gruesome trio of the skeleton, woman and a child will be echoing the scene.

The smaller version does not have a reason....hmmm need to think more about this...

3. I was going to write more about my inspiration for the painting a little later. But for now you used Goya in one of your examples...which blew me away. After I got the idea for the painting and done sketches I happened on one of Goya's paintings that spoke to me. (more later) I have kept a journal of the painting and its sisters since 2007.

4. Eye movement. I was and am very conscious about the eye movement. I am familiar with compositional elements. (loads of head knowledge...lacking on practical application) I used what I have learned, but I wanted to tweak the eye and make the eye examine what is the entire story. I take a lot of time getting the gesture feel of each of my subjects, they are not just background they are elements to a story. I will have to think deeply about what you said. Because you are right about the eye movement...i am just wondering if I can find away to get what I want and not make the process too distracting.

A distracted eye is what I desired. I do not want the subjects to lose their voice...their stories might be minor in comparison to the focal point...but I think are an important element. Maybe what I really want to do is make a movie.


Again thank you....

[sombertwin]

Your sketches of the skeleton are AWESOME. Especially the skull detail for one of them, and the detail in the one with the woman's body.


Thank you...

When am I going to see your photo work on the board??? hint hint double hint!!!!!!!!

[sombertwin]

All day today, I worked and worked on a way to make a form of the composition work for a project. I literally learned Coral Paint and figured out some other digital tricks that actually helped. I finally got how to do layers..and they are magical. I also learned how to mirror and all kinds of other stuff. I have as a result a deep respect for digital artist. The work is not easy.I thought it would be easy but nope wrong...

I have decided to explore completing a composition digitally. First time ever and really am a bit manic to get things done. Of course it I can't then I have a back up plan.

I am just talking to myself I know but I am keeping track of my efforts via this sketchbook. I have nothing to show but words today.

[sombertwin]

I just could not get any composition to feel right...I need that visceral feel one gets when you know you nailed the emotion.

So I am posting one of my failed attempts. Not failure really, every time I work on this I find I've learned something else.

[sombertwin]

I joined a group of artist at an Art Co-op who regardless of skill level can submit and display work. I have several project deadlines. In my insanity I figured if I had serious goals and challenges I would have to improve. Take what I know from books to the real world arena.

The latest project was called the Color Project. You had the choice of any primary color. That color had to figure in the work produced. I choose REd. It is a warm color and I tend to work on the cool side. I really stepped out of my comfort zone. I was going to do this project in oil...because I know oils...but I choose another way to get the work done. sheeeesh I must have been nuts or hormonal.

I must let go of the work. The submitted material must be stamped by 13 April. I wished I had more time. oh well....it took me 3 days to complete the below composition.

[Prion]

Haha, np.. it's dudette btw. Even though I use dude for both genders lol. I love the meaning behind your piece, sounds like you've put a lot of thought into it. :)

Definite improvement on the composition imho. I've never been fond of bright reds, dunno why but it seems to add some caos into your painting which is ofc a good thing given the theme...

Anyways, keep it up! :D

[sombertwin]

My original reason for setting up a public sketchbook was to keep a record of my progress on a particular monster painting I have been wanting to complete for awhile.

The idea is working so now I am posting my daily tug with insanity. I find i keep busy when I have clearly committed to a goal.

I explained earlier I am with a ART Co..called the Art House aka Brooklyn Lib. http://arthousecoop.com/ A great place for beginners and seasoned professionals. All levels of artist participate. Everyone's art is accepted and via the projects ones work is displayed at various places and sometimes the work gets published. Me I am an advance beginner.

At any rate 12, 13 April I have been working to complete another project called The Scavenger project. Your given 10 words or phrases and you come up with an image that speaks to you. As usual I am working up to the last sec. The date material is to be mailed is 15 April. Below is what I am working on. Nothing is written in stone until it is in the mail and away from me.

[sombertwin]

I do not think I will have the following pieces done for mailing by 15APril...but then again...if I do without sleep...I have family they'll feed me...


working sketches

[sombertwin]

Haha, np.. it's dudette btw. Even though I use dude for both genders lol. I love the meaning behind your piece, sounds like you've put a lot of thought into it. :)

Definite improvement on the composition imho. I've never been fond of bright reds, dunno why but it seems to add some caos into your painting which is ofc a good thing given the theme...

Anyways, keep it up! :D


Thanks for the suggestion on the composition. I knew better. I really wanted to make folks look every where....but I realized it was a bit distracting.

The bright red of the composition is something I never do.However my entire experience at the Art Co is to try things I never would try unless part of something. I am comfortable with oil painting...but I am trying to make myself experiment in a focus way. I tend toward cooler colors...but because I had leaky brain syndrome I choose to do the work in red...this is by no means a final composition.

I am goal oriented and know even when there is no one looking over my shoulder I will work. That is why having a public sketchbook is a great idea. Knowing you have something out there pulling at you....well for me makes me work.

now if I could just make the next leap toward developing past an advance beginner...

[sombertwin]

these works are not finished until I actually render them in oil...

[sombertwin]

I thought though I would post what I generally do daily.
Every month I work up a schedule. The schedule below is something that general does not change, except what I am reading.

April 2010 work schedule

Look at Project Schedule

Chromatic scales

Mwfs

a. value studies- color + compliment-2 hrs

b. value study- monochromatic-2 hrs

c. quick studies- 1:30 hrs

d. sketch figures-emphasis collateral damage gesture emphasis 2 hrs

Tu/th
a. Comp study- 3 hrs
b. Figure study- 3 hrs
c. Projects-see list


Research-See project list

Reading
Natural way to draw
Transfer tech
License work
Print work

I have another schedule for projects and etc. I will post that later.

Below are two value studies using one color and two color studies done in oil, generally value studies are about a hour or so. In the first value study I used Payne Gray and white, in the second I used Umber and white. The color studies were done in about 30 mins and one 45.

I use Craig Nelson's book 60 minutes to better painting. I try to do at least 1 15 min, a couple of 30 min..and at least one value hour long session. Sometimes when I am just not feeling like doing anything...I find doing quick studies in oil tend to help me get to work. I am just getting to know acrylics.

I am finding my observation has improved and is improving the more sketches I do. I will start posting my morning activities as soon as I figure out a way to schedule scanning and posting into my schedules.

the images might look dulled. The reason is because I use a paper that I have treated that will take oils. Materials are really expensive so I find recycled papers that are similar to a thick bond, I treat them with a glue and gesso mixture. I generally treat about a 100 sheets at a time. I also look for really cheap water resistant papers or books. Every now and then there are huge sales on watercolor sketchbooks that are not really good quality..but great for treating with the glue gesso mixture so I can paint cheaply.

[sombertwin]

I am awake again early a.m so what is there to do?

I am posting an oil still life study. My true objective was to work with drapery. I really have a problem with understanding how to develop values. The reference for the work is something I know I must have seen some where.

[Justyna]

Hi,
thanks for visiting my SB
Actually I find your art a bit too creepy for me: those skeletons with naked females - not my cup of tea :) No offence though, I think your last oil still life is good.
In my opinion you will gain much if you spend some more time working on fundamentals, like anatomy and perspective. when you master the basics you will find working on more complicated compositions, like the painting with the skeleton, easier.

[sombertwin]

Hi,
thanks for visiting my SB
Actually I find your art a bit too creepy for me: those skeletons with naked females - not my cup of tea :) No offence though, I think your last oil still life is good.
In my opinion you will gain much if you spend some more time working on fundamentals, like anatomy and perspective. when you master the basics you will find working on more complicated compositions, like the painting with the skeleton, easier.


Thanks for responding and more importantly for sharing your opinion. I get my subject in my work might be a bit dark and alarming. I get why might on first look feel its creepy.

It might be a cultural thing or my own thoughts about pain and change. The skeleton in my work represents drastic change. The reason the skeletons in my work have emotions is to echo the pain of each of my subjects. The naked women are only representative of being striped of everything. Part of the reason I feel I must perform this work because it mirrors the pain and the ugliness of what is accepted and couched in the phrase "collateral damage"

I am not trying to change your mind, just explain one old black woman's point of view.

thanks again for the comment.

[sombertwin]

Today I took a quick dip into the deep end of madness. Started off with my spiritual well being. I was in a great mood this beautiful spring like day.

Being a budding artist I thought I would make sure I had at least 1o minutes of sketch work today. So as I lah lah tra lah lahing in that lah kinda way, I chose, yes my choice to add something new to my schedule. While viewing others SB I noted a site folks are using for 30 sec poses at http://www.posemaniacs.com/?pagename=thirtysecond

Yeah I went to the site. I am very impressed that the models used are musculature forms as opposed to nude forms. Big plus. So in my lah lah tra lah lah state of mind, I pick up a felt pen. (never have drawn with a felt pen ever!) Of course like little red in wolf man's hood I just ignored the warnings in my head to stick with what I know when I have a limited time.

I started the 30 sec tool and yes an image appeared that was fore shorten, the view was from the foot up. yep I was going to draw that...so I waited for the next one...lets just say my first experience with a REAL 30 sec pose changer ruined my tra lah lah.

Lessoned learn...do not try new stuff when you only have limited time to digest the information.

Being in a tra lah lah mood should be suspect.

and I really learned I am still into details. I have been trying to free my mind from the anatomy, foundation courses I have learned in school. My stuff was becoming frozen and very stiff. So although I will still be working on technical aspects of painting and drawing, that is not my concentration. My main concentration is on gesture and getting the feel.

I found the entire 30 sec poses horribly uncomfortable, because I just could not take in that much information in such a short time...

duh...keep it simple work in mass. simple lines. I also do not think a felt pen is best for this kinda study. At any rate 30 sec poses will now be part of my schedule.

[sombertwin]

Results
Although the update below is posted, I wanted to connect the results of the studies I am doing with what I think are finished pieces. Although the final piece is part of a larger oil painting subject, I think for the purposes of the project I had worked I have one finished result.
I have had several uses for this particular study, but I think my most successful use of the studies resulted Lost At Sea which is the image below.



Written orginally.
Today I started re-thinking how I would depict Lost at Sea for the Scavenger Project. I have always wanted to so some sort of work with a ocean. Now that I am in the allowing myself to freely explore whatever is my artistic development I decided to experiment a bit from a different p.o.v.

Below is what I think will develop into something else. But I don't know yet, because I need time for the image to simmer. I think I have the values in the study I want, I am not so sure about the colors. I do think I am sending a cleaned up version of the Blue study to the Art House..the home for every type of artist not matter the level.

[sombertwin]

I have been asking myself why make a public sketchbook journal? The process of posting, scanning and writing add another layer of time. Time is an issue I think for everyone. My issues with time have to do with my spiritual commitments and my physical problems. Of course there are family obligations and personal obligations that are in the mix. Trying to find balance is frustrating. One thing I know for sure finding balance is an ongoing struggle. So why add another layer to this thing called art?

There are books on how to keep a sketch journal, books on how a sketch book inspires and books on why sketchbooks work or do not work. I did not even realize sketch books are considered an art form. Personally I have always felt my personal sketchbook was all about process and development, the ugly looking to become something, the concept looking for form, shape and other expressions. Because I was a bit curious about sketch books and what other people think about SB,I purchased the Sketch Book and Observation on demand offered here at CA.

Personally I recommend a listen to the Sketch Book and Observation course. it is way worth the time and cost. The courses are on sale so hurry and take advantage of the experience. I am not so much a fan of Massive Black vids, albeit good, but they remind me of Bill and Teds excellent Adventures, which although entertaining is kinda distracting for me. The SB course on demand was really interesting. I will share my thoughts on the course as soon as I have had time to really digest the loads of information offered in the course.

Part of the sketchbook experience will include my own discovery. My own resolved was reaffirmed by learning more about sketchbooks in the Sketch Book and Observation course there was a mentioned of catching the silhouette, shape, mass. I am so glad my natural instinct has led me to do what I am doing.I am just trying to develop skills to paint a series. However it seems I have opened myself up for another layer of experience. I will in time include some of my past writings and images, But for right now, part of the reasons I have made this process public is to answer the question, what are you doing in that basement?

[sombertwin]

Monday, April 19-26, 2010

Studio Schedule

Generally I make a monthly schedule, however now that I am working online, I have to plan in shorter increments. In one of the previous threads I posted my monthly schedule. I have also chosen not use a day by day scheduler. Below are my goals to complete during the week. On Mondays I will re-discover and reassess the previous week efforts and adjust accordingly.

For me it is vital to maintain my spiritual health, so although not on this schedule I do have a separate life schedule. I find I do better when I put spiritual needs first. For example I can be very impatient. Instead of exploding, because I have taken care of what I need spiritually I am more centered and calmer.


1. Mornings- post previous day work to CA SB

2. Posemanics 30 Sec Poses - 5 to 10 minutes - Everyday

3. Quick Studies- 6 hours
(I use Craig Nelson’s 60 Minute to Better Painting great book)

4. Value Studies Monochromatic - 6 hours

5. Value Studies- Compliment Color Studies- 8 hours
(two colors generally opposite one another on the color wheel, plus black for graying and white for tinting)

6. Work with figures for Collateral Damage- 8 -12hours

7. Figure Development- 8 hours

8. Listen to Art series from CA

Projects
(below are works that if finished will be shown at the Brooklyn Library and other areas. To find out more go to http://arthousecoop.com/....
No one’s work is refused for showing. It is a true art community.

a. Due 30 April 2010 Art House Co OP- sketchbook monthly Subject This is where I live

b. Due 24 May 2010 Art House Co OP- Fiction Project

c. Due 31 May 2010 Art House Co OP- sketchbook monthly Subject: In these shoes

d. Attempt to complete a work based on studies in various media.

e. look at a study previous posted and develop to next stage.

[sombertwin]

Below are a group of still Life studies. I was actually interested in the drapery. However there is rarely just one thing you are attempting to learn from studies. I generally paint or draw a study 3 or more times. In these studies I am trying to learn about form and look for the obvious shapes. I am also looking at composition, color relationships, light direction, folds, background, etc.

i used pentel oil pastels on treated cheap journal watercolor paper

[sombertwin]

Yesterday 19 Apr 2010 I organized what I wanted to include with the online SB. It took me a surprisingly long time to figure out what I wanted to do as oppose to what I could do. So I made a list of my want to do's which is paint paint paint and paint. From that list I identified what I NEEDED to do, which did not include much painting.

I also worked a long time on the cat out the window I had done previously. I decided I wanted the subject in a print edition. This meant I had to re-draw the original to make a stencil. From the stencil I would use linoleum as a wood cut and produce a print edition. I do not know yet how many will be in the edition. A lot depends on how the image looks.

Yesterday and this morning I went to posemaniacs.com for the 30 sec drawing exercise. My comfort level has not lessen. This means I am making something work that will not work in the form I am approaching it right now. Our bodies often tells us we are doing something wrong, by telling us we are not feeling good. I try to pay attention to such messages.

I know I am re-thinking how I am going to use posemanics. I think the problem is I am not use to just drawing mass or thinking about line quality. AS I mentioned earlier I rarely used anything but a brush. A couple of years ago I started using pencils. Most recently I discovered ink. I feel really vulnerable without the brush.

I already knew I had to return to learning how to really see shapes. The reason I paint and draw still Life are to learn how to really see shapes and relationships of forms. Still Life are really not my thing, but I enjoy what I learn from the studies. So today I will figure out how best to approach pose maniac...a great drawing tool imho.

Below are the poses I did today and Still Life studies. In this group of still life studies composition was my main concern.


I did not post all the poses I have done...the system is really dragging...perhaps later I will post the rest of the poses. Everything depends on how the day goes. I am really pushing against my physical self today. I really just want to go back to bed. really. hmmmm perhaps I am just trying to avoid laundry day.

[Prion]

I love your color studies, keep up the awesome work!

[sombertwin]

Below is my first real exploration of using inks as a media for studies. I like diving into a subject as I study the nuances of character in the face. I had the inks on my shelf for awhile. I happen to be talking with someone and the inks were dusted off. I figured as long as I had taken the inks off the shelf I might as well see if I had progressed enuf to use them. Using ink is like being thrown off the deep end of a pool without ever learning how to swim.

My search to free my brain and prevent the static dusty look of subjects I am finding that media choices forces me to think another way about what I am seeing. I like inks because this is a media that makes me nervous, really nervous. Translation the mind cannot go on automatic as one observes.

[sombertwin]

Sketching does not come naturally for me. Actually art does not come naturally for me. I have to fight tooth and nail to grow and develop. Some folks have that ability to record what they observe easily I do not. I have had over a half century of things to clog my brain.

below are studies of future still life studies.

thoughts from yesterday....
On Pose maniacs...the program I discovered has its horrible flaws. However for a person like me the tools work. After thinking about my approach to 30 sec poses I figured out I am uncomfortable because I am forced to put down the minimal amount of information that must communicate the maximum of output.

I also discovered I need to work on 18x24 or 9x12 sheets.
I need to work expressively in my stroke activity. I realized I do not really want to work in 30 sec, 60 sec or 45 sec. Why? because I am still looking for perfection, which is why I have to go back to the beginning and re-think my previous focus. My decision is to work with figures for 60 sec first for my morning exercises to loosen up in preparation for the day.

Today I am really busy with life outside my studio. My only work today will be to continue re-working Cat out of the Window and perhaps make acrylic color studies of Lost at Sea.

a note on supplies-
I buy newsprint and other paper in bulk. For example 500 sheets of 18x24 newsprint cost about 15 dollars. Cut those lovely sheets in half, 1000 sheets. So you are paying about 0015 per sheet. I also buy Pacon 500 white sheets in various sizes. As an artist paper must be used in abundance. There is no such thing as too much paper. So stretching that penny as far as it will go is important. I find buying pads are expensive. i use pads on the go.

Painting boards on the cheap are becoming a bit of an issue. I re-use and re-use, but I am getting to the point that some studies are worth keeping....it is very expensive to be an artist. Without my husband's aka patron support it would be more of a challenge.

on sketching pencils....

I hate charcoal. Yes hate is an apt description of how I feel about charcoal. But I am learning how to use a lot of things I do not like.

My favorite pencil to draw with is the CarbOthello...Stabilo in all its colors. I use these pencils sparingly because they are kinda expensive. Well expensive in the sense of how much one has to draw and how long a pencil will last. I started using these pencils and drawing has become less of a chore.

sketch work

[sombertwin]

I love your color studies, keep up the awesome work!

Hey thanks for the encouragement...all the encouragement one gets only motivates.

[sombertwin]

I moved up a level

Level 1 Gladiator: Andabatae

to Level 2

hmmmm I wonder how did that happen?

Just so this is not a junk post I will post an image. The image is my final say on Social Network for the Scavenger Project.

[sombertwin]

Every artist that really works at their craft knows that we spend a billion hours to come up with that one piece that speaks wow to us. waiting on the wow when you are both hormonal and inpatient...ooops is all I can write without wanting to whine. yep I see whining as an alternative but whining takes up too much energy...which really sucks because I think I have manage to come up with a rather decent whine.

Below are studies working toward re-vamping the cat in window piece. The first image shows I think I am close to completion. I was tired of working on the piece so I clamped down on it and closed my brain to it. While working on something else, I saw the Cat out of the window differently.

so below are just ways I am rethinking.

[sombertwin]

I am unsure how to approach learning how to "see" aka observe and record.

So I am looking at the tools of the trade to come up with different approaches. The media one uses to explores the same subject in different ways has proved useful.

I have been toying with the idea to explore inks for a few weeks. So what better way to explore inks then using them for figure studies. Below is a sampling of using an ink pen in one continuous movement. Once the ink pen hits the page it is there until I am completed with the exercise.

I will also be using an idea that the Flying Dutchman has suggested. His SB is on the board...His inks interest me, because the lines do not feel contrived but fluid. I had a feeling that he did not ink his drawings. I asked and he does not pencil first. I think inking is great after all the first "The Shadow " the Shadow knows cartoon I saw was inked ominous black with light teased out from the darkness.

As a kid I wanted to draw the Shadow..but as I mentioned before my mother threw out anything that had to do with drawing or paining. She just did not want her poor deluded creative black child to die on the streets of artdom. yes I digress a load,

At any rate the exercise is to use a limited amount of lines to express what I am seeing. I thought about the suggestion long and hard. Being me...I have to visually see something to get it...which I often do in my head.

I realized that a decision of strokes will be included in the process of using a limited number of line, also space use, composition, form and yes value, all in 30 sec, 60 sec increments! The first part was to experiment with one continues line. like duck in water it felt good.



below one line, continous

[Prion]

Np, I love following sketchbooks. I believe it somehow helps one learn how people do certain things differently. You really are powering away since I was here last. Which wasn't all that long ago. 0.o Those inked face studies are brilliant, they are alive! I quite like the idea behind the single continuous line to capture a subject. I may just give that a go.

I wish I could say more, but I'm only a mere lil noob. I'll thank you again here for the tips on my sketchbook, they helped alot. :D

I may not always post due to work etc, but I'm following. I believe many other people are too, they just arn't commenting lol.

[sombertwin]

Np, I love following sketchbooks. I believe it somehow helps one learn how people do certain things differently. You really are powering away since I was here last. Which wasn't all that long ago. 0.o Those inked face studies are brilliant, they are alive! I quite like the idea behind the single continuous line to capture a subject. I may just give that a go.

I wish I could say more, but I'm only a mere lil noob. I'll thank you again here for the tips on my sketchbook, they helped alot. :D

I may not always post due to work etc, but I'm following. I believe many other people are too, they just arn't commenting lol.



Thanks for stopping by and I appreciate your stopping by and commenting. I think calling your self noob is a bit shortsighted. I think we both know your brain operates in a very interesting way. funny how one's sketchbook tells on them. I enjoy a thinking persons comment and critique. Some of my best critics are not artist, but folks who get I am looking to be the best I can possibly be.

I too enjoy the sketchbooks and other portions of CA. I feel as though I am in a classroom. But, I have to plan my time on the net otherwise I would not get any work done!!! It is easy to get lost on the CA Board.

It is weird though having ones sketch book out in the open. I made a decision to use the online sketchbook just like my own 3d sketchbook. Originally I was only going to explore one aspect of my work..but compartmental type thinking is not my gig. It is also hard to make myself forget folks are viewing my work and perhaps reading my ramblings.

I do not always heed how I communicate grammar wise and I am verbosity personafied. But then again I figure folks who might be interested in following get that this is a sketchbook...random thoughts, random images and and and are part of a 3d sketchbook experience.

Now my 3d world is not in Kansas any more. (reference Wizard of OZ)

[sombertwin]

The next few post are studies I have done. There are a lot of reasons ones does a study. For me, at this stage of art development studies serve more as a learning tool. I actually will put a study away, then re-visited with a fresh eye. The re-visiting is gruesome, but necessary for further development. So for me I crit my stuff...buy anyone can feel free to chime in. I did do some things right, but there is plenty of room for improvement.

The two studies below are one color studies with white. I used payne gray. one really bad problem area is perspective and drawing a straight line. seriously I have trouble drawing straight lines.

[sombertwin]

Below are composition studies. They were examples given via AAU and I never had time to do them. So again because I am taking time off from school...I am going over everything I learned.

Tangents are an issue I think for every newbie. I have since learned a bit more. Also pattern painting will be a long time in the learning.

[sombertwin]

I wrote a little about myself in reply to another SB...so I figured I might as well add it here.


I am in my mid-fifties, six years older than my husband. It took me over 25 years to return to art. On our first anniversary 12 years ago my husband bought me a French Painters Box. To this day I have no idea why he chose such an odd gift. He tells me I talked about art a lot. At that time my husband had not spent much time outside algorithms, truly a super geekzoid. So his sensitivity scale outside of dealing with me was barely measurable for this type of thing.

What he did not know at the time of him buying this precious gift, is when I was about 13 or so, I had begged and wanted a French painters box. I had wanted one for years but my mother, bless her loving heart, was afraid of her black child being an artist. Someone had commented on my art as reminding them of Van Gogh. She read the history and boom all of my art stuff and art aspirations were on there way to being killed. My mom threw away all my art stuff, discouraged it at every turn. I loved art so much I did my sister art assignments in school, I did every bodies art. But eventually I stopped drawing. I had the piano and cello as an outlet, but nothing had ever come close to art.

When I opened my anniversary present I was dumbfounded. If you knew me you would know me dumbfounded would be short of a miracle. I had been really ill for a long time and still was house bound. So I started painting and could not believe the feel and the emotional quality I was able to produce, 10 or so hours later I noticed that I had not taken or needed pain medication. Soooo art became my pain management tool.

I did not have a clue that I had and was becoming an artist. It took me years more to realize perhaps there was something more to the art. I sent in my work to AAU and was awarded a summer scholarship that paid for 3 summer classes of 7500. First I was in shocked that a group of artist who are known looked at my work and decided there was enuf to be considered an artist.

It took me awhile to embrace my need to communicate visually. I am driven to complete the series of painting that is in my head. The SB, all my work is to develop the skills to communicate this voice that needs to be heard on the canvas.

[sombertwin]

Monday, April 26-May 3, 2010
Studio Schedule

First I review and make notes on my previous weeks schedules. I have the weeks schedule hanging next to me. This way if I need to jot a note or indicate something is really working or needs tweaking I can immediately write it down. Other wise good intentions disappear.

Previously I posted my weekly schedule. I tend to travel on various levels, translation it is easy for me to loose focus. I find schedules keep me grounded. By looking at my schedules I can determine what direction needs tweaking and keep up with the creative process which is not linear.

For me it is vital to maintain my spiritual health. So although not on this schedule I do have a separate life schedule and find I do better when I put the spiritual needs first.

Previous Week ending 26 April 2010 comments….


comments Bold and underline are my comments on the previous work schedule.

1. Mornings- post previous day work to CA SB

Posing to CA in the morning is a BADDDDD idea…I tend to wonder off looking at other SB, Because I enjoy the activity, I am going to post later on in the evening.

2. Posemanics 30 Sec Poses - 5 to 10 minutes - Everyday

I have read the reviews which are not very positive. So although I will continue with 30 sec poses and 1min gestures drawings, I am now using Poser and other references. Sigh…I really need to sketch live models.

3. Quick Studies- 6 hours
(I use Craig Nelson’s 60 Minute to Better Painting great book)
I posted a couple studies done earlier/

4. Value Studies Monochromatic - 6 hours

Posted examples of monochromatic

5.Value Studies- Compliment Color Studies- 8 hours
(two colors generally opposite one another on the color wheel, plus black for graying and white for tinting)

did not do as well I would have like….

Work with figures for Collateral Damage- 8 -12hours

Work on a lot of but did not develop CD much

Figure Development- 8 hours

Every day

Listen to Art series from CA In time I will write a review about the Sketchbook and Observation….I highly recommend this lecture.

Projects
(below are works that if finished will be shown at the Brooklyn Library and other areas. To find out more go to http://arthousecoop.com/....
No one’s work is refused for showing. It is a true art community.

Due 30 April 2010 Art House Co OP- sketchbook monthly Subject This is where I live

Attempt to complete a work based on studies in various media.

Next week schedule will be fairly simple.


Monday, April 26-May 3, 2010
Studio Schedule


1. Gesture studies every morning 10 minis…as many figures can draw

2. Clean and organize studio space

3. Complete sketchbook Project – Theme - This is where I live part of http://arthousecoop.com/

4. Character sketches

5. Time permitting foundation work from previous week schedule.
\
6. WORK ON BRIDGEMAN ANATOMY

Other http://arthousecoop.com/ Projects to complete


Due 24 May 2010 Art House Co OP- Fiction Project

Due 31 May 2010 Art House Co OP- sketchbook monthly Subject: In these shoes


At arthousecoop.com there are a series of projects. I belong to the monthly sketchbook project. Every month a theme is throw out and folks create what ever inspires them These sketchbooks are then sent to Brooklyn Library to live as part of a permanent collection.

[sombertwin]

One day my gesture studies will look fantastic....today though I am still fighting through the uncomfortable feelings of not getting things right, not really reflecting the image and being too caught up in my head.

I did used three different types of strokes with the ink pen 1. one continuous line ink pen never leaving the page and 2. placing lines on the paper to indicate what I was observing. I used references from poser and 3. I just scribbled a tiny bit.

I try to do as many drawings as I can in 10 mins. I set the timer and off to the line races.

I photo the work, put it into contact sheet form and submit. Submitting my scratchings is also uncomfortable, but a real sketch book is all about development and working problems out.

I did figure out I need to go back to anatomy studies. I am getting mixed up on mass.

[sombertwin]

For the http://arthousecoop.com/ Sketchbooks projects I am creating characters around the adventures of Nyawella Krane.

Nyawella Krane is fictional, a character I first thought up around 2008 for a school assignment. I always wanted to see what would happen to her if she were developed. she will be the main character inspiring the work.

I am a member of the monthly sketchbook project. This month theme is were you live. I will be exploring Nyawela Krane'e home.

I do not have a clue on how to approach such projects. thats the fun part. I think I liked being challenged outside ones comfort zone. I am a bit of a serious painter. However I believe adding another dimension to ones approach will broaden whatever one creates.

below are just crude sketches that I am creating trying to open my mind to the possibilities of Nya's home and the people she knows. Heres where gesture studies are paying off.

I forgot to mention, these are digital studies. I might become addicted to digital. It is not messy...you can just draw and erase with little effort...ohhhhhh oh oh and the quickness of changing the characters position and oooooo...nice...and addicting.

you still need to draw...at least with what I am using which is a basic sketching program.

[sombertwin]

Today has been very boring. I am looking for resources that will help me come up with images for the project sketchbook-theme "this is where I live"

I have looked at literally thousands and thousands of images for hours. I have more resources to look at I think my eyes are bulging. the good news is I finally have an idea of what I am going to to for the project. I am going to attempt to see into Nya's mind and visually describe where she lives in her head. (Nya only makes sense if you are following her..)


just for a taste of variety.....

Below are sketches of still Lifes I think I want to do. I know I am going to attempt one of the images below in pen and ink. I might give digital a try..but I am unsure how one creates their drawing in the program.

sketches were done with Carb0thello pencil

[sombertwin]

I really think I am going to try pen...then I will use oil...and learn more about acrylic.

[sombertwin]

I am actually tired. All day today I was thinking I must be insane. Who in their right mind would want to be an artist?

It kills me when I hear people envying the artist life. Attempting to be a creative person has to be done out of love, because there are way too many moments of trial and error. Insanity or love....hmmm similar are they not?
Love is a powerful generator as well as insanity.

just for the record in case anyone is reading this massive brick of text...

The sketch book might appear all over the place. However everything I draw is to improve my skills to paint one series. Still Life painting helps with shape, form, vales, light etc. Gesture drawing has many purposes. One purpose is to create movement and energy in ones work. Gesture drawing is not just for the human figure, still life or abstract compositions also need energy.

More later.

Today I am posting only a part of my work day. I have done a load of ink work and gesture drawings but I am tired and it is late. Seems like leaving posting to the evening is as bad as the morning. In order to remain committed to this online sb I really need to find a standard time to post ones work.

Below are working ideas for the Arthouse.com monthly sketchbook project. As mentioned earlier the theme is were I live. Well where I live is really boring. Soooooo
I am using a fictional character by the name of Nya Wella Krane.

The working tile is Nya Wella Krane's Circadian

The opening page will read:

From Nya's desk. "interestingly there is not one physical law that prevents time travel. So when people ask me Where do I live? I reply, in my head in and out of time of course!

end...

Now I have to figure out where to go from there...suggestions welcomed.

Below you will find working ideas or ideas working.

[mike butkus]

Your conceptual skills are good, love post #22. I would concentrate a wee bit more on your life drawing, but overall i like the fine art and editorial feel you have here, good work.

[sombertwin]

Your conceptual skills are good, love post #22. I would concentrate a wee bit more on your life drawing, but overall i like the fine art and editorial feel you have here, good work.

Thank you for posting your comment. I have a wee bit of a confession...I had to look up the definition of conceptual artist...so I could better understand what you meant by conceptual skills.

for those who are like me but are smart enuf not to admit they have duh moments... the Merriam Websters defines conceptual artist as

an art form in which the artist's intent is to convey a concept rather than to create an art object


while I was visiting the dictionary I figured why not include one more word to ponder upon...

conceptualism - defined as: a theory that is intermediate between nominalism and realism and holds that universals exist in the mind as subjects of discourse or as predicates which may be properly affirmed of reality

yes as I said I digress a great deal...

I am not sure what is meant by spending more time on life drawing. I do spend a load of time drawing objects. I am not a guy..so cannot get a gal to pose for me...and my husband..although trim..is a bit shy.

Oh and I am adding again, I am not a seasoned artist. I am just beyond the beginning of the learning curve, an advance beginner. I am still learning the foundations...well I am trying to apply what I have learned at the foundations level.

however your comment made my busted day a bit brighter. can't wait to leave my basement and see if anyone is is awake...so I can tell them...I've got conceptual skills...imagine that!

[sombertwin]

Today I might not get around to posting images. I have studies I need to prepare for.

I have spent the morning thinking about what does it mean to have concept skills? I am just the kinda of person who really needs to know their tools. I've picked up a tool I did not know I had, Mike Butkus mentioned I had concept skills. I am still trying to wrap my head around what are concept skills and does having concept skills have anything to do with how I am developing as an artist?

I still do not know what kind of artist I am. I just have one clear picture of a series of paintings I want to do called Collateral Damage, everything I am doing now in art is with that goal in mind to develop skills to communicate what is in my head in regards to the series.

However the concept thing caught my imagination. I realized that for years prior to becoming an "artist" I loved loved loved Avant Garde movies, Avant Garde music, experimental type stuff in just about every genre.

In my personal CD library I have the complete Unseen Cinema Avant Garde series. I have Metropolis which I more times then I will ever admit to. I also have the early European Cinema cds. Some of my favorite movies include Brazil, Dune..not for the story...the books are way better. I watched over and over again for the visual experience.

It cracks me up that all the time I was not even thinking about being an artist how much time I spent in the pursuit of art. Perhaps my husband was right..I guess I unconsciously spoke a lot about art and the visual language. But at the time I just thought I loved art.

I have had a busy morning although I have not been busy drawing. I have visited CA. wow! The sketchbooks on this site are amazing.

now if I can figure out what W.I.P. means..I've searched and not come up with a definition. I wish there was glossary on this site...some of the terms used in the post are new for me.

oh..and a little tid bit, the number of the post is located at the upper right of the posting. So if you like a certain post, one can just list the number and comment.

ok duh...but i did not know.

now more about the work I posted yesterday.....


Around March 10 or so I received a wonderful lovely tool called the wacom tablet. I did not really begin using it though until recently.

The last images I posted were created by the following process:

I need to draw out what I am seeing..loads and loads of scribbles...then I hit on something and follow the line of thought.

For the most part I draw images from a gazillion resources. I pick something I like and give it my own spin. I sketch out these images then merged them using a sketch program called ArtRage. I do have Coral 11 but I am not up to speed with that program yet. ArtRage is nothing fancy and is easy to learn.

I actually find I prefer sketching on paper or oil painting sketching, which I do a lot. However being able to scan your sketch work or painting stuff and then being able to de-construct your work using the wacom...oooh lah lah lah.

The wonderment is I do not have to keep re-drawing a work, I can draw the work then re-work different parts of it in layers then compose the work, then use my own created resource to paint out the results on a real canvas.

Because my time is short and I need to create something quick for the sketchbook project..I am using old stuff and new stuff and stuff to create a cohesive story.

I do not have any fancy electronic brushes or fancy tricks, as of yet. I discovered that digital takes a different thought process that I am exploring via reading up on the subject. Right now ArtRage a sketching program works for me.

one more thing...

in case I did not mention it...

I have retracted what I have said about posemaniac.com. It is not a good program, just a great idea. The anatomy is wrong, and something is off about how the figures are positioned. oh well.

I am using virtual pose and other references. One day I will have live models as soon as I can afford the experience.

I have a lot of ink drawings to scan..but alas I have spent my time exploring.

[Prion]

Hey, once again I'm amazed at the amount of work you've posted over the past few days. It's awesome.

I am actually tired. All day today I was thinking I must be insane. Who in their right mind would want to be an artist?

It kills me when I hear people envying the artist life. Attempting to be a creative person has to be done out of love, because there are way too many moments of trial and error. Insanity or love....hmmm similar are they not?

Love is a powerful generator as well as insanity.

I believe there are more than enough reasons for artists to descend into insanity. However, what is insanity? Abnormal mental or behavioural patterns that are separate from societal norms? Staying at home on a Friday night with a pen and paper is somewhat insane by my friend’s standards. Insanity stems from love and is related to what is and isn’t “normal”. I hate the word normal; it kills diversity and stunts free thought and expression. I shall be insane before I am normal.

Art is far from easy and I doubt many people want to be faced with the hardships both life and art. Unfortunately, they fail to realise that the two can be combined into something greater. When art becomes life and everything else is secondary imho you are becoming an artist. When your emotions and life join and splash its self on the paper or the computer you know something is happening. It doesn't mean art is your job, it means you care more for art than your job because you are doing it out of love. You have to love it or you won't spend hours with the pencil and paper driving to improve to that next stage. It will break and crush your heart, leave you week and drained but will eventually pick you up and heal.

Art is Tough love as far as I’m concerned.

Oh and I've stopped using posemaniacs as well and have instead been using this as gesture/figure reference along with Bridgman. http://www.characterdesigns.com/index.php?sitepage=photosets this imho gives realistic proportions and Bridgman gives the sense/logic behind it. Loomis doesn't explain as much to me as Bridgman. I could be wrong ofc. :P Here is another great site I dug up from this site: http://processjunkie.blogspot.com/2007/09/best-figure-drawing-books-ever.html
I know you’ll enjoy the practice and science of drawing. I printed it out and read it up at the coast. It's brilliantly written.

Thankyou again for sharing your story. Tis exceptionally inspirational. Now I shall grab my pencil and draw. Oh, wait lol. :)


Thanks for stopping by and I appreciate your stopping by and commenting. I think calling your self noob is a bit shortsighted. I think we both know your brain operates in a very interesting way. funny how one's sketchbook tells on them. I enjoy a thinking persons comment and critique. Some of my best critics are not artist, but folks who get I am looking to be the best I can possibly be.

I too enjoy the sketchbooks and other portions of CA. I feel as though I am in a classroom. But, I have to plan my time on the net otherwise I would not get any work done!!! It is easy to get lost on the CA Board. Etc......


Haha, yah. I call myself a noob as a push. I want to make it to the next level and I know where I’m at. Yes admit tingly my mind does work in strange ways, but tbh I'm lucky. ^.^ Lets just say I am never bored and am constantly amazed by the simplest of things. :P For example I still get joy out of watching birds fly, thinking of the multiple steps in order for it to obtain that ability and all the beautiful equations behind that very complex action of flight. Not to mention, I still believe it’s somewhat weird ...I try and imagine how a kid seeing a bird for the first time would see it, how it could evolve or de-evolve, what happens if they somehow grew alternative limbs, why do they perform a particular action...... and things like that. A bird isn’t a bird to me. Anyways see what happens when I ramble! I know what you mean about not getting work done, sorry about the wall of text.

Oh and I apologise for the grammatical and spelling errors too. I’d correct them but I need to draw! ;D

Many thanks again, keep up the great work!

[Prion]

Oh and W.I.P means work in progress.

I've been thinking of getting a wacom, it'd be far more effective than the mouse.

In other news: Dune is awesome, I love the sandworms. :)

[sombertwin]

I have tried to sketch, draw even use the tablet to get my main character for the arthouse.com monthly sketchbook project to talk to me. But she does not want to speak to me...so I am going to watch TV...which I reserve to those moments i just need to be a zombie...

The drawings may look a like but they are not....except for the clothes...

process...drew the character the old fashion way..scan in the several drawings...and then work on this one woman for hours....

yes hours. hours...and she just won't pop to life.

_____________

Prion when I have emerged out of zombie mold i will respond....

oh for all the grammar polika's out there.... well none of us are perfect....

[sombertwin]

My body is racked and its almost 3am...which means any hope of a normal work day on Friday is out.

One of the problems with being committed to anything is the responsibility of consistency. Albeit right at this moment my body is not well...I still feel I must get my work done. I do not know why I am constantly surprised at my level of commitment to the point of being driven to complete a body of work that I might never have the time to realize. So I make myself practice something every day. Hoping the day will come when I am finally capable of painting Moods. Madness and Motions...Collateral Damage.

In case I did not mention this before...the first day I realized I was an artist I knew the over all body of the work I wanted to work was called Moods, Madness and Motions,(MMM) then a couple of years later...part one of MMM came to me when I turned my first real corner to going beyond stick figures.

below are images I am working on...

process... sketch either pen...loaded to artrage when over what I did with pen tool..printed..then I will ink again scan back to program, clean up, adjust and then...well I do not know what will be next...

This kind of work is new for me.

I am experiencing all kinds of problems. Particularly with skin tones. What I am doing is basically studying, I will be painting the subjects..the problem is I am unsure about my own process. I just do not know what I am doing right now and I am uncomfortable not knowing.

ok on to other things...
About the faces of the images, there is a artist by the name of Henry Yan..that completes the figure as he goes..sooo I tried the method...arrrrrggggggh

hmmmm this is first time I realize this online SB has a serious flaw....I have more to think over and write but I think my own wall of text would be too much. good thing I have my own journals in 3d life...I write about everything I am doing...it helps me think things through.

grammar might be really bad..this time out....I am struggling at the moment...

[sombertwin]

Thank you so much for your feel good post. I find the net an interesting experience. I was thinking about how fascinated you are with nature. While reading how you observed birds, I was thinking of bees. The mechanisms that make birds fly is pretty straight forward, albeit a wonder. However bees on the other hand, even with what we know..what a honey bee can do is mind blowing. Considering the bees mass one would have doubts about its aerodynamic abilities. However I think the bee wings flap faster than fruit fly.

Thinking of the bees aerodynamic performance in addition to the fact that it carries loads of nectar and is involved in a transfer action with pollen is amazing. It is also amazing that we have advanced in technology to record the speed of a humming bird, a fruit fly and a bee.

I know folks have their opinions about divine design. However to me...just looking around everything we see and experience has a design. The systems of organization from what we cannot see with the naked eye to the the organization of the gazillion universes all demonstrate organization.

I cannot wrap my mind around the thought that all creation was a result of a single simple nothing, or that a big bang happened and then... etc etc etc. Of course the question would be how did the bang happen? What jump started creation? I think there was an architect.

I think part of what I like about being an artist is the added dimension of watching a series of brush strokes become visually interesting. there is more...to what I think but I am trying very hard to keep the post short.

ooops there I go again writing writing writing...

First I am one of those who question normalcy. boring!!!
I also think any commitment comes with its rewards and its sacrifices. It is great to have fun...but having fun does not always mean clubbing or having a place to go every Friday or Saturday night.

I think one has to be multi dimensional. Some driven parters have always appeared a bit one dimensional to me.


ok now about art

Thanks for the heads up on the reading material. On CA someone listed a load of free books on art... http://www.conceptart.org/forums/showthread.php?p=1279919#poststop

Also CA has great stuff in their general discussion areas. I finally know what a concept artist is, I found in an unrelated thread folks talking about concept art. I will be writing more about concept stuff much later. I am still thinking about the definitions of concept artist.

well thats enuf for now...I have loads more to write...I am catching up today.

[sombertwin]

I spent time trying to find a face that would work for my Nya character for the another sketchbook project.

I took time to really create and find a good face and then worked on outfits that fit for my direction. I think posting onlline has slightly influence what I am producing. I was about to go right back to my old ways. I can produce a pretty decent looking face...but the subjects looked static, there was no energy. I like capturing the feel, but I had become distracted with trying to become "perfect"

The SB here at CA is not meant to be pretty...for me the sketchbook is to learn, to develop to figure things out. I for one slight moment forgot.

the following post are my explorations...

I picked up an ink pen and just drew what was in front of me a the time..or what I could think up. I just wanted to get the feel of different types of ink tools.

The three inks were quick 5 to 10 min studies. I felt choked by the boring boring boring feel. I needed to figure out how to let go...be freer which is why my concentration is about gesture and energy and not about the perfection of anatomy or whatever. I know the anatomy will come later, and as I develop so will technique.

so I let go and went kinda Jack Pollock. the rest of the inks were away to loosen the chains and step out of my comfort zone. For me the experience was still a bit analytical, but as I progressed I started to let go.

[sombertwin]

the previous post was part of the process of letting go and finding a freer expression.

the inks below were part of the previous session in the previous post. i have not posted all of the inks.

[sombertwin]

below are more image ideas...w.i.p.(smile)

[Prion]

Imho, chaos brings about a "design". Richard Dawkin's Blind watchmaker is a brilliant book on the subject. Imho this world exists only because of the vast size and chances within the universe. The probability of the earth existing out of randomness increases when you take into account the sheer size and possibilities in the universe. Design is an illusion of chaos. :P I believe the bbt but I'd like to know why it occurred and what happened beforehand. imho there are multiple lines that could have occurred. I think (although apparently I'm crazy) that the singularity could've come from an external source. Say a extraordinarily dense center "blob" (non-conscience chaotic blob mind you) that emits these singularities into space creating multiple universes and differing universal constants. Crazy I know but that's imagination for ya. :S

hmm, I'm no physicist or astronomist because I'm technically studying the route of a biologist so tbh I actually have no idea. These are just thoughts that occurred to me. I may take an elective on the subject later just to increase my understanding. Mmmm, food for though. I might go read a bit more and then draw. lol

Oh I may note that I'm a firm believer in the string theory, It explains many phenomenons that would not be explained otherwise. Mmmm, strings.

Hope your feeling better! Sorry for nerding up your sb lol. Don't worry about replying to my random thought regurgitation hehe. Keep rocking the drawings! I'm watching. :P

[sombertwin]

I have been working on art in between the responsibilities of life and interesting conversations.

Making a decision to have an on line sketchbook has its advantageous and downsides. By the way for the people who are helping me either in private messages or otherwise I thank you for your critiques. I am very open to critiques.

ok..back to sketchbook posting I have already written why I am using CA sketchbook and will probably add more as I grow as an artist. I am very grateful to Concept ARTS for providing a space for folks to explore their creative selfs. I am also already seeing my work change shape in ways I did not expect.

A couple of downsides are I am not yet free enough to really use the on line SB like I used my real pieces of paper that eventually maybe will make up a sketchbook. I find I need papers loose in order to draw. Although I have recently purchased moleskin watercolor sketch book.

Another downside is posting the work. I am wiped out after working lately. So far I have tried to post work in the morning which was counter productive. I found myself cruising CA. Before I realized it I blink and time had ventured forward without even a scratch on the paper.

One thing I have learned in life, consistency is vital to organization, a good schedule and commitment. Possessing a consistent time to post SB work has been trial and error. I think I am on a creative binge and I am hating interruptions. The only interruption which is not really an interruption is my spiritual self which fuels my soul and keeps me balanced.

I think I will be posting through out the day. i will see how that works. i do take breaks to enjoy a cup of tea and to think. So perhaps posting during these breaks will be a good idea. So now I must work on self control...because CA is like candy land.

ok..now to what I am up to...

I talk a lot about finding resources to paint from. I thought I might post the original resource and demonstrate how I use the resource. Another one of those time consuming activities, but it is what I do with my sheets of paper. I try never to copy a resource, I just need it to give me an idea of shape, form shadows, sometimes color and other things. I generally have a clear idea of what I want. I am just needing the skills now to equal the picture in my head. To get the visual image properly takes what I think they call practice, practice and did I mention practice?

For a short while now I have been using the ARTrage program as a sketch pad. I love sketching digitally because you can erase like crazy. Below is an example of a resource photo i took to the point of a completed study. It took maybe about 15 mins or less.

The process is listed from the first step to the very last step.

I needed the resource photo for a reason which one can see in the last image. I still have a little more work to do, lighting and shape clean up. but one can see how I used the resource.

I think the biggest time killer was saving each step. I am not sure how to really use a digital program, it might be the reason why I am not using Coral Paint and using ARt rage.

Right now I use the same approach to painting as I do if I were facing a canvas. However I really think if I had the time I would re-think the approach to digital work. I have actually been thinking about something that might be able to be manipulated at the most basic code level. It will be a random tool or ..well I am just thinking now.

process
1. sketch loosely the object.

Because I knew that the subject was to be merged into another painting I had done, the colors were already set. I also basically knew where the light source was going to be. However I also knew I would have some adjustments so completing the study was not a goal.

2. Blocked in the colors of background and foreground

3. Block in basic colors of each object

Because the jar was amber and glass..its easy because you paint through the glass and the shapes painted will give you an illusion of form.

4. Cleaned up shapes, added form shadows and dabbled with abstracts shapes both in light and shadow areas.

5. added a little more dimension with light and shadows. Then I stopped because the results were to be merged.

Just a note, I would not recommend the composition. Its ok..but it really does need another element to make it more visually interesting.

I used the oil paint brush at its largest settings first and then gradually reduced the size, but still kept the size large. In 3d it is best to paint with a huge brush..allows one to keep loose and get a feel in the paint i think. I find the same thing in 3d life true in using a digital program at least for me. Refining and shaping should be done once you are ok with the shapes of the subject i think.

6. I then merged the jar and paint brush into a previous painting I had done.

it still needs work..but I had taken a break and decided to post to the SB.

[sombertwin]

the images below are not finished but have the look i want..so now I need to refine.

process..

paint each layer either using the old fashion way and scanning in the image, then tweaking with ArtRage, or sketching in Artrage. Artrage by the way is not a great paint program. Artrage is really a great tool for sketching and color blocking. Better than Autodesk for my kinda work. Coral Sketch program is ok..but I prefer ArtRage..it is cheap.


again images are not finished.

these images are for the sketchbook that will be painted in gouache or acrylic or something...for the sketchbook project of the month...where I live. the images will make more sense when the whole is finally together.

suggestions welcomed.

all of the images are composed of my works smashed together using layers with the modern miracle of technology.

once I am finished playing in Artrage I hope to print the images and then hopefully paint them in a sketchbook. not so sure about the last step in the process. then again I am not sure about anything, because just about every thing I am doing lately is new for me.

[sombertwin]

The images I have been working on are for a sketchbook project I joined...the topic is where I live. So I have chosen to display where I live as a room with stuff. I choose to be involved in the different monthly projects because the projects forced me outside of my comfort zone.

Right now though I am having a problem between forcing myself to produce and continuing work in foundations. My schedule is shot because I am playing catch up.

below are a few sketches of drawing..I cannot post them all..just a sample They were done with the dreaded vine charcoal I really really really do not like using vine charcoal. So of course I must use it to make me used tools outside of my comfort zone.

and the two color images are part of the sketchbook project. They are images that are progressing toward completion..there is a lot I do not know about digital manipulation. I am not sure of a lot of things. i am just creating my own resource and thinking through what i will be painting or drawing in the actual sketch book.

[Prion]

Wow you've been busy. :) I should keep a better eye hehe. I admire your ability to finish paintings on a frequent basis.

I love the colors in the pot and brush. The figure studies look awesome too. Maybe if you're having a bit of trouble with completing finished pieces and foundations you can mix them? Like incorporate a study into a finished piece? I dunno anyways, keep trucking. You sketchbook is a pleasure to look through. :)

[sombertwin]

1.sketch book is 5x7...
2. used paper I sized and prep
3. value studies in gouache..i might use acrylic to paint with ...I am unsure what to do at this point.

point of this sketch book..where I live is the topic of for this project.

getting to know the values

[sombertwin]

studies of studies

and the last one my own composition..

all of the work done below is in oil...I love working with oils.

[sombertwin]

working on values and gesture

[sombertwin]

below are the results of a 20 min session of gesture drawing. I used a felt pen and for one drawing an ink pen. The reason for continuing to just sketch gestures is to make the figure move and not lay flat on the page.

I am trying to make my figures move and eventually tell their story. These sketches were done before the business of my day began.

[sombertwin]

below are the sketches I intend to use for the Arthouse Co.

the next step will be to loosely capture the resource photos. I think I will try acrylic. I need to learn how acrylic colors work. I know oil colors...but acrylics dry differently from how the color is placed on the page.

[sombertwin]

Wow you've been busy. :) I should keep a better eye hehe. I admire your ability to finish paintings on a frequent basis.

I love the colors in the pot and brush. The figure studies look awesome too. Maybe if you're having a bit of trouble with completing finished pieces and foundations you can mix them? Like incorporate a study into a finished piece? I dunno anyways, keep trucking. You sketchbook is a pleasure to look through. :)



First, the paintings and other work I have done might appear to be finished. However they are only finished to the best of my ability at this point of development. i am not being modest when I say the work is just DULL. There are problems with structure, light, finding the abstract shapes within light and dark areas, the freedom of making a piece move. I am getting closer as I work and practice.

As far as production of work, I am WAY slow. I am just lucky that I can spend all day working in my studio. My husband is my patron and supports my artistic endeavors. He is the one that sparked its beginning. Although initially art was only a pain management tool when I first began.

Visual interest is the goal. Part of the problem with what I have done and am doing is learning the basic foundation aspects of drawing, in order to paint with my passion with oils. I have to practice practice practice. One day I will return to academic training, because what I need are skills that I see in the masters like Rembrandt, with light, Goya with poignant imagery, freedom of the impressionist movement and innovation of the cubist movement. sigh

I can finish a painting. I know to sketch thumb nails, I know in my head about composition, i can do value studies, but the piece lacks that punch in the gut. That is why I am sticking to gesture studies and loose work.

Something in my brain has a fence of getting things right, until i can let go and feel the movement and translate that movement...I am just slapping paint on the canvas.

Everything I do is about one series of 30 or so paintings I want to do. i know some are creeped out with skeletons and the pain I paint, but its something I have to do.

About 14 years ago I was in a bed, could not walk for over a year. It took a long time to recover. Then I as I recovered the love of my life found me.

Now I have been house bound for 3 years because my body struggles against the elements. I am kept strong because I get and acknowledge spiritual values. Art is my freedom, I do not expect folks to get that right now everything I put out is about the body of work I am calling Moods, Madness, Motions. There is a voice I just need to get out.

I was where you were at two short years ago. i can't believe my own progress. However i believe i will know when I have what I need to start on the series. just like I know the paintings I want to do. I can see these paintings, they are now like old friends. I wish to introduce these friends, but not until they are presentable.

grammar errors through out....so what

[sombertwin]

2o min sketch's session.

Again gesture studies, in ink.

I am mixing up media to force me render in different ways. It is interesting how a felt pen and an ink pen differ in the rendering of a figure. Also i find with charcoal, pencil or vine it is easier to define mass. Ink and marker are not so forgiving.

Practicing using different media I think lends itself to a more expressive quality of the line. Plus for me it makes me really keep my eye on the reference photo as oppose to looking at the paper. Ink lines are hard because it is not easy to cover up or hide the mistaken stroke. But then again the point is to free up the mind to really express what one is observing. Technical stuff will come..but I do not think it is easy to get a real feel for a subject unless the gesture is captured.

I think I am improving. I know I am feeling a bit more at ease as I am trying to draw as many figures as I can in 20 mins.

I am going to start throwing in Bridgeman studies. I think the approach I will use is to draw the figure, then try from imagination to create figures.

I have not figured out how to add value and dimension to the quick studies with ink as of yet. I am still learning how to use ink.

[Prion]

Wow. Inspiring story. It explains many of your sketches here too, I love it.

It's great to hear how far you've come and in the three pages of this sb I can already see further progress. Especially in relation to colors etc. You are definately an inspiring person. :) Thankyou so much for sharing.

Cool figure doll. The one I picked up is wood and can't move much. hehe :P

[sombertwin]

i have been as sick as sick can get, I suffer from a chronic illness..but this time in addition to all my stuff I had the w worse bout with the flu. oh well... I am back to the grind stone.

just figure drawings for now until I can get to my feet.

[sombertwin]

I am still recovering..so no painting this week perhaps. The sketches below are preliminary sketches for what I will be working on this week. i am progressing toward completing the figure to the modeling point. I am still concerned with gestures, however I also need to push myself to learn how to model the figure.

Folks surprised me thinking I can draw...the problem is in school I made C's with my work. With the exception of my still life painting class. So because I could not seem to break C's I figured out there must be something wrong with how I draw. it is humbling not be able to break the barrier of C's with something i really love to do. I am hoping when I return to school to finally break that C making barrier.

Being an artist is humbling in its way because of the work and energy one puts into one's failures. Failures that only teach one to be better.

Figures i am working on.....

[urmb]

Hey! Thanks for dropping by my sketchbook. I appreciate the feedback. You have a nice sketchbook going as well. keep it up looking good. Yeah I realiaed that foundations are so important. I've never had a problem drawing what i see, or rendering; My challenge was always getting stuck because I didn't really know the fundamentals of composition, color, learning the proportions of the body, etc. I was too lazy. lol, really was always only concerned about finishing a good rendered drawing. Since I want to take my work another level and be very creative, I realized learning basics and proportions of the figure would help me flow a lot better with my creative brainstorming ideas for the foundation of more complex paintings, illustrations, etc.

[sombertwin]

I am still recovering..suppose to be on bed rest...but I do not think drawing is exhausting. Below are the figures I am trying to learn how to model....see previous post.

I am working with pastel...another media form I just do not know how to work with.

[sombertwin]

I am working on two different approaches to drawing the figure.

One is from Mark English, which basically takes a nupastel stick and just draws the contour, without lines. Then one smears the light dark areas to begin the form and define the shapes. i will have to admit as much as I hate pastel, the approach has helped me tremendously. I am surprised about the results.

the other approach I will talk about later.

[urmb]

Hey, posted an answer for you on my sketchblog.

[sombertwin]

the standing figure is pastel

the bending figure was an attempt with digital

[Prion]

I hope you're feeling better! The flu is a horrible virus.

I remember reading this quote a while back, I thought you might like it:

“We are not victims of aging, sickness and death. These are part of scenery, not the seer, who is immune to any form of change. This seer is the spirit, the expression of eternal being.” ~ Deepak Chopra

:)

Keep it up, I love your work and it is definately evolving. Especially the oils. :)

[sombertwin]

I have been really ill and out of commission which will happen a lot because I am chronically ill and go into crisis. But while down I had time to read about art and watch art demos online via VLP at
http://www.visualliteracyprogram.com/index.php?option=com_jcs&view=jcs&layout=form&Itemid=8

the results are below:

[sombertwin]

a few doodles

[sombertwin]

still life study exercise

The concentration was to learn how to express values. The studies were done using suggestions from Craig Nelson's 60 minute to better painting.

I first sketched the subject then mixed the colors. I used coated paper. I had some cheap paper,(Biggie pad 18x24). I applied a diluted glue mixture first, then used acrylic latex paint as a primer. For 200 sheets, elmers glue 3/4 :1 water and a bit of latex paint it might have cost approximately 10 bucks and I have as a result 200 paper canvases in various sizes. I used a clothes line to hand up the papers to dry. For me using the preparation is great for studies and storage. I am not sure about archival issues. Reading painting materials books and paper prep for oil application I am guessing the study might last as long as the latex under layer last. But i do not have enuf data on the process as of yet. I am researching the materials I am using and will let folks know what I find out. The papers work great for acrylics, pastels oil and chalk and pencil.

Pears and green apple
I used cad yellow light, ult blue and cad red mixed with a tiny dab of alizarin and white for the pears. The dark portion of the pears was mixed with red and green. the contrasting color of green is red on the color wheel to create the dark values on the cane. I did use burnt umber and ul blue to get the close to black looking color.

Black I personally think is ok to use, however I use it to mix with yellows and ochre because I like the greens created. Black can be dulling in my opinion used in its pure form. plus using black to darken areas is kinda boring. There are shapes in the dark areas that can create interest. It is always a good idea to play with color to see what happens.

The pomegranate was alizarin, cad red, umber and green and white. The dark center is not black it is red and green mixed with a dab of ult blue.

I am not good at folds...but I did use tiny bits ult blue and white and a dirty brush.

I am just learning how to use some of these techniques. Trying to figure out how to get to the next level without school is busting my bum. (not bun but bum)

the above only applies to oil colors. Acrylics and water are another animal when understanding how their colors work.

[feeesh]

mannnn great stuff. I really like the environment sketches you have done too as well as the still life, great friggin work.

[urmb]

Hey! Thanks for the nice comments on my sketchbook. really appreciate taht. Glad you liked them. I checked out your still lifes. Your painting is getting better. Love the color, texture, energy, and composition. Keep it up. I'll be posting the color version of thefemale character tommorrow.

[sombertwin]

Below are from my 3d sketchbook. Size 4x6 in. I used acrylic. the theme of the sketch book is called where I live. In earlier post I posted the reference photos I used for the sk bk below.

the sketches are impressions not exact representational type work.

[Vritra]

That last update is great. I think you need more attention.

Giving you some stars.

Please keep sharing!

[sombertwin]

Where I live sketchbook

again the size of this sketch book is 4x6 in, I have about 10 more sketches to complete before I can close this sketch book and move forward to another theme sketchbook which will be about shoes.

The paintings were done with acrylic and water. nothing fancy...just a straight forward attempt at trying to capture my impression of where I live. There is a story I am trying to convey in the sketchbook. which I hope will unfold.

the image with the fence is a future painting to be done in oil. I am just now learning how to be PATIENT prior to committing to a painting.

[sombertwin]

In this sketchbook I have used pencil, digital, ink, gouache, oil (which i s my fav) pastel and acrylic. The reason I do not stick to any one media is because I am trying to learn to observe and maintain a loose approach to the work. otherwise getting outside of my head so I can connect to that intangible creative thread.

Another reason is I think using different media forces one to really defined what is being observed. I am going to tackle watercolor....which I hate almost as much as pastel. the feel of the colors just reeks of being too soft for me. however because I hate just about everything but oil, I actually avoid doing too much oil paintings because it is my comfort zone. I really want to get to the next level in my development, whatever that means.

the image is one I had done early on as I was discovering myself. I still love this painting...even though now I can see the mistakes...but it still speaks to me.

[sombertwin]

I am working on so many things...I had time today for only two pages in this 3d sketchbook. I allow my schedule to go wonky...this means I did not write a TO Do list today. oh well..I did make bread and some awesome stuff pasta...with chicken strips dip in beer batter.

sketchbook size 4x6
media acrylic and water

[sombertwin]

sketchbook 4x6
acrylic and water
theme sketchbook

[k2mountain]

About #41/

Is it a house cat or wild cat?
It reminded me a place I used to liver for few months on a horse farm.
The workshop had a tiny window for cat between roof and ceiling.

Your SB looks real journal with a lot of story behind it.

I see the progress of gesture drawing with pastel.

I took drawing seriously on May 2010. Since then, I draw almost everyday. I spent 15 hours for drawing last two days. :)

[sombertwin]

I just did not feel up to much today...but I need to keep my hands busy... I am glad that the point of a sketch book is to grow your skills

I am still figuring out how colors work using acrylics. the way acrylics dry are different from oil colors. Adjusting for the difference I think just takes practice.

sb size 4x7 in
acrylic and water

[Vritra]

Really, really loving post #94. The colours jump and rush over me, giving me this smooth, soft feeling. Very comforting and disorienting at the same time, somehow.

Keep updating.

[Prion]

Hey I'm still around. I just become inactive because uni life and various other things are zapping my time. ;P

I also feel inlove with an artist so his been helping me improve hehe. He gives me crits and so forth, in a strange way his "my eyes". Biomed is also now taking over my life... I made the decision to stick with it and put 150% towards it. Unfortunately that means less time for art but oh well. I make up for it on the weekends where I'll just scribble for ages with him. Watching the difference between his stilllives and mine is a major drive. It also helps to physically watch someone draw and pick at my short comings. I must improve! XD Upon finishing uni I'll be better off and have more time to pursue art hehe. For now, I have a physical helping hand. ^.^

I hope all is well with you. I can see improvement with relation to colour especially. Looking great! Never back down! ;D

I seriously hope all is good! Wishing you the best. :p

Oh and I'm still watching hehe.

[sombertwin]

I have not updated the sketchbook in awhile.

The only reason why I have not posted recently is because I have some serious health issues. If you are following this sb..I complained of being ill thinking it was the flu or just being tired. Well i was severely anemic to a hemoglobin count of under 5...yep. Plus I have a strange mass in my throat that has to biopsy, oh and I am out of remission again.

Sooooo, as usual I tend to roll up the rug and attempt to find my balance. Albeit I was not posting my daily efforts as an artist I still was painting and or drawing.



part 1 sketchbook doodles.

[sombertwin]

When I can't really work I study various aspects of things i have to work on to improve as an artist. Color and Value.

Below are value and color studies using simple shapes in veggies.

[sombertwin]

I find it difficult to sketch values in black and white. I do not know why but using black pencils seems to be a challenge. So I used sepia colored pencil and or nupastel...I find using one color plus the color of the paper is easier for me to define shapes and values.

Below the sketches are for value and composition learning purposes. Some of the shapes are off, but I was not going for perfection.

The first two renderings of the skeletons, I think will be my submission for the art co op i send stuff to. There is a project call The Canvas project, your given random words and 4x4 canvas to do your thing. My words really suck...they are:
stain; battleship, major;scamp; scallop and dumb silent.

The skeletons I think I am going to use for the words stain or battleship.

[teapo]

oooOOo~ those color and value studies on the vegetables just blow me away xD i still have yet to try traditional painting keke... in fact, i'm taking a painting class this coming semester. keep posting somber!

[sombertwin]

A place that emerging artist..anyone has a series of projects and events. The project I am working on now due 31 Aug..is called the Canvas Project. I was sent 3 4x4 canvas with 3 words. I entered twice by accident so I have 6 canvases. for more information about Arthouse Co go to http://arthousecoop.com/

below is the image I have chosen for the word "stain"

[Ikage]

Yeauh that's the stuff work it! Work it!

You make me excited for when I have to use traditional media myself soon, it looks so fun the way you paint!

[sombertwin]

The painting with the child is called Stain. Oil on canvas 4inx4in

the second
a value study in kinda color...on oil prepared paper.

[sombertwin]

I am still trying to figure out what would work for battleship.

I am still toying around with the materials to fit on a 4x4 in canvas. I just can't figure it things out. I think my body tiredness is a block. how to get over being tired from being sick...hmmmmm

[sombertwin]

below is an attempt to paint the word scallop...again materials and skill are lacking to make this one work.

[Andrew_Jen]

nice, really liking the onions and garlics, I like your looseness too, wondering what your work would look like a little more refined, hmmmm :) keep it up!

[sombertwin]

attempting to use a simple subject for the word major.

this is my photo...I am going to use it for some reference in the next day or two. I just do not know how as of yet how to make the image convey the message of major without being too obvious or obtuse.

[sombertwin]

the plan is to paint the images I sketched digitally and with pencil. I sketched with pencil...then sketched digitally.

[sombertwin]

inks...sketches for future studies

[sombertwin]

these are not great sketches..they are just ideas.

I am still unable to work really, so sketching is what I am doing...I have not been able to scan all of the current sketching yet.

[sombertwin]

As always with still life traditional painting I am looking for values and value interest. These paintings are alright but are boring boring boring. I paint still life in the hopes that I will keep adding to my library of thinking and understanding of the following; learn how to "see" shapes, forms, shadows and color relationships.

the goal is the same to paint figures, but there is so much to learn, then to practice practice and practice.

I am still in a bit of a funk...trying to push through health icky issues. I am drawing a lot, but have not bothered to post my thinking sketches yet.

i used a limited palette. All paintings are oils smallest 5x7, larges 10x5

[sombertwin]

The photo is from the 1950's. I acquired a few photos from areas that include the middle east.

sketches are just ways to understand form and light.

[sombertwin]

for quick studies of gestures I know I have seen, but the following images are just finding my way around inks. I used pacom paper and the pental ink brush.

just a reminder this sketch book is all about exploration.

[sombertwin]

I have had one series of paintings called Collateral Damage in my visual diary for years! years...I decided then I would learn and learn until I had the skills and understanding needed to perform the task. Now years later I still have the desire to do the paintings I have long dreamed about, but at the rate I am going it feels like I have progressed by centimeters.

The paintings I really want to do are going to be hugely figurative along the lines of a conceptual integration of old and new techniques.

But I look at where I am now and I am severely disappointed. Perhaps it is my illness that has really got me down...nah...its my impatience to know how to draw and paint now!

I hate the fact it has taken me so long to accept I must must apply myself to the study of light, form, structure, blah blah blah blah.

Art is one of those things I have not been able to "get" as easily as other things. Art is hard for me, it is not effortless. Some days I do not even think I am an artist. today is one of THOSE days.

so now I write....on a public board....what for?????

because it is cathartic. Spelling my words out...nope vomiting my words out in away that I can not take the words back is risky.

So I am combining my 2d sketch book into the 3d primarily world of no one land. Why? because its a process thang! Jehovah willing I will review this post one year from now and see progress. feels like a goal to me is to SEE some progress!

So somehow I must figure out how to make this form of online diary work. Folks can add comments...but how do I make this process work?

guess I have some thinking to do.

I am posting what I am doing...hopefully daily I will post unless my illness gets in the way and I can drag myself to snap a picture. I keep a drawing pad next to my bed and places I have to rest. That way I can sketch something daily, but keeping up a 3d sketch book is going to be a bit of a challenge.

also...I am not paying particular attention to grammar...i apologize for sentences that might not make much sense in advance.

I start any session with art with gesture drawing...

[sombertwin]

more of the day....

When I am sitting watching tv...i sketch...

the anatomy of the hand...is an attempt to learn how to draw hands. I need to understand how the hand flex and how to draw dynamic gestures with the hand. The sketches of the hand are my real first attempt at understanding.

I feel so uncomfortable drawing forms. Forms are hard for me to get. But I learned via drawing and painting fruit and vegies that after painful sticking to my guns...I can actually paint a decent vegetable and/or fruit. so now I am trying to learn how to draw various expressive features of the human form.

hands speak loudly to me.

The photos are me trying to figure out what to do for my next set of quick paint studies. I try to observe shapes in real time as I paint. It helps me to train my eye on shape and value. colors will come later I think...so I just guess at what I see.

[sombertwin]

I only had time to work on gestures, thumbnails for 9/14 still life study and I continued studying the hand. I used my hand as the model and used anatomy books to understand how the muscles in the forearm area move the fingers, etc.

[Jonathan C]

I started my first painting class just last week. your acrylics get my pumped!

[sombertwin]

I took some time off from this forum. I had health issues and life stuff to deal with. I still do, but for now I find posting part of my stress relief. I kept up drawing and even added a blog in the last couple of weeks or so. When I left I was entertaining the use of ink, which I have been exploring. I still work in color and oils, but I find working in black and white to be intriguing.

I discovered a few interesting things working with black and white, ink and acrylics. I love texture and bold brush work. For some reason in my oil paintings I am slow to learn how to loosen up and allow for bold strokes. Working with inks and acrylics are mediums I am still learning about allows me to experiment in ways that I find pleasing. I like the paper a bit beaten up, scratched or sandpapered. I find because I lack line quality experience I tend toward other means of finding something interesting to do. I am just now learning to ask questions. I may never master the form, but it is fun working outside my comfort zone.

I am hoping when I return to my first love, which is oil painting I will be bringing something new to the experience. one can only hope, right?

[Yor]

very interesting work! would love to see more!

[sombertwin]

more stuff i have done in the past couple of months...

[sombertwin]

I have been really trying to work with my sketchbook. working out subjects, choosing themes, then attempting to develop the sketches to the next step. I thought it might be interesting to share some of my sketchbooks entries from dec 23 to Jan 18. Some of the next steps from the sketches were posted yesterday. I plan to post most sketches, then the next steps I have taken.

[sombertwin]

I have discovered how important the sketchbook is to the creative process. For me I have been able to explore subjects I would have not thought about before.

I only had two years of academic training, had to quit because of health stuff. I really miss school. I am learning and teaching myself. I find art a struggle, but a struggle I both love and hate.

I use pen and ink primarily to sketch or thinned solution of acrylic. I learned the hard way not use acrylic full strength in my sketchbooks. Although at times I really need the feel of the work..then I separate the acrylic pages with wax paper. I am not comfortable with pencils. It is because I am still have trouble with values.

sketch book pages are from Jan 1-18 2011

[sombertwin]

I am not working on the next steps to some of the sketches I had done from jan 1-18

I seem to be having trouble uploading...so I will post more later. I think one did make it.

[teapo]

that is one colossal update my friend! well-- i'm glad you're back and that you're feeling much better! regarding your recent works in b/w... i'm sure it will help in your oil paints-- you must've sharpened your values so it should be a plus in your painting work!

[Naidy]

Just looked through the whole of your sketchbook and so far I can say what I love are your figures, still lifes and paintings.

My only crit is just work on faces a little more, the bodies are great, and you have a good eye for detail, so just keep at it.

[sombertwin]

The following work was developed using my 3d sketchbook from the dates 23 Dec to Jan 18 2011. Some of the sketches in my 3d sb work and others do not.

The next step will be to develop the work below to a canvas using oil. I love working in oil, so it would be interesting to see what will happen. I am not sure if any of the sketches below will make it to a color study. I kinda like the black/white work.

It has been really satisfying to work with the 3d sb, develop to black/white studies. The fun part will be to see how further I can push the studies.

[sombertwin]

the works below are developed from my 3d sb. Again the next step will be to develop the idea further.

[sombertwin]

I have been working using black/white, inks, acrylics etc because I am forcing myself to work outside my comfort zone. In this sb one cannot help but notice I love oils. I have a passion for it. I also have been trying to practice basic foundation work. Even while sick in bed...I practice shapes and tones in space.

I want to make my oils and colors pop...but I know with a certainty I need to understand layers. I work with digital a lot in addition to 3d sketching. However I am making myself learn to explore subjects that interest me first in a medium that is uncomfortable. I even change pencils to pen, pen to pencils at the slightest hint of being comfortable. I honestly feel a little discomfort at the beginning of the process is important to exploring different ways to look at a subject or explore what is just outside ones senses.

Below is something that I did that almost works. I realized now how many amateurish mistakes I made on the image. But I was so shocked to see the results of my first attempt from the 3d sb to really work. I submitted it a artist show down at http://www.saatchionline.com/chaisouth.

I think the Saatchi site is a good outlet. A couple of years of ago I posted on the site and had a couple of galleries contacting me and expressing interest. I did not believe I was ready because I am still teaching myself and had not known what kind of artist I was. I just started posting my work again. My work is way different from my usual and real work and I have grown a bit.

at any rate below is the image I entered in the showdown, right now I am 284 out of 3777.



http://www.saatchionline.com/showdown/match/showdown/5/artist/252840/art/119737

[urmb]

Hello! I know its been a looooonnnnnng time. Wanted to stop by and see how you're doing. I really hope and pray for you to be a healthy, prosperous artist. I love the udates you've done in black and white. Great energy and textures. Also, I've been so busy learning, doing studies and 1 piece away from having an exibit for my Mother Earth theme (conservation project). I have about 9 finished pieces to start the first part of the series. I'll keep you posted or leave a comment on my blog so I can email you.

[sombertwin]

I thought I would visit my own sketchbook to see how I have progressed. boy! what a change.

I decided last year just to work outside my comfort zone. I am still trying to find my creative voice. Between sick bouts and life I have been learning learning how to express myself. at any rate heres an update. where I am at now.

[sombertwin]

I am studying character development, starting with attempting to capture the emotional elements. I am learning on my own..because I cannot afford school and even if I could my health would have me absent so much I might not make it. but I have used TAD and Sheldon Art Academy. I think I have really really progressed when I look at where I was in March of this year.

[Naidy]

Hey, mate. Nice seeing you're still going at it. The faces are looking pretty good so I do believe you're improving at them already :D

Ah! And merry christmas! Hope you have a good day keep up the good work!

[sombertwin]

I am working on a sketchbook theme of monochromatic alien environments. I am not a conceptual artist. I am a hugem fan of sci fi though. About a year ago I choose to work in areas that are seriously outside my comfort zone. My hope is to gain a technical understanding of my style by exploring areas I would never venture toward.

The sketchbook is for Art House Sketchbook 2012. I choose the theme monochromatic because I knew the theme would be a challenge. I thought I should explore my love for sci fi.

[teapo]

hey there sombertwin! thanks for dropping by my sketchbook. it's great to see you posting again. i sort of understand where you are coming from on trying to figure out your style of art. i think with these latest posts though, you are onto something with those harsh dark/light values; they're very expressive in the way you capture emotion with it. also, this new project of exploring sci-fi themes is a definite challenge and i hope you embrace it well :) you will learn a lot from it and that i am most sure of!

well, hope everything is going well with your health and your holiday :3 til then!

[sombertwin]

Because of my age, i am concerned that I will not be able to get to the point of really finishing a complete series. One problem I think I have solid ideas but lack the skills to really make my creative world come alive.

Knowing I could be 90 before I produced my first real series of works, makes me kinda think I might be a tad bit loony...whose to say if I will be around? lol

At any rate..knowing I do not have youth on my side does not change one iota of my learning process. I made a mistake a few years ago not really taking the time understanding foundation. So now I take my time and learn something then apply it. Slow and unnerving and frustrating, but I really want to the best artist I can be. Fortunately I have enuf life experience to know life is all about the journey.

below are more of rendering on my journey of learning

I find I work better with ink...the little girl and the tree will be a painting as soon as I can figure out what she is really looking at

[sombertwin]

I have been trying to recapture a feel of what I got when I heard my dad played. He played behind Billie Holiday, played for awhile with the Count...played with Parker and knew him well, he was part of the southern kitchen circuit, playing juke joints etc.

So the below drawing is something I am repeating until I can get that feel. I am working in ink for the moment.

[mike butkus]

Good drawings and I love the editorial feel of your paintings.

[sombertwin]

as stated before I am working on a sketchbook which is dedicated to my love for sci fi. doodling with lines that swirl. I have trouble with strokes really defining my figures, abstracts, architecture, etc. Although I know of different strokes I do not have a habit of really allowing myself to make gestural strokes that just show movement.

little did I know swirls would make for an interesting sci fi work.

[sombertwin]

for another one of my sketchbooks.

[smuli]

Your figures have a good sense of structure and being a Bridgman fan myself, it's nice to see his influence! All of your figures show you're thinking about structure but I especially like the clean process you showed on the figure studies on post 78. Another highlight from your old posts I'm really impressed by is this still life (http://www.conceptart.org/forums/attachment.php?attachmentid=1007339&stc=1&d=1277601251) - really good handling of the medium!

About the more recent work, my favorites are the sax player, this portrait (http://www.conceptart.org/forums/attachment.php?attachmentid=1389326&stc=1&d=1325040842) and these thumbnails: 1 (http://www.conceptart.org/forums/attachment.php?attachmentid=1388315&stc=1&d=1324861937), 2 (http://www.conceptart.org/forums/attachment.php?attachmentid=1388313&stc=1&d=1324861742). I like the hatching and details of the sax, and great structure in a topic viewed from a difficult ankle. On the woman's head, I love the flowy lines and use of line weight. The oil sketches of scifi buildings have great colors, mood and air perspective, I can imagine them having tiny windows and being ginormous.

Congrats for pushing yourself despite the hardships and happy New Year! :)

[sombertwin]

Thank you very much for your comments.

I can't afford art school. I had two years at AAU, but that was mainly art history and generally stuff. I had art courses but had to stop. So although I am committed I often question my own development.

I tried for TAD but alas its too expensive at the moment. I used TAD on demand courses from earlier last year to extend my learning. Plus I purposely search CA for TAD related stuff because I learn so much.

I am glad you liked the sax one because it is a direct result of the on demand course on ink and the course on the the sketchbook. I love using ink to sketch with because once that mark is down you have to work with it. I find ink a bit freeing. I have several on demand courses that have really been beneficial. I saw that TAD has exploded and is now again out of my range..oh well.

Of course I read for example I am a Bridgeman fan and the truth be told there is so much info at ConceptArt. I am an oldish woman who finally choose to pursue art. I figure by my 70's I will be the kinda artist I want to be. For me Concepts arts has been part of my schooling.

thanks for taking the time to view my sb. I really feel encouraged and got that happy feeling, no not the drug induce one, genuine natural feel good because of what you wrote.





Your figures have a good sense of structure and being a Bridgman fan myself, it's nice to see his influence! All of your figures show you're thinking about structure but I especially like the clean process you showed on the figure studies on post 78. Another highlight from your old posts I'm really impressed by is this still life (http://www.conceptart.org/forums/attachment.php?attachmentid=1007339&stc=1&d=1277601251) - really good handling of the medium!

About the more recent work, my favorites are the sax player, this portrait (http://www.conceptart.org/forums/attachment.php?attachmentid=1389326&stc=1&d=1325040842) and these thumbnails: 1 (http://www.conceptart.org/forums/attachment.php?attachmentid=1388315&stc=1&d=1324861937), 2 (http://www.conceptart.org/forums/attachment.php?attachmentid=1388313&stc=1&d=1324861742). I like the hatching and details of the sax, and great structure in a topic viewed from a difficult ankle. On the woman's head, I love the flowy lines and use of line weight. The oil sketches of scifi buildings have great colors, mood and air perspective, I can imagine them having tiny windows and being ginormous.

Congrats for pushing yourself despite the hardships and happy New Year! :)

[sombertwin]

There is a project called Arthouse Sketchbook project 2012 I am part of. Its no big deal, except it is away to get my work out there.

In the project you get to choose your theme from a list. I choose monochromatic because it was the one theme that made me the most uncomfortable. I decided in 2010 that I would only work outside my comfort zone to push my limits. My thought process behind the decision was to make me learn both technique and find my style, my creative mo jo.

It took a bit to figure out how to approach a monochromatic theme book. As every artist should know find what you love and work from there. I love love love sci fi. Been a sci fi fan for 45 years I started out sketching a load of images starting from characters I would like to see in a sci fi story. Then I started developing worlds, in black and white for value studies.

I have never done landscapes, architecture etc...but then again I had never created images for sci fi. I tried to record my progress at www.chaisouth.com/blog.

Below is one completed painting of one monochromatic scene. Actually all of the sci fi works are done with one color, plus black or white. The problem will be reproducing the work for sketchbook page size.

[sombertwin]

sometimes what seems like a great idea in your head flops in the making of it.

[The_Flying_Dutchman]

Hey there. Interesting stuff and good to see you're posting a good amount of work too. One of two observations, your monochrome work tends to be very stark black and white, maybe have a look at doing more midtone work in light greys before working darker tones in? It's a problem I often run into with watercolours(i know you're using ink and paint in places), but the principle remains. Even working with oils I dilute it a lot at first, so get a light image going and then work in more detail gradually with darks.

Also not sure, but it looks like you've been dabbling in digital a bit. send me a message and i can give you some pointers on blending and layers that will make your life a lot easier.

And lastly, some of your posts are slightly blurry, so maybe try to get clearer versions up, because it's cool to see the fine details.

But good to see you doing so much, keep at it!

[teapo]

'tis good to see you updating ever-so-often these days somber :) also, knowing to apply the studies to something imaginative/creative soon after, really does help, so it is good to know you are doing that now. keep making art!

[sombertwin]

I can't believe I am finding making cityscapes fun. I would have never ever ventured in the area if not for the challenges of creating a monochromatic themed sketchbook.

I am actually using a 3d modeling program to create cityscapes as models. Then I use the model as references for drawings to push myself further. The 3d shapes I create are basic, but gives me a feel for volume. I discovered my process is to create models for my type of paintings. The problem carving Styrofoam and/or clay is a bit tedious and time consuming. I recently discovered 3d model programs and am jazzed at the possibilities. I see potential growth into other areas, but oil painting is my passion thang.

So far what I do in 3d only makes sense to my eyes. Its the drawings that feel right. Sculptris by Pixologic is my new insane love. Now I can build my characters and other organic forms and use my own models and resource for paintings.

Below is a wip.

[sombertwin]

I am actually visiting your sb every time I come to update mines. I have to tell ya..watching how you share has given me some ideas of how to approach some areas I have been troubled with.

As artist we have to motivate ourselves, push ourselves...often unless we are lucky to be in school or part of an artist group...we are often by ourselves working on our insane passions. The creative process is a monster high maintenance mistress.

again thanks for stopping by.

'tis good to see you updating ever-so-often these days somber :) also, knowing to apply the studies to something imaginative/creative soon after, really does help, so it is good to know you are doing that now. keep making art!

[ElricSlinger]

Very cool black and white work, I love the graphic quality. Also your monochromatic alien environments are very unique (in a good way) and you captured a lot of depth in some of them. Keep up the good work :)

[prsnsweeney]

i really enjoy the bold black and white work i think some of your work would benifit if it had a wider value range i know you say you dont like pencils so maby experiment with different ink wash tones. Just an idea good luck to you

[Vritra]

Hey, good to see you posting again. I especially like the more moody ink works, with the solid blocks of ink. Real tasty stuff.

Also, if I may say so, I think a bit of literary and art theory can really help put some of your dilemmas into perspective. If you haven't already, consider reading The Critical Tradition (http://www.amazon.com/Critical-Tradition-Classic-Contemporary-Trends/dp/0312101066) and Art in Theory (http://www.amazon.com/Art-Theory-1900-Anthology-Changing/dp/0631227083).

Best of luck with your art.